|
gptkbp:instance_of
|
gptkb:novel
gptkb:film_series
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:theater
|
|
gptkbp:audience
|
Cult following
|
|
gptkbp:author
|
gptkb:Alberto_Moravia
|
|
gptkbp:available_in
|
multiple formats
|
|
gptkbp:awards
|
Nominated for several awards
|
|
gptkbp:based_on
|
gptkb:novel
|
|
gptkbp:box_office
|
Successful
|
|
gptkbp:character_arc
|
gptkb:transformation
Maddalena's growth
|
|
gptkbp:character_development
|
gptkb:complex
Maddalena's journey
|
|
gptkbp:character_motivation
|
self-discovery
desire
|
|
gptkbp:character_relationships
|
gptkb:vulnerability
internal
complicated
Maddalena and her lovers
|
|
gptkbp:character_traits
|
resilience
|
|
gptkbp:cinematography
|
Alfredo Anceschi's work
|
|
gptkbp:cinematography_by
|
gptkb:Alfredo_Anceschi
|
|
gptkbp:climax
|
dramatic
|
|
gptkbp:country
|
gptkb:Italy
|
|
gptkbp:cover_artist
|
gptkb:unknown
|
|
gptkbp:critical_reception
|
Positive reviews
well-received
|
|
gptkbp:criticism
|
Acclaimed by critics
|
|
gptkbp:cultural_aspect
|
Italian society
|
|
gptkbp:cultural_impact
|
gptkb:significant
Influential in Italian cinema
|
|
gptkbp:cultural_references
|
Referenced in other media
|
|
gptkbp:cultural_significance
|
Represents post-war Italy
|
|
gptkbp:depicts
|
post-war Italy
|
|
gptkbp:director
|
Giorgio Bianchi
|
|
gptkbp:distributor
|
Titanus
|
|
gptkbp:edited_by
|
Mario Serandrei
|
|
gptkbp:explores
|
feminine experience
|
|
gptkbp:film_festival
|
Screened at various festivals
|
|
gptkbp:film_technique
|
Realistic portrayal
|
|
gptkbp:filming_location
|
gptkb:Rome
|
|
gptkbp:filmography
|
Explored in film studies
|
|
gptkbp:followed_by
|
gptkb:The_Woman_of_Rome:_The_Return
|
|
gptkbp:genre
|
gptkb:drama
literary fiction
|
|
gptkbp:historical_context
|
gptkb:World_War_II
Set in the 1950s
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Woman of Rome
|
|
gptkbp:influenced
|
subsequent Italian literature
Later Italian films
|
|
gptkbp:influenced_by
|
gptkb:existentialism
gptkb:Italian_neorealism
gptkb:Marxism
gptkb:feminism
Feminist movements
Italian literature
|
|
gptkbp:inspiration
|
Real-life stories
|
|
gptkbp:isbn
|
978-0143105564
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:legacy
|
Influenced future filmmakers
Classic of Italian cinema
|
|
gptkbp:literary_significance
|
important work
|
|
gptkbp:main_character
|
gptkb:Maddalena
gptkb:Mara
|
|
gptkbp:mood
|
intense
|
|
gptkbp:motif
|
gptkb:betrayal
gptkb:loss
love
freedom
alienation
|
|
gptkbp:music_by
|
gptkb:Franco_Mannino
|
|
gptkbp:narrative
|
third-person
|
|
gptkbp:narrative_style
|
realism
|
|
gptkbp:notable_quote
|
Famous lines from the film
|
|
gptkbp:notable_scene
|
Maddalena's transformation
|
|
gptkbp:notable_themes
|
Conflict between tradition and modernity
|
|
gptkbp:notable_work
|
gptkb:Alberto_Moravia
|
|
gptkbp:page_count
|
320
|
|
gptkbp:plot
|
linear
A woman's struggle for love and independence.
|
|
gptkbp:production_company
|
Titanus
|
|
gptkbp:published
|
1947
|
|
gptkbp:published_in
|
gptkb:Italy
|
|
gptkbp:publisher
|
gptkb:New_Directions_Publishing
|
|
gptkbp:reader_demographic
|
varied
|
|
gptkbp:release_date
|
December 1954
|
|
gptkbp:release_format
|
Theatrical
|
|
gptkbp:release_year
|
gptkb:1954
gptkb:1975
|
|
gptkbp:remake
|
gptkb:The_Woman_of_Rome:_The_Return
gptkb:1980
gptkb:Gina_Lollobrigida
Giorgio Bianchi
|
|
gptkbp:resolution
|
ambiguous
|
|
gptkbp:restoration
|
Restored for modern audiences
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Sergio_Amidei
|
|
gptkbp:set_in
|
gptkb:Rome
|
|
gptkbp:setting
|
gptkb:Rome
|
|
gptkbp:soundtrack
|
Original score by Franco Mannino
|
|
gptkbp:starring
|
gptkb:Gina_Lollobrigida
|
|
gptkbp:style
|
gptkb:Modernist
|
|
gptkbp:symbolism
|
urban life
|
|
gptkbp:theme
|
gptkb:identity
gptkb:society
sexuality
|
|
gptkbp:themes
|
gptkb:Love
gptkb:Indian_independence_movement
Societal expectations
|
|
gptkbp:translated_into
|
gptkb:unknown
English
|
|
gptkbp:viewing_format
|
Black-and-white
|
|
gptkbp:bfsParent
|
gptkb:Alberto_Moravia
|
|
gptkbp:bfsLayer
|
4
|