Statements (161)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:earthquake
gptkb:opera gptkb:play |
| gptkbp:bfsLayer |
2
|
| gptkbp:bfsParent |
gptkb:Educational_Institution
|
| gptkbp:activities |
3 acts
|
| gptkbp:adaptation |
gptkb:opera
gptkb:film theatre productions modern retellings modern stage adaptation |
| gptkbp:audience |
varied audience reactions
engages audiences with its themes. |
| gptkbp:based_on |
Titus Andronicus (play)
|
| gptkbp:cast |
various notable singers
|
| gptkbp:character_arc |
Titus's descent into madness
|
| gptkbp:character_development |
complex characters
|
| gptkbp:choreography |
notable choreography
|
| gptkbp:collaborations |
gptkb:Titus_and_Tamora_duet
|
| gptkbp:composer |
gptkb:Alfredo_Casella
|
| gptkbp:critical_reception |
controversial
mixed reviews |
| gptkbp:cultural_impact |
influenced horror genre
inspired various artworks inspired video games referenced in literature inspired television adaptations inspired graphic novels inspired artworks studied in literature courses discussed in academic papers inspired music compositions inspired novels adapted into graphic novels influenced modern operas featured in festivals analyzed in film studies studied in academic settings performed in various theaters worldwide influenced modern horror films influenced revenge narratives |
| gptkbp:cultural_references |
referenced in popular culture
|
| gptkbp:director |
gptkb:Giorgio_Strehler
|
| gptkbp:duration |
approximately 2 hours
|
| gptkbp:features_character |
gptkb:Saturninus
gptkb:Empress_Tamora gptkb:Ghost_of_Titus_Andronicus gptkb:Lucius_Andronicus gptkb:Chiron gptkb:Aaron_the_Moor gptkb:Bassanio gptkb:Demetrius gptkb:Marcus_Andronicus gptkb:Titus_Andronicus gptkb:Publius gptkb:Lavinia_Andronicus Tamora Alarbus |
| gptkbp:first_performance |
1594
1955 at Teatro alla Scala |
| gptkbp:focus |
gptkb:moral_ambiguity
|
| gptkbp:genre |
gptkb:earthquake
revenge tragedy |
| gptkbp:historical_context |
gptkb:Monarch
post-war Italy explores themes of power and corruption reflects societal issues of the time examines the role of women in society deals with the consequences of war set during the Roman Empire |
| gptkbp:historical_significance |
adaptation of Shakespeare's work
|
| https://www.w3.org/2000/01/rdf-schema#label |
Titus Andronicus
|
| gptkbp:influenced_by |
gptkb:Educational_Institution
Greek tragedies Roman tragedies |
| gptkbp:influences |
Jacobean drama
Elizabethan drama Roman tragedies |
| gptkbp:inspiration |
Shakespeare's play
|
| gptkbp:is_a_venue_for |
gptkb:Teatro_alla_Scala
|
| gptkbp:is_critical_for |
analyzed in musicology studies
|
| gptkbp:is_influential_in |
influenced later operatic works
|
| gptkbp:language |
gptkb:Italian
English |
| gptkbp:librettist |
gptkb:Giorgio_Strehler
|
| gptkbp:lyricist |
Italian language
|
| gptkbp:main_character |
gptkb:Aaron_the_Moor
gptkb:Titus_Andronicus Tamora |
| gptkbp:music_style |
20th-century opera
tragic structure |
| gptkbp:notable_appearance |
final scene of revenge
|
| gptkbp:notable_character |
gptkb:Lavinia
gptkb:Aaron_the_Moor gptkb:Bassanio gptkb:Lucius gptkb:Marcus_Andronicus gptkb:Titus_Andronicus Tamora |
| gptkbp:notable_conductors |
gptkb:Alfredo_Casella
|
| gptkbp:notable_performance |
gptkb:theatre
gptkb:The_Globe_Theatre gptkb:Royal_Shakespeare_Company Broadway productions International theatre festivals |
| gptkbp:notable_production |
Giorgio Strehler's production
|
| gptkbp:notable_quote |
" I will have revenge."
" O, let me see thee in thy woman's weeds!" " Revenge it is the very essence of my soul." " What if my house be troubled with a ghost?" " The gods are just, and of our pleasant vices make instruments to plague us." ' I will have revenge.' “ I will not be a slave.” " I will have revenge" " O, how cruel is the night!" ' Hark, the raven doth croak.' ' What, will you kneel?' " Let us be glad that we are not in hell" " Revenge it is the very devil" “ The blood of the martyrs is the seed of the church.” “ I am a daughter to his mother.” “ I am the sea, and I am the shore.” “ I have done no wrong.” “ I will have revenge.” “ Let not the sun set upon your wrath.” “ O, how the world is changed!” “ The girl is a woman now.” “ What if my house be troubled with a ghost?” |
| gptkbp:notable_recordings |
available recordings
|
| gptkbp:notable_song |
gptkb:Lavinia's_aria
|
| gptkbp:official_language |
English
|
| gptkbp:orchestration |
gptkb:orchestra
|
| gptkbp:performance |
frequently performed
performed in various opera houses |
| gptkbp:premiere_date |
gptkb:1955
|
| gptkbp:published_by |
gptkb:First_Folio
Quarto |
| gptkbp:reunion |
revived in modern opera houses
|
| gptkbp:scholarly_analysis |
analyzed for its themes of revenge
explored in performance studies discussed in feminist literary criticism interpreted through psychoanalytic theory studied for its use of language |
| gptkbp:set_in |
gptkb:Province
|
| gptkbp:setting |
gptkb:Province
|
| gptkbp:symbolism |
symbolism of revenge
|
| gptkbp:thematic_element |
gptkb:betrayal
gptkb:revenge gptkb:family violence explores themes of power and corruption |
| gptkbp:theme |
gptkb:betrayal
gptkb:revenge violence |
| gptkbp:themes |
gptkb:betrayal
gptkb:justice gptkb:revenge gptkb:superhero gptkb:family violence |
| gptkbp:written_by |
gptkb:Educational_Institution
|