|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:aspect_ratio
|
1.85:1
|
|
gptkbp:awards
|
Best Director at the 2004 Cannes Film Festival
Best Art Direction at the 2004 Cannes Film Festival
|
|
gptkbp:based_on
|
The Tulse Luper Suitcases project
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:cinematography_by
|
gptkb:Sacha_Vierny
|
|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:directed_by
|
gptkb:Peter_Greenaway
|
|
gptkbp:distributor
|
Artificial Eye
|
|
gptkbp:edited_by
|
gptkb:John_Wilson
|
|
gptkbp:filming_location
|
gptkb:Belgium
gptkb:France
gptkb:United_Kingdom
|
|
gptkbp:follows
|
gptkb:The_Tulse_Luper_Suitcases:_Part_1
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:influenced
|
Experimental film
Contemporary cinema
|
|
gptkbp:influenced_by
|
gptkb:Dadaism
gptkb:Postmodernism
gptkb:Surrealism
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Michael_Nyman
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:part_of
|
The Tulse Luper Suitcases trilogy
|
|
gptkbp:precedes
|
The Tulse Luper Suitcases: Part 3
|
|
gptkbp:produced_by
|
gptkb:Kees_Kasander
|
|
gptkbp:production_company
|
gptkb:Les_Films_du_Losange
gptkb:Greenaway_Productions
Cinematografica
|
|
gptkbp:release_date
|
May 2004
|
|
gptkbp:release_year
|
gptkb:2004
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenings
|
gptkb:London_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:screenplay_by
|
gptkb:Peter_Greenaway
|
|
gptkbp:starring
|
gptkb:Michael_Gambon
gptkb:Rachael_Stirling
gptkb:Charlotte_Rampling
gptkb:Jasper_Britton
gptkb:Olivier_Gourmet
|
|
gptkbp:themes
|
gptkb:art
gptkb:identity
gptkb:memory
gptkb:war
history
|
|
gptkbp:bfsParent
|
gptkb:The_Tulse_Luper_Suitcases
|
|
gptkbp:bfsLayer
|
5
|