gptkbp:instance_of
|
gptkb:opera
gptkb:play
gptkb:character
|
gptkbp:action
|
three
final act
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:musical
gptkb:ballet
gptkb:stage_adaptation
gptkb:film
gptkb:stage_play
|
gptkbp:adaptation_year
|
1900
|
gptkbp:adaptations
|
gptkb:film_adaptations
gptkb:films
gptkb:Puccini's_Tosca
gptkb:theater_productions
stage adaptations
|
gptkbp:adapted_into
|
gptkb:films
gptkb:various_languages
gptkb:radio_station
gptkb:La_Tosca
gptkb:opera
gptkb:television
gptkb:film
gptkb:theater_productions
various musical styles
ballets
|
gptkbp:antagonist
|
gptkb:Baron_Scarpia
|
gptkbp:appears_in
|
gptkb:Tosca
|
gptkbp:associated_with
|
romanticism
|
gptkbp:based_on
|
La Tosca by Victorien Sardou
|
gptkbp:cast
|
gptkb:Giuseppe_Cremonini
gptkb:Hariclea_Darclée
Eduardo Schippa
|
gptkbp:character_arc
|
gptkb:transformation
|
gptkbp:character_development
|
complex characters
Tosca's transformation throughout the play
|
gptkbp:character_motivation
|
Scarpia's desire for Tosca
Cavaradossi's political beliefs
Tosca's love for Cavaradossi
|
gptkbp:character_relationships
|
Tosca and Cavaradossi are lovers
Tosca and Scarpia are adversaries
Cavaradossi is a political prisoner
Cavaradossi and Scarpia
Tosca and Cavaradossi
Tosca and Scarpia
Cavaradossi is arrested by Scarpia
Cavaradossi is executed
Scarpia desires Tosca
Tosca kills Scarpia
Tosca commits suicide.
Tosca loves Cavaradossi
|
gptkbp:commits_suicide_in
|
final act
|
gptkbp:composed_of
|
gptkb:Giacomo_Puccini
|
gptkbp:composer
|
gptkb:Giacomo_Puccini
|
gptkbp:confesses_to
|
gptkb:Scarpia
|
gptkbp:conflict
|
internal struggle
|
gptkbp:constructed_in
|
love and loyalty
|
gptkbp:created_by
|
gptkb:Giacomo_Puccini
|
gptkbp:critical_reception
|
widely acclaimed
performed frequently
initially mixed reviews
later became a classic
considered a masterpiece
considered a staple of the operatic repertoire
|
gptkbp:cultural_impact
|
high
inspired literature
inspired films
performed worldwide
influential in opera repertoire
influential character
widely performed worldwide
influenced other operas
influenced theater and opera
|
gptkbp:cultural_significance
|
explores themes of power and betrayal
iconic status in opera
considered a masterpiece of opera
|
gptkbp:depicted_in
|
gptkb:literature
|
gptkbp:director
|
gptkb:Giorgio_Strehler
gptkb:Franco_Zeffirelli
gptkb:Robert_Wilson
gptkb:Luc_Bondy
gptkb:David_Mc_Vicar
|
gptkbp:example
|
gptkb:opera
the operatic canon
|
gptkbp:experiences_jealousy_towards
|
gptkb:Scarpia
|
gptkbp:explores
|
themes of loyalty
themes of betrayal
themes of power dynamics
|
gptkbp:faced
|
gptkb:Scarpia
moral dilemmas
|
gptkbp:famous_quote
|
Vissi d'arte, vissi d'amore.
" I am a woman, I am a woman!"
