Statements (169)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:opera
gptkb:tragedy gptkb:play |
| gptkbp:action |
3 acts
|
| gptkbp:adaptation |
gptkb:film_adaptation
gptkb:opera modern stage adaptation |
| gptkbp:adaptations |
gptkb:film_adaptation
gptkb:film_adaptations gptkb:opera gptkb:film theatre productions modern retellings |
| gptkbp:audience |
varied audience reactions
engages audiences with its themes. |
| gptkbp:based_on |
Titus Andronicus (play)
|
| gptkbp:character_arc |
Titus's descent into madness
|
| gptkbp:character_development |
complex characters
|
| gptkbp:choreography |
notable choreography
|
| gptkbp:composer |
gptkb:Alfredo_Casella
|
| gptkbp:critical_analysis |
analyzed in musicology studies
|
| gptkbp:critical_reception |
controversial
mixed reviews |
| gptkbp:cultural_impact |
influenced horror genre
inspired various artworks inspired video games referenced in literature inspired television adaptations inspired graphic novels inspired artworks studied in literature courses discussed in academic papers inspired music compositions inspired novels adapted into graphic novels influenced modern operas featured in festivals analyzed in film studies studied in academic settings performed in various theaters worldwide influenced modern horror films influenced revenge narratives |
| gptkbp:cultural_references |
referenced in popular culture
|
| gptkbp:director |
gptkb:Giorgio_Strehler
|
| gptkbp:duration |
approximately 2 hours
|
| gptkbp:features_character |
gptkb:Saturninus
gptkb:Empress_Tamora gptkb:Ghost_of_Titus_Andronicus gptkb:Lucius_Andronicus gptkb:Chiron gptkb:Aaron_the_Moor gptkb:Bassanio gptkb:Demetrius gptkb:Marcus_Andronicus gptkb:Titus_Andronicus gptkb:Publius gptkb:Lavinia_Andronicus Tamora Alarbus |
| gptkbp:first_performance |
1594
1955 at Teatro alla Scala |
| gptkbp:focus |
gptkb:moral_ambiguity
|
| gptkbp:genre |
gptkb:tragedy
revenge tragedy |
| gptkbp:historical_context |
gptkb:Roman_Empire
post-war Italy explores themes of power and corruption reflects societal issues of the time examines the role of women in society deals with the consequences of war set during the Roman Empire |
| gptkbp:historical_significance |
adaptation of Shakespeare's work
|
| https://www.w3.org/2000/01/rdf-schema#label |
Titus Andronicus
|
| gptkbp:influenced_by |
gptkb:William_Shakespeare
Greek tragedies Roman tragedies |
| gptkbp:influences |
Jacobean drama
Elizabethan drama Roman tragedies |
| gptkbp:inspiration |
Shakespeare's play
|
| gptkbp:is_influential_in |
influenced later operatic works
|
| gptkbp:language |
gptkb:Italian
English |
| gptkbp:librettist |
gptkb:Giorgio_Strehler
|
| gptkbp:main_character |
gptkb:Aaron_the_Moor
gptkb:Titus_Andronicus Tamora |
| gptkbp:music_style |
20th-century opera
tragic structure |
| gptkbp:notable_aria |
gptkb:Lavinia's_aria
|
| gptkbp:notable_cast |
various notable singers
|
| gptkbp:notable_character |
gptkb:Lavinia
gptkb:Aaron_the_Moor gptkb:Lucius gptkb:Titus_Andronicus Tamora |
| gptkbp:notable_characters |
gptkb:Aaron_the_Moor
gptkb:Bassanio gptkb:Lucius gptkb:Marcus_Andronicus Tamora |
| gptkbp:notable_collaborations |
gptkb:Titus_and_Tamora_duet
|
| gptkbp:notable_conductors |
gptkb:Alfredo_Casella
|
| gptkbp:notable_performances |
gptkb:The_Globe_Theatre
gptkb:Royal_Shakespeare_Company gptkb:theater Broadway productions International theatre festivals |
| gptkbp:notable_production |
Giorgio Strehler's production
|
| gptkbp:notable_quote |
" I will have revenge."
" O, let me see thee in thy woman's weeds!" " Revenge it is the very essence of my soul." " What if my house be troubled with a ghost?" " The gods are just, and of our pleasant vices make instruments to plague us." ' I will have revenge.' “ I will not be a slave.” " I will have revenge" " O, how cruel is the night!" ' Hark, the raven doth croak.' ' What, will you kneel?' " Let us be glad that we are not in hell" " Revenge it is the very devil" “ The blood of the martyrs is the seed of the church.” “ I am a daughter to his mother.” “ I am the sea, and I am the shore.” “ I have done no wrong.” “ I will have revenge.” “ Let not the sun set upon your wrath.” “ O, how the world is changed!” “ The girl is a woman now.” “ What if my house be troubled with a ghost?” |
| gptkbp:notable_scene |
final scene of revenge
|
| gptkbp:orchestration |
gptkb:orchestra
|
| gptkbp:original_language |
English
|
| gptkbp:performance |
frequently performed
performed in various opera houses |
| gptkbp:performance_venue |
gptkb:Teatro_alla_Scala
|
| gptkbp:premiere_date |
gptkb:1955
|
| gptkbp:published_in |
gptkb:First_Folio
Quarto |
| gptkbp:recordings |
available recordings
|
| gptkbp:revival |
revived in modern opera houses
|
| gptkbp:scholarly_analysis |
analyzed for its themes of revenge
explored in performance studies discussed in feminist literary criticism interpreted through psychoanalytic theory studied for its use of language |
| gptkbp:set_in |
gptkb:Roman_Empire
|
| gptkbp:setting |
gptkb:Roman_Empire
|
| gptkbp:sings |
Italian language
|
| gptkbp:symbolism |
symbolism of revenge
|
| gptkbp:thematic_element |
gptkb:betrayal
gptkb:revenge gptkb:family violence explores themes of power and corruption |
| gptkbp:theme |
gptkb:betrayal
gptkb:revenge violence |
| gptkbp:themes |
gptkb:power
gptkb:betrayal gptkb:justice gptkb:revenge gptkb:family violence |
| gptkbp:written_by |
gptkb:William_Shakespeare
|
| gptkbp:bfsParent |
gptkb:Shakespeare
gptkb:William_Shakespeare |
| gptkbp:bfsLayer |
4
|