|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
5
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|
gptkbp:bfsParent
|
gptkb:Tosca_(1970)
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|
gptkbp:art_style
|
cinematic realism
Jean-Pierre Kohut-Svelko
|
|
gptkbp:awards
|
gptkb:CEO
|
|
gptkbp:based_on
|
Tosca (opera)
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:character
|
gptkb:Baron_Scarpia
gptkb:Floria_Tosca
gptkb:Mario_Cavaradossi
|
|
gptkbp:character_appearance
|
gptkb:Christian_Lacroix
|
|
gptkbp:cinematography
|
Pascal Marti
|
|
gptkbp:country
|
gptkb:Monarch
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
influential in opera adaptations
|
|
gptkbp:director
|
gptkb:Benoît_Jacquot
|
|
gptkbp:distributor
|
gptkb:Decca_Records
|
|
gptkbp:editor
|
gptkb:Michele_Sordi
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival_2001
|
|
gptkbp:filming_location
|
gptkb:Palazzo_Farnese
gptkb:Castel_Sant'_Angelo
gptkb:Teatro_di_San_Carlo
|
|
gptkbp:followed_by
|
gptkb:Tosca_(2011_film)
|
|
gptkbp:genre
|
opera film
|
|
gptkbp:home_media_release
|
gptkb:2002
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Tosca (2001 film)
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|
gptkbp:influenced
|
modern opera films
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|
gptkbp:influenced_by
|
Tosca (opera)
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:music_by
|
gptkb:Giacomo_Puccini
|
|
gptkbp:narrative_style
|
linear
|
|
gptkbp:official_language
|
gptkb:Italian
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:production_company
|
gptkb:Opus_Arte
|
|
gptkbp:rating
|
7.0/10 on IM Db
Rotten Tomatoes 75%
|
|
gptkbp:release_date
|
gptkb:2001
|
|
gptkbp:release_format
|
gptkb:DJ
|
|
gptkbp:release_region
|
gptkb:Monarch
|
|
gptkbp:release_year
|
gptkb:2001
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Benoît_Jacquot
|
|
gptkbp:setting
|
gptkb:Rome
|
|
gptkbp:sound
|
gptkb:Jean-Pierre_Laforce
|
|
gptkbp:soundtrack
|
gptkb:Tosca_(soundtrack)
|
|
gptkbp:starring
|
gptkb:Thomas_Hampson
gptkb:Angela_Gheorghiu
gptkb:Roberto_Alagna
|
|
gptkbp:target_audience
|
opera enthusiasts
|
|
gptkbp:theme
|
love and betrayal
|