Statements (53)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
art movement
|
| gptkbp:associatedWith |
modernism
|
| gptkbp:availableIn |
Soviet_repression
|
| gptkbp:characterizedBy |
abstract forms
experimental techniques political themes |
| gptkbp:depictedIn |
gptkb:Kiev
gptkb:Lviv Kharkiv |
| https://www.w3.org/2000/01/rdf-schema#label |
Ukrainian avant-garde
|
| gptkbp:influenced |
Ukrainian_contemporary_art
|
| gptkbp:influencedBy |
Constructivism
Futurism |
| gptkbp:isReflectedIn |
1990s
|
| gptkbp:keyIssues |
gptkb:Socialist_realism
Architecture Cubism Cultural heritage Dance Expressionism Film Graphic design Literature Music Photography Postmodernism Surrealism Theater Visual arts Dadaism Performing arts Constructivism Futurism Suprematism Cultural exchange Artistic movements Artistic innovation Artistic freedom Artistic collaboration Neo-primitivism Interwar avant-garde |
| gptkbp:notableFeature |
Avant-Garde_in_Ukraine
The_Ukrainian_Avant-Garde:_1910-1930 Ukrainian_Art_of_the_20th_Century |
| gptkbp:notableFigures |
gptkb:Kazimir_Malevich
gptkb:Vladimir_Tatlin Oleksandr Dovzhenko |
| gptkbp:notableWorks |
gptkb:Black_Square
The Last Judgment The Knife in the Water |
| gptkbp:originatedIn |
gptkb:Ukraine
|
| gptkbp:relatedTo |
Ukrainian_nationalism
Ukrainian_cultural_identity |