Statements (53)
Predicate | Object |
---|---|
gptkbp:instanceOf |
novel
|
gptkbp:adaptation |
film
theatre radio play nan |
gptkbp:allows |
controversial themes
|
gptkbp:artMovement |
Modernism
|
gptkbp:associatedWith |
Mara_and_her_clients
Mara_and_her_family Mara_and_society |
gptkbp:author |
gptkb:Alberto_Moravia
|
gptkbp:character |
prostitute
|
gptkbp:characterDevelopment |
complex
|
gptkbp:conflict |
personal vs societal expectations
|
gptkbp:criticalReception |
positive
|
gptkbp:culturalImpact |
influential_in_Italian_literature.
|
gptkbp:culturalSignificance |
examines morality.
addresses existential themes. depicts urban struggles. explores women's roles. reflects_post-war_Italy. |
gptkbp:filmography |
1975
Mauro Bolognini |
gptkbp:genre |
literary fiction
|
https://www.w3.org/2000/01/rdf-schema#label |
The Woman of Rome
|
gptkbp:influenced |
gptkb:James_Joyce
gptkb:Marcel_Proust gptkb:Italian_neorealism |
gptkbp:influencedBy |
Existentialism
|
gptkbp:language |
Italian
|
gptkbp:mainCharacter |
Mara
|
gptkbp:motif |
love
war betrayal urban life desire |
gptkbp:narrativeStyle |
dialogue
first-person stream of consciousness symbolism imagery motif characterization |
gptkbp:notableQuote |
"I am a woman, and I am free."
|
gptkbp:publishedIn |
1947
|
gptkbp:setting |
gptkb:Rome
post-World_War_II |
gptkbp:symbolism |
feminine freedom
|
gptkbp:theme |
identity
society sexuality |
gptkbp:translatedInto |
English
Angus_Davidson |