Vissi d'arte, vissi d'amore
" Ah, la vita è un sogno"
" E lucevan le stelle"
" Vissi d'arte, vissi d'amore"
|
gptkbp:features
|
love and betrayal
political themes
|
gptkbp:features_a_character_who_is_a_painter
|
gptkb:Cavaradossi
|
gptkbp:features_a_character_who_is_a_police_chief
|
gptkb:Scarpia
|
gptkbp:features_a_love_triangle_involving
|
Tosca, Cavaradossi, and Scarpia
|
gptkbp:features_character
|
gptkb:Scarpia
|
gptkbp:first_appearance
|
1900
Tosca (opera)
|
gptkbp:first_performance
|
gptkb:Théâtre_de_la_Porte-Saint-Martin
1900
January 14, 1900
|
gptkbp:gender
|
gptkb:Female
|
gptkbp:genre
|
gptkb:drama
gptkb:tragedy
|
gptkbp:has
|
gptkb:3
|
gptkbp:has_a
|
strong will
dramatic aria
|
gptkbp:has_a_dramatic_ending
|
nan
|
gptkbp:has_a_famous_duet
|
gptkb:Te_Deum
|
gptkbp:has_a_tragic_ending
|
gptkb:true
|
gptkbp:has_been_performed_by_many_famous_singers
|
gptkb:true
|
gptkbp:has_been_recorded_numerous_times
|
gptkb:true
|
gptkbp:has_character
|
gptkb:Baron_Scarpia
gptkb:Floria_Tosca
gptkb:Scarpia
gptkb:Mario_Cavaradossi
gptkb:Cavaradossi
|
gptkbp:has_conflict_with
|
gptkb:Scarpia
authority
|
gptkbp:has_cultural_impact
|
in popular culture
|
gptkbp:has_famous_arias
|
gptkb:Vissi_d'arte
gptkb:E_lucevan_le_stelle
|
gptkbp:has_famous_duet
|
" E lucevan le stelle"
" Te Deum"
|
gptkbp:has_influence_on
|
modern operas
|
gptkbp:has_interest
|
gptkb:Cavaradossi
|
gptkbp:has_occupation
|
gptkb:Singer
|
gptkbp:has_role
|
gptkb:protagonist
|
gptkbp:has_symbol
|
art and politics
|
gptkbp:has_theme
|
love and sacrifice
|
gptkbp:has_themes
|
gptkb:sacrifice
|
gptkbp:historical_context
|
gptkb:Napoleonic_Wars
set during the Napoleonic Wars
set during Napoleonic Wars
reflects Italian unification themes
|
gptkbp:historical_figures
|
gptkb:Napoleon_Bonaparte
gptkb:Papal_States
|
https://www.w3.org/2000/01/rdf-schema#label
|
Tosca
|
gptkbp:influence
|
gptkb:opera
|
gptkbp:influenced_artists
|
romantic opera
influenced many 20th-century composers
verismo opera
|
gptkbp:influenced_by
|
gptkb:historical_events
gptkb:French_Romanticism
gptkb:opera
gptkb:theater_of_the_absurd
gptkb:Romanticism
gptkb:Victorien_Sardou
French drama
Verismo movement
|
gptkbp:influences
|
modern operatic characters
|
gptkbp:inspiration
|
gptkb:Victorien_Sardou
real events
|
gptkbp:inspired_by
|
real historical figures
|
gptkbp:is
|
gptkb:protagonist
|
gptkbp:is_a
|
gptkb:soprano
gptkb:Singer
female protagonist
tragic heroine
soprano role
|
gptkbp:is_a_central_figure_in
|
Tosca (opera)
the opera's climax
|
gptkbp:is_a_story_about_moral_dilemmas
|
gptkb:true
|
gptkbp:is_a_story_about_political_oppression
|
gptkb:true
|
gptkbp:is_a_story_set_during
|
gptkb:Napoleonic_Wars
|
gptkbp:is_a_story_that_explores_the_nature_of_power
|
gptkb:true
|
gptkbp:is_a_story_that_features_a_famous_death_scene
|
gptkb:true
|
gptkbp:is_a_story_that_has_a_significant_cultural_impact
|
gptkb:true
|
