|
gptkbp:instance_of
|
gptkb:musical
gptkb:film
|
|
gptkbp:art_style
|
Symbolic imagery
rich colors
Rich color palette
slow motion
Slow motion
lush cinematography
detailed production design
|
|
gptkbp:artistic_influence
|
Inspired songs and albums
Inspired fashion trends
|
|
gptkbp:aspect_ratio
|
1.66:1
|
|
gptkbp:awards
|
gptkb:Best_Actor
gptkb:Best_Film
gptkb:César_Award_for_Best_Foreign_Film
gptkb:Cannes_Film_Festival_Best_Actor
gptkb:Hong_Kong_Film_Awards_Best_Film
|
|
gptkbp:box_office
|
gptkb:$8_million
$18 million
$5.5 million
|
|
gptkbp:budget
|
$2 million
|
|
gptkbp:cast
|
gptkb:Maggie_Cheung
gptkb:Tony_Leung_Chiu-wai
|
|
gptkbp:character
|
gptkb:Mr._Chow
gptkb:Chow_Mo-wan
gptkb:Su_Li-zhen
Chow's wife
Li-zhen's husband
Mrs. Chow
|
|
gptkbp:character_appearance
|
gptkb:William_Chang_Suk_Ping
Vintage 1960s attire
|
|
gptkbp:character_development
|
Complex characters
|
|
gptkbp:character_relationships
|
neighbors
affair
|
|
gptkbp:cinematography
|
gptkb:Christopher_Doyle
|
|
gptkbp:color
|
gptkb:color
|
|
gptkbp:country
|
gptkb:Hong_Kong
|
|
gptkbp:created_by
|
gptkb:Wong_Kar-wai
|
|
gptkbp:critical_reception
|
Highly acclaimed
highly acclaimed
Widely regarded as one of the greatest films of all time.
|
|
gptkbp:cultural_impact
|
gptkb:significant
inspired fashion trends
influenced filmmakers
popular among cinephiles
Critically acclaimed and influential in cinema.
Significant influence on Asian cinema
|
|
gptkbp:cultural_references
|
Referenced in various media
|
|
gptkbp:cultural_significance
|
Explores societal norms of the 1960s
|
|
gptkbp:directed_by
|
gptkb:Wong_Kar-wai
|
|
gptkbp:director
|
gptkb:Wong_Kar-wai
Influenced filmmakers like Sofia Coppola
Influenced filmmakers like Wong Kar-wai
|
|
gptkbp:distributor
|
gptkb:Focus_Features
gptkb:Palisades_Tartan
|
|
gptkbp:editor
|
gptkb:William_Chang
gptkb:William_Chang_Suk_Ping
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Toronto_International_Film_Festival
gptkb:New_York_Film_Festival
|
|
gptkbp:film_score
|
string instruments
romantic themes
melancholic melodies
|
|
gptkbp:filming_location
|
gptkb:Hong_Kong
gptkb:Kowloon
|
|
gptkbp:filmography
|
gptkb:William_Chang
98 minutes
|
|
gptkbp:followed_by
|
2046
|
|
gptkbp:genre
|
gptkb:High_School
romance
|
|
gptkbp:home_media_release
|
gptkb:Streaming_services
DVD and Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
In the Mood for Love
|
|
gptkbp:influenced
|
many filmmakers
Filmmakers and artists.
|
|
gptkbp:influenced_by
|
gptkb:Italian_Neorealism
gptkb:French_New_Wave
gptkb:The_World_of_Suzie_Wong
gptkb:Brief_Encounter
gptkb:The_Apartment
Film noir.
French New Wave.
Italian Neorealism.
|
|
gptkbp:influences
|
gptkb:Italian_Neorealism
gptkb:French_New_Wave
|
|
gptkbp:inspiration
|
gptkb:The_Mood_for_Love
real-life events
The novel ' The Time of the Locust'
|
|
gptkbp:is_critical_for
|
Examined in film studies
|
|
gptkbp:language
|
Cantonese
Minimalistic
|
|
gptkbp:legacy
|
Considered a modern classic
|
|
gptkbp:main_character
|
gptkb:Chow_Mo-wan
gptkb:Su_Li-zhen
|
|
gptkbp:music
|
gptkb:Shigeru_Umebayashi
|
|
gptkbp:music_by
|
gptkb:Shigeru_Umebayashi
|
|
gptkbp:narrative_style
|
non-linear
Non-linear storytelling
|
|
gptkbp:notable_appearance
|
The final scene.
The iconic slow-motion scenes.
The recurring motif of the narrow staircase.
The use of color and costume.
The use of music and sound.
|
|
gptkbp:notable_quote
|
nan
“ I’m not a man who can be easily forgotten.”
“ The more I think about it, the more I miss you.”
“ I can’t forget you.”
“ It’s a pity we didn’t meet earlier.”
“ We’re not meant to be together.”
|
|
gptkbp:plot
|
Two neighbors form a strong bond after both suspect extramarital infidelity.
Two neighbors form a strong bond after both suspect extramarital infidelities.
|
|
gptkbp:production_company
|
Block 2 Pictures
Jet Tone Production
|
|
gptkbp:release_date
|
May 21, 2000
|
|
gptkbp:release_region
|
gptkb:China
gptkb:Hong_Kong
gptkb:Japan
gptkb:Monarch
gptkb:United_States
|
|
gptkbp:release_year
|
gptkb:2000
|
|
gptkbp:released
|
gptkb:2000
|
|
gptkbp:remake
|
In the Mood for Love (2020)
|
|
gptkbp:runtime
|
98 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Wong_Kar-wai
|
|
gptkbp:sequel
|
2046
|
|
gptkbp:set_in
|
gptkb:Hong_Kong
|
|
gptkbp:setting
|
gptkb:Hong_Kong
1960s Hong Kong
|
|
gptkbp:starring
|
gptkb:Maggie_Cheung
gptkb:Tony_Leung_Chiu-wai
|
|
gptkbp:themes
|
gptkb:Isolation
gptkb:Magic:_The_Gathering_set
gptkb:Memory
gptkb:Nostalgia
gptkb:Time
gptkb:military_operation
love
Infidelity
loneliness
nostalgia
unrequited love
Love and longing
|
|
gptkbp:bfsParent
|
gptkb:Tony_Leung_Chiu-wai
gptkb:Chinese_cinema
|
|
gptkbp:bfsLayer
|
3
|