Statements (56)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
novel
|
| gptkbp:adaptation |
gptkb:David_O._Russell
gptkb:television_series gptkb:Tony_Richardson 1963 1997 musical film radio theatre |
| gptkbp:artMovement |
allegory
irony foreshadowing |
| gptkbp:author |
gptkb:Henry_Fielding
|
| gptkbp:awards |
Academy Award for Best Picture
BAFTA Awards |
| gptkbp:character |
gptkb:Tom_Jones
Tom's_journey_to_self-discovery |
| gptkbp:characterDevelopment |
complex characters
|
| gptkbp:conflict |
class struggle
|
| gptkbp:critical_reception |
widely acclaimed
|
| gptkbp:cultural_impact |
influenced modern literature
|
| gptkbp:culturalHeritage |
Victorian literature
philosophy of the Enlightenment British_history |
| gptkbp:genre |
picaresque novel
|
| gptkbp:historicalContext |
18th century England
|
| https://www.w3.org/2000/01/rdf-schema#label |
Tom Jones
|
| gptkbp:influence |
satirical literature
modern storytelling character-driven narratives |
| gptkbp:influences |
gptkb:Charles_Dickens
gptkb:Jane_Austen |
| gptkbp:inspiration |
Fielding's_own_life
|
| gptkbp:ISBN |
978-0140431447
|
| gptkbp:language |
English
|
| gptkbp:moral |
human nature
|
| gptkbp:narrativeStyle |
episodic
satirical commentary third-person omniscient |
| gptkbp:notableFeature |
gptkb:Sophia_Western
gptkb:Squire_Allworthy gptkb:Lady_Bellaston gptkb:Mr._Partridge Blifil |
| gptkbp:notableQuote |
"The world is a stage."
"All human actions may be reduced to these two: the seeking of pleasure and the avoiding of pain." |
| gptkbp:pageCount |
approximately 400
|
| gptkbp:publishedBy |
1749
|
| gptkbp:publisher |
gptkb:A._Millar
|
| gptkbp:setting |
gptkb:England
|
| gptkbp:significance |
pioneering work in the novel genre
|
| gptkbp:symbolism |
social mobility
|
| gptkbp:theme |
love
morality social class |