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gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:based_on
|
original screenplay by Samuel Fuller
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:character
|
a femme fatale
a newspaper reporter
a mobster
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:cinematography_by
|
gptkb:Joseph_Biroc
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
cult following
|
|
gptkbp:depicts
|
gptkb:organized_crime
|
|
gptkbp:directed_by
|
gptkb:Samuel_Fuller
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:edited_by
|
gptkb:Samuel_Fuller
|
|
gptkbp:features
|
voiceover narration
|
|
gptkbp:film_editing
|
gptkb:Samuel_Fuller
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:follows
|
a man seeking revenge
|
|
gptkbp:genre
|
gptkb:drama
gptkb:crime
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Underworld USA
|
|
gptkbp:influenced
|
future filmmakers
later crime films
|
|
gptkbp:influenced_by
|
film noir
American crime literature
|
|
gptkbp:inspiration
|
real-life crime stories
|
|
gptkbp:language
|
English
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|
gptkbp:legacy
|
considered a classic
|
|
gptkbp:music_by
|
gptkb:Miklos_Rozsa
|
|
gptkbp:narrative_style
|
noir
|
|
gptkbp:notable_quote
|
" I want to be a part of the underworld."
|
|
gptkbp:portrayed_in
|
the dark side of society
|
|
gptkbp:produced_by
|
gptkb:Samuel_Fuller
|
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
|
|
gptkbp:release_date
|
1961-06-01
|
|
gptkbp:released_in
|
gptkb:1961
|
|
gptkbp:restoration
|
gptkb:Criterion_Collection
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Samuel_Fuller
|
|
gptkbp:set_in
|
gptkb:Los_Angeles
|
|
gptkbp:starring
|
gptkb:Paul_Dubois
gptkb:Dolores_Dorn
gptkb:Cliff_Robertson
|
|
gptkbp:style
|
gritty realism
|
|
gptkbp:themes
|
crime and corruption
|
|
gptkbp:uses
|
flashbacks
|
|
gptkbp:bfsParent
|
gptkb:The_Underworld_USA_Trilogy
|
|
gptkbp:bfsLayer
|
5
|