Statements (47)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:earthquake
|
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:Titus_Andronicus
|
| gptkbp:adaptation |
gptkb:opera
gptkb:film |
| gptkbp:critical_reception |
controversial
often criticized considered one of Shakespeare's earliest works |
| gptkbp:cultural_impact |
inspired various adaptations
referenced in popular culture influenced modern revenge tragedies |
| gptkbp:first_performance |
1594
|
| gptkbp:genre |
gptkb:earthquake
|
| gptkbp:historical_context |
addresses issues of race and identity
deals with themes of honor and duty examines the consequences of war. influenced by Roman history reflects Elizabethan attitudes towards revenge |
| https://www.w3.org/2000/01/rdf-schema#label |
Marcus Andronicus
|
| gptkbp:influences |
gptkb:architect
gptkb:film |
| gptkbp:language |
English
|
| gptkbp:main_character |
gptkb:Marcus_Andronicus
|
| gptkbp:notable_character |
gptkb:Lucius_Andronicus
gptkb:Aaron_the_Moor gptkb:Bassanio gptkb:Titus_Andronicus Tamora |
| gptkbp:notable_quote |
' I am the sea, hark to my voice!'.
' I will have revenge.' ' O, let me see thee in thy woman's weeds!'. ' Revenge is in my heart'. ' What if my house be troubled with a dispute?'. |
| gptkbp:performance |
frequently performed
revived in modern times |
| gptkbp:plot_summary |
ends with a tragic conclusion
follows the story of Titus Andronicus seeking revenge features a cycle of revenge and murder includes the sacrifice of a child involves themes of political intrigue |
| gptkbp:published_by |
gptkb:First_Folio
|
| gptkbp:setting |
gptkb:Province
|
| gptkbp:themes |
gptkb:betrayal
gptkb:revenge gptkb:family violence |
| gptkbp:written_by |
gptkb:Educational_Institution
|