gptkbp:is_a_story_that_has_a_strong_female_lead
|
gptkb:true
|
gptkbp:is_a_story_that_has_been_performed_worldwide
|
gptkb:true
|
gptkbp:is_a_story_that_has_been_referenced_in_popular_culture
|
gptkb:true
|
gptkbp:is_a_story_that_has_inspired_many_interpretations
|
gptkb:true
|
gptkbp:is_a_story_that_includes_a_dramatic_climax
|
gptkb:true
|
gptkbp:is_a_symbol_of
|
gptkb:sacrifice
|
gptkbp:is_a_three-act_opera
|
gptkb:true
nan
|
gptkbp:is_a_tragic_character
|
nan
|
gptkbp:is_a_tragic_character_in
|
Tosca (opera)
|
gptkbp:is_a_work_by
|
gptkb:Puccini
|
gptkbp:is_about
|
jealousy and betrayal
|
gptkbp:is_an_opera_by
|
gptkb:Giacomo_Puccini
|
gptkbp:is_associated_with
|
gptkb:theater_productions
romanticism
passion
art and love
|
gptkbp:is_based_on
|
gptkb:Victorien_Sardou's_play
|
gptkbp:is_based_on_a_play_by
|
gptkb:Victorien_Sardou
|
gptkbp:is_celebrated_for
|
its vocal demands
|
gptkbp:is_character_in
|
Tosca (opera)
|
gptkbp:is_characterized_by
|
rich orchestration
|
gptkbp:is_considered_as
|
one of Puccini's masterpieces
|
gptkbp:is_considered_by
|
audiences as a classic
|
gptkbp:is_explored_in
|
academic studies
|
gptkbp:is_famous_for
|
the aria ' Vissi d'arte'
her aria ' Vissi d'arte'
|
gptkbp:is_featured_in
|
three acts
musical adaptations
|
gptkbp:is_from
|
gptkb:Rome
gptkb:opera
|
gptkbp:is_in_love_with
|
gptkb:Cavaradossi
|
gptkbp:is_in_opera
|
gptkb:Tosca
|
gptkbp:is_influenced_by
|
Verismo movement
|
gptkbp:is_influential_in
|
gptkb:opera
inspired composers like Puccini
inspired directors and conductors
|
gptkbp:is_involved_in
|
gptkb:political_intrigue
love triangle
|
gptkbp:is_involved_in_a_love_triangle_with
|
gptkb:Scarpia
|
gptkbp:is_known_for
|
emotional intensity
her strength
tragic love story
dramatic tension
dramatic confrontations
its dramatic climax
intense emotional scenes
her dramatic actions
its love story
|
gptkbp:is_known_for_its_dramatic_intensity
|
gptkb:true
|
gptkbp:is_known_for_its_orchestration
|
gptkb:true
|
gptkbp:is_motivated_by
|
to save her lover
|
gptkbp:is_notable_for
|
dramatic plot twists
its historical context
|
gptkbp:is_often_analyzed_in_musicology
|
gptkb:true
|
gptkbp:is_often_depicted_as
|
strong-willed
|
gptkbp:is_often_enjoyed_with
|
gptkb:Cavaradossi
|
gptkbp:is_often_performed_in_concert_versions
|
gptkb:true
|
gptkbp:is_often_seen_in
|
a feminist character
|
gptkbp:is_often_used_in
|
gptkb:Italian
opera houses
|
gptkbp:is_part_of
|
gptkb:opera
gptkb:Puccini's_trilogy
Tosca (opera)
standard opera repertoire
Puccini's operatic legacy
|
gptkbp:is_part_of_the_standard_operatic_repertoire
|
gptkb:true
|
gptkbp:is_portrayed_as
|
passionate
various sopranos
fierce
many sopranos
|
gptkbp:is_recognized_as
|
a cultural landmark
|
gptkbp:is_referenced_in
|
gptkb:popular_culture
|
gptkbp:is_regarded_as
|
a tragic opera
|
gptkbp:is_represented_in
|
gptkb:artworks
|
gptkbp:is_rescued_by
|
gptkb:Cavaradossi
|
gptkbp:is_reviewed_by
