Variations on a Theme by Trockel, D. 604
GPTKB entity
Statements (60)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:adaptation |
adapted for various ensembles
|
| gptkbp:arrangements |
for chamber orchestra
|
| gptkbp:artist |
features intricate rhythms
|
| gptkbp:artistic_influence |
influenced by jazz elements
|
| gptkbp:audience |
popular among contemporary audiences
|
| gptkbp:author |
studied by musicologists
|
| gptkbp:awards |
nominated for music awards
|
| gptkbp:collaborations |
collaborated with visual artists
|
| gptkbp:composer |
D. 604
performed by London Symphony Orchestra |
| gptkbp:critical_reception |
well-received by critics
|
| gptkbp:cultural_impact |
significant in contemporary classical music
reflects contemporary art movements |
| gptkbp:cultural_significance |
explores themes of identity
relevant in discussions of art and music. |
| gptkbp:dedication |
to Rosemarie Trockel
|
| gptkbp:duration |
approximately 15 minutes
|
| gptkbp:first_performance |
gptkb:Kölner_Philharmonie
|
| gptkbp:genre |
gptkb:classical
|
| gptkbp:historical_context |
interpreted by various conductors
interpreted by renowned soloists |
| https://www.w3.org/2000/01/rdf-schema#label |
Variations on a Theme by Trockel, D. 604
|
| gptkbp:influenced_artists |
gptkb:Thomas_Adès
inspired future compositions inspired by contemporary literature |
| gptkbp:influenced_by |
minimalism
|
| gptkbp:influences |
gptkb:painting
|
| gptkbp:inspired_by |
gptkb:Trockel's_artwork
|
| gptkbp:instrument |
strings
|
| gptkbp:is_influential_in |
influenced by European avant-garde music
|
| gptkbp:key |
E minor
|
| gptkbp:length |
15 minutes
|
| gptkbp:music_style |
uses complex harmonies
variation form uses extended techniques |
| gptkbp:notable_conductors |
gptkb:Daniel_Barenboim
|
| gptkbp:notable_event |
performed at the Salzburg Festival
|
| gptkbp:notable_performance |
gptkb:orchestra
performed at major music festivals conducted by Simon Rattle |
| gptkbp:notable_production |
premiered in major concert halls
|
| gptkbp:notable_recordings |
performed by Berlin Philharmonic
|
| gptkbp:performance |
performed internationally
characterized by dynamic contrasts |
| gptkbp:premiere |
gptkb:1991
|
| gptkbp:publisher |
gptkb:Universal_Edition
|
| gptkbp:record_label |
gptkb:Deutsche_Grammophon
|
| gptkbp:related_works |
gptkb:Variations_on_a_Theme_by_Haydn
|
| gptkbp:social_structure |
theme and variations
|
| gptkbp:style |
postmodern
|
| gptkbp:thematic_element |
connects to feminist art
derived from visual motifs explores gender themes |
| gptkbp:theme |
features recurring motifs
explores themes of transformation |
| gptkbp:user_reviews |
received positive reviews in music journals
|
| gptkbp:year_composed |
gptkb:1990
|
| gptkbp:bfsParent |
gptkb:Schubert:_Piano_Duets
|
| gptkbp:bfsLayer |
5
|