|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
Best Director at Venice Film Festival
Best Art Direction at Venice Film Festival
Best Cinematography at Venice Film Festival
Best Editing at Venice Film Festival
Best Music at Venice Film Festival
|
|
gptkbp:based_on
|
The Tulse Luper Suitcases project
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:budget
|
$2 million
|
|
gptkbp:cinematography_by
|
gptkb:Sacha_Vierny
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:directed_by
|
gptkb:Peter_Greenaway
|
|
gptkbp:distributor
|
Artificial Eye
|
|
gptkbp:edited_by
|
gptkb:John_Wilson
|
|
gptkbp:features
|
gptkb:Michael_Nyman
gptkb:Rachael_Stirling
gptkb:Charlotte_Rampling
gptkb:Jasper_Sharp
gptkb:Olivier_Gourmet
|
|
gptkbp:follows
|
gptkb:The_Tulse_Luper_Suitcases:_Part_2
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:has_cameo
|
gptkb:Michael_Nyman
gptkb:Rachael_Stirling
gptkb:Peter_Greenaway
gptkb:Jasper_Sharp
gptkb:Olivier_Gourmet
|
|
gptkbp:influenced
|
art installations
documentary filmmaking
experimental cinema
subsequent films by Peter Greenaway
|
|
gptkbp:influenced_by
|
gptkb:Dadaism
gptkb:Postmodernism
gptkb:Surrealism
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Michael_Nyman
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:part_of
|
The Tulse Luper Suitcases trilogy
|
|
gptkbp:premiered_on
|
gptkb:Venice_Film_Festival
|
|
gptkbp:release_year
|
gptkb:2003
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:themes
|
gptkb:art
gptkb:identity
gptkb:memory
history
|
|
gptkbp:bfsParent
|
gptkb:The_Tulse_Luper_Suitcases
|
|
gptkbp:bfsLayer
|
5
|