|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
gptkb:art
|
|
gptkbp:aspect_ratio
|
1.66:1
|
|
gptkbp:audience
|
cult following
|
|
gptkbp:awards
|
gptkb:Golden_Lion
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:character_arc
|
unfulfilled desires
|
|
gptkbp:character_development
|
subtle
|
|
gptkbp:character_motivation
|
desire
|
|
gptkbp:character_relationships
|
gptkb:complex
|
|
gptkbp:cinematography
|
gptkb:Mark_Lee_Ping-bin
|
|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:country
|
gptkb:Taiwan
|
|
gptkbp:country_of_origin
|
gptkb:Taiwan
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
influential in Taiwanese cinema
|
|
gptkbp:director
|
gptkb:Wong_Kar-wai
gptkb:Tsai_Ming-liang
|
|
gptkbp:distributor
|
gptkb:Kino_International
|
|
gptkbp:editor
|
Lee Ching-po
|
|
gptkbp:film_festival
|
gptkb:Venice_Film_Festival
|
|
gptkbp:film_score
|
ambient
|
|
gptkbp:film_technique
|
gptkb:In_the_Mood_for_Love
long takes
|
|
gptkbp:filmography
|
academic studies
|
|
gptkbp:genre
|
romance
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Vive L' Amour
|
|
gptkbp:influences
|
gptkb:French_New_Wave
|
|
gptkbp:inspiration
|
real-life experiences
|
|
gptkbp:language
|
gptkb:Mandarin
|
|
gptkbp:language_spoken
|
minimal
|
|
gptkbp:legacy
|
considered a classic
|
|
gptkbp:main_character
|
gptkb:Huang_Shih-chen
Ah-jung
Liang Ching
|
|
gptkbp:music
|
gptkb:Lim_Giong
|
|
gptkbp:narrative_style
|
minimalist
|
|
gptkbp:notable_scene
|
gptkb:the_balcony_scene
|
|
gptkbp:production_company
|
gptkb:Central_Motion_Picture_Corporation
|
|
gptkbp:release_date
|
September 1994
|
|
gptkbp:release_year
|
gptkb:1994
|
|
gptkbp:runtime
|
95 minutes
|
|
gptkbp:screenings
|
art house cinemas
|
|
gptkbp:screenplay
|
gptkb:Tsai_Ming-liang
|
|
gptkbp:setting
|
gptkb:Taipei
|
|
gptkbp:symbolism
|
urban isolation
|
|
gptkbp:theme
|
loneliness
|
|
gptkbp:video_output
|
35mm
|
|
gptkbp:visitors
|
introspective
|
|
gptkbp:bfsParent
|
gptkb:Tsai_Ming-liang
|
|
gptkbp:bfsLayer
|
5
|