|
critics
|
gptkbp:is_set_in
|
gptkb:Napoleonic_Wars
gptkb:Rome
1900
|
gptkbp:is_studied_in
|
musicology
|
gptkbp:key
|
E major
|
gptkbp:kills_scarpia_with
|
a knife
|
gptkbp:language
|
gptkb:French
gptkb:Italian
|
gptkbp:librettist
|
gptkb:Luigi_Illica
gptkb:Giuseppe_Giacosa
|
gptkbp:libretto
|
gptkb:Luigi_Illica
gptkb:Giuseppe_Giacosa
Giuseppe Giacosa and Luigi Illica
|
gptkbp:main_character
|
gptkb:Baron_Scarpia
gptkb:Floria_Tosca
gptkb:Mario_Cavaradossi
|
gptkbp:mood
|
desperation
|
gptkbp:music_style
|
romanticism
verismo
late-Romantic
late Romantic
|
gptkbp:narrative
|
gptkb:jealousy
gptkb:sacrifice
redemption
love and sacrifice
|
gptkbp:narrative_theme
|
gptkb:jealousy
|
gptkbp:notable_actor
|
gptkb:Renee_Fleming
gptkb:Plácido_Domingo
gptkb:Sarah_Bernhardt
|
gptkbp:notable_aria
|
gptkb:Te_Deum
gptkb:Vissi_d'arte
gptkb:E_lucevan_le_stelle
|
gptkbp:notable_artist
|
gptkb:Anna_Netrebko
gptkb:Diana_Damrau
gptkb:Lucia_Popp
gptkb:Renata_Tebaldi
gptkb:Angela_Gheorghiu
gptkb:Roberto_Alagna
gptkb:Plácido_Domingo
gptkb:Luciano_Pavarotti
gptkb:Maria_Callas
gptkb:José_Carreras
gptkb:Marcello_Giordani
|
gptkbp:notable_awards
|
gptkb:Molière_Award
gptkb:Grammy_Award
gptkb:Tony_Award
gptkb:Grammy_Hall_of_Fame
gptkb:International_Opera_Awards
Tony Awards for adaptations
Grammy Awards for recordings
awarded multiple opera prizes
|
gptkbp:notable_character
|
gptkb:Baron_Scarpia
gptkb:Floria_Tosca
gptkb:Mario_Cavaradossi
|
gptkbp:notable_collaborations
|
Amore e morte
Tosca and Cavaradossi duet
Tosca and Scarpia duet
|
gptkbp:notable_conductors
|
gptkb:Riccardo_Muti
gptkb:Gustavo_Dudamel
gptkb:Daniel_Barenboim
gptkb:James_Levine
gptkb:Zubin_Mehta
Leopoldo Mugnone
|
gptkbp:notable_performances
|
multiple revivals
|
gptkbp:notable_performers
|
gptkb:Riccardo_Muti
gptkb:Tugan_Sokhiev
gptkb:Jonas_Kaufmann
gptkb:Thomas_Hampson
gptkb:Vladimir_Jurowski
gptkb:Svetlana_Zakharova
gptkb:Vladimir_Fedoseyev
gptkb:Bryan_Hymel
gptkb:Agnieszka_Rehlis
gptkb:Anna_Caterina_Antonacci
gptkb:Anna_Netrebko
gptkb:Diana_Damrau
gptkb:Giorgio_Morandi
gptkb:Gustavo_Dudamel
gptkb:Luca_Pisaroni
gptkb:Lucia_Popp
gptkb:Vassilis_Varvaresos
gptkb:Mariusz_Kwiecien
gptkb:Evelyn_Herlitzius
gptkb:Andris_Nelsons
gptkb:Antonio_Pappano
gptkb:Renata_Tebaldi
gptkb:Joseph_Calleja
gptkb:Michael_Volle
gptkb:Angela_Gheorghiu
gptkb:Daniel_Barenboim
gptkb:James_Levine
gptkb:Sondra_Radvanovsky
gptkb:Plácido_Domingo
gptkb:Yannick_Nézet-Séguin
gptkb:Zubin_Mehta
gptkb:Luciano_Pavarotti
gptkb:Maria_Callas
gptkb:Ildar_Abdrazakov
gptkb:José_Carreras
gptkb:Katarina_Dalayman
gptkb:Svetlana_Sozdateleva
gptkb:Sofia_Fomina
gptkb:Luca_Salsi
gptkb:Simon_Keenlyside
gptkb:Elena_Stikhina
gptkb:Daria_Masiero
gptkb:Michele_Mariotti
gptkb:Javier_Camarena
gptkb:John_Osborn
gptkb:Erwin_Schrott
gptkb:Matthew_Polenzani
gptkb:Dmitry_Hvorostovsky
gptkb:Mikhail_Tatarnikov
gptkb:Yulianna_Avdeeva
Francesco Cilluffo
|
