gptkbp:instance_of
|
gptkb:mythological_figure
gptkb:song
gptkb:character
|
gptkbp:age
|
gptkb:television_series
|
gptkbp:album
|
gptkb:Tom_Jones_Live!
gptkb:Tom_Jones_Live!_At_the_Talk_of_the_Town
|
gptkbp:artist
|
gptkb:Tom_Jones
|
gptkbp:associated_with
|
gptkb:Philistines
nostalgia
romantic themes
1960s music
Las Vegas shows
|
gptkbp:awards
|
gptkb:CEO
|
gptkbp:behavior
|
gptkb:psychologist
|
gptkbp:breeding_season
|
Breed
|
gptkbp:chart_position
|
#1 on UK Singles Chart
#15 on US Billboard Hot 100
|
gptkbp:consequences
|
Samson's downfall
|
gptkbp:covered_by
|
gptkb:The_Mamas_&_The_Papas
gptkb:The_Irish_Tenors
gptkb:television_series
gptkb:The_Killers
|
gptkbp:cuisine
|
gptkb:product
|
gptkbp:cultural_impact
|
popular in karaoke bars
|
gptkbp:cultural_references
|
gptkb:television_series
gptkb:Family_Guy
|
gptkbp:depicted_in
|
gptkb:musical
gptkb:ballet
gptkb:opera
gptkb:literary_work
gptkb:artwork
gptkb:film
|
gptkbp:famous_quote
|
" The Philistines are upon you, Samson!"
|
gptkbp:genre
|
gptkb:Pop
pop
|
gptkbp:has_color
|
gptkb:color
|
gptkbp:has_friend
|
gptkb:sports_team
|
gptkbp:has_gameplay_element
|
the story of Samson.
|
gptkbp:has_occupation
|
Firewatcher
|
gptkbp:has_title
|
gptkb:Delilah
|
gptkbp:historical_context
|
Judges 16
|
https://www.w3.org/2000/01/rdf-schema#label
|
Delilah
|
gptkbp:influenced_artists
|
gptkb:Rod_Stewart
gptkb:Elvis_Presley
|
gptkbp:influenced_by
|
rock and roll
traditional pop
cultural interpretations
|
gptkbp:inspiration
|
gptkb:location
|
gptkbp:instrumentation
|
orchestral arrangement
|
gptkbp:is_a
|
gptkb:Philistine_woman
biblical antagonist
|
gptkbp:is_acharacter_in
|
various films and plays
|
gptkbp:is_associated_with
|
treachery
|
gptkbp:is_atype_of
|
gptkb:political_movement
gptkb:earthquake
|
gptkbp:is_cited_in
|
discussions of moral lessons
|
gptkbp:is_considered_as
|
a femme fatale
|
gptkbp:is_described_as
|
a woman of great beauty
a cunning woman
|
gptkbp:is_discussed_in
|
gptkb:church
|
gptkbp:is_from
|
the Valley of Sorek
|
gptkbp:is_known_for
|
gptkb:betrayal
betraying Samson
seduction
her cunning
her role in Samson's demise
her role in Samson's downfall
|
gptkbp:is_motivated_by
|
money
|
gptkbp:is_often_associated_with
|
themes of love and betrayal
|
gptkbp:is_often_depicted_as
|
a cautionary figure
a seductress
|
gptkbp:is_often_used_in
|
cultural references
|
gptkbp:is_symbolic_of
|
betrayal and temptation
|
gptkbp:key_figures
|
Samson's downfall
|
gptkbp:known_for
|
seduction
|
gptkbp:label
|
gptkb:Parrot_Records
|
gptkbp:length
|
3:21
|
gptkbp:live_performance
|
gptkb:battle
|
gptkbp:lives_in
|
gptkb:location
|
gptkbp:material
|
Experienced fire lookout
|
gptkbp:music_style
|
gptkb:choir
|
gptkbp:music_video
|
gptkb:battle
|
gptkbp:negotiated_by
|
gptkb:the_Philistines
|
gptkbp:notable_cover
|
gptkb:battle
|
gptkbp:notable_event
|
Tom Jones concert
|
gptkbp:notable_for
|
gptkb:UK_Singles_Chart
US Adult Contemporary Chart
|
gptkbp:notable_performance
|
gptkb:Las_Vegas
|
gptkbp:notable_song
|
Why, why, why Delilah?
|
gptkbp:offers
|
money
|
gptkbp:official_language
|
English
|
gptkbp:origin
|
gptkb:church
|
gptkbp:parody
|
gptkb:battle
|
gptkbp:partnership
|
gptkb:Samson
|
gptkbp:performed_by
|
gptkb:Tom_Jones
|
gptkbp:personality_trait
|
Witty
|
gptkbp:portrayed_by
|
gptkb:legal_case
a femme fatale
|
gptkbp:producer
|
gptkb:Micky_Most
|
gptkbp:recorded_by
|
gptkb:Samson
|
gptkbp:recording_location
|
gptkb:Borough
|
gptkbp:relationship
|
gptkb:Samson
gptkb:Henry
|
gptkbp:release_year
|
gptkb:1968
|
gptkbp:remix
|
gptkb:battle
|
gptkbp:security_features
|
gptkb:Samson
|
gptkbp:symbol
|
gptkb:betrayal
|
gptkbp:symbolism
|
gptkb:betrayal
|
gptkbp:theme
|
gptkb:betrayal
gptkb:jealousy
love
|
gptkbp:trim_levels
|
gptkb:Samson
|
gptkbp:type_of
|
gptkb:mythological_figure
|
gptkbp:was_a
|
of Samson
|
gptkbp:writer
|
gptkb:Barry_Mason
gptkb:Les_Reed
|
gptkbp:bfsParent
|
gptkb:hospital
gptkb:Florence_+_The_Machine
|
gptkbp:bfsLayer
|
3
|