gptkbp:notable_production
|
gptkb:Teatro_alla_Scala
gptkb:Royal_Opera_House
gptkb:Vienna_State_Opera
gptkb:San_Francisco_Opera
gptkb:opera
Metropolitan Opera productions
Royal Opera House productions
La Scala productions
|
gptkbp:notable_scene
|
jump from Castel Sant' Angelo
final scene at Castel Sant' Angelo
|
gptkbp:notable_song
|
Chorus of the Roman people
|
gptkbp:notable_themes
|
conflict between personal and political
|
gptkbp:number_of_acts
|
gptkb:3
three
|
gptkbp:occupation
|
gptkb:Singer
|
gptkbp:occurs_in
|
gptkb:Scarpia
|
gptkbp:orchestration
|
large orchestra
full orchestra
|
gptkbp:original_language
|
gptkb:French
|
gptkbp:performance
|
approximately 2 hours
|
gptkbp:performance_tradition
|
performed worldwide
often performed in Italian
frequent revivals
|
gptkbp:performance_venue
|
gptkb:Lyric_Opera_of_Chicago
gptkb:Vienna_State_Opera
gptkb:Sydney_Opera_House
gptkb:San_Francisco_Opera
gptkb:Teatro_di_San_Carlo
|
gptkbp:performed_at
|
gptkb:Teatro_Costanzi
|
gptkbp:performed_by
|
major opera companies
in opera houses
|
gptkbp:performed_in
|
gptkb:concerts
gptkb:Italian
gptkb:various_adaptations
gptkb:festivals
gptkb:theater
theaters worldwide
|
gptkbp:portrayed_by
|
various artists
various sopranos
|
gptkbp:portrayed_in
|
various operatic performances
|
gptkbp:premiere
|
1900
|
gptkbp:premiere_date
|
1900
1900-01-14
|
gptkbp:premiere_location
|
gptkb:Teatro_Costanzi
Teatro Costanzi, Rome
|
gptkbp:premiered_on
|
1887
1900
|
gptkbp:protagonist
|
gptkb:Tosca
gptkb:opera
|
gptkbp:published_in
|
1887
|
gptkbp:recordings
|
gptkb:Anna_Netrebko
gptkb:Renata_Tebaldi
gptkb:Plácido_Domingo
gptkb:Luciano_Pavarotti
gptkb:Maria_Callas
multiple artists
numerous recordings exist
by various artists
numerous audio recordings
conducted by Toscanini
multiple famous recordings
conducted by Barenboim
conducted by Karajan
conducted by Levine
conducted by Muti
|
gptkbp:relationship
|
gptkb:Mario_Cavaradossi
|
gptkbp:relationship_with
|
gptkb:Mario_Cavaradossi
political turmoil
|
gptkbp:repertoire
|
opera houses
|
gptkbp:result
|
suicide
tragic ending
|
gptkbp:set_in
|
gptkb:Rome
|
gptkbp:setting
|
gptkb:Rome
Rome during the Napoleonic Wars
|
gptkbp:story_arc
|
tragic
|
gptkbp:symbolism
|
the use of art as a motif
|
gptkbp:symbolizes
|
gptkb:sacrifice
feminine strength
|
gptkbp:takes_place_in
|
gptkb:Rome
|
gptkbp:thematic_element
|
gptkb:jealousy
gptkb:political_intrigue
gptkb:sacrifice
explores themes of love and betrayal
|
gptkbp:theme
|
gptkb:jealousy
gptkb:sacrifice
love
|
gptkbp:themes
|
gptkb:betrayal
gptkb:jealousy
gptkb:political_intrigue
gptkb:sacrifice
love
|
gptkbp:translated_into
|
multiple languages
|
gptkbp:was_executed_by
|
gptkb:Scarpia
|
gptkbp:was_known_for
|
gptkb:jealousy
|
gptkbp:written_by
|
gptkb:Giacomo_Puccini
gptkb:Victorien_Sardou
|
gptkbp:bfsParent
|
gptkb:Marian_Anderson
gptkb:Bernstein
gptkb:The_Nashville_Opera
|
gptkbp:bfsLayer
|
3
|