Statements (129)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:play
gptkb:film |
gptkbp:adaptation |
gptkb:musical
Adapted into stage plays. |
gptkbp:adapted_into |
gptkb:film
|
gptkbp:audience |
popular among audiences
|
gptkbp:box_office |
Notable for its success.
|
gptkbp:character |
Lotus Flower.
The American man. |
gptkbp:character_arc |
Captain's journey
Kwan-Yin's journey |
gptkbp:character_development |
complex characters
|
gptkbp:character_relationships |
family dynamics
cultural tensions Kwan-Yin and Captain's relationship |
gptkbp:cinematography |
gptkb:James_Wong_Howe
|
gptkbp:conservation_efforts |
Preserved in film archives.
|
gptkbp:country |
gptkb:United_States
|
gptkbp:critical_reception |
mixed reviews
Mixed reviews. |
gptkbp:cultural_impact |
influenced later works
Significant in Asian representation. |
gptkbp:cultural_significance |
explores East-West relations
examines gender roles reflects societal values of the time addresses immigration issues Pioneering use of color in film. depicts cultural assimilation |
gptkbp:directed_by |
gptkb:Richard_Eichberg
|
gptkbp:director |
gptkb:Chester_M._Franklin
|
gptkbp:distributor |
gptkb:Pathé_Exchange
|
gptkbp:features |
underwater photography.
color sequences |
gptkbp:filming_location |
Los Angeles.
|
gptkbp:filmography |
Chester M. Franklin.
|
gptkbp:follows |
The story of a Chinese woman.
|
gptkbp:genre |
gptkb:High_School
|
gptkbp:historical_context |
post-World War I
1920s America Reflects 1920s attitudes. |
gptkbp:historical_significance |
Early example of color film.
|
https://www.w3.org/2000/01/rdf-schema#label |
The Toll of the Sea
|
gptkbp:influenced |
Cinematic techniques.
Cinematic storytelling. Film studies. Future filmmakers. Asian cinema. Film history. Cinematic narratives. Cinematography techniques. Cultural perceptions of Asia. Film aesthetics. Film color processes. Film color technology. Film representation. Later Asian-American cinema. |
gptkbp:influenced_by |
American literature
Chinese culture Asian literature Western drama Chinese culture. |
gptkbp:inspiration |
real-life events
|
gptkbp:inspired |
Film studies.
Documentaries on early cinema. Future Technicolor films. Future color films. |
gptkbp:is_a |
gptkb:Actor
|
gptkbp:language |
gptkb:Actor
English |
gptkbp:legacy |
Considered a classic.
|
gptkbp:music |
C. L. H. H. Wong
|
gptkbp:notable_appearance |
Underwater scenes.
|
gptkbp:notable_character |
gptkb:Kwan-Yin
gptkb:musical_group |
gptkbp:notable_feature |
Use of color.
|
gptkbp:notable_for |
Cinematic techniques.
Artistic achievements. Cultural impact. Cultural significance. Cultural representation. Innovative storytelling. Historical context. Innovative techniques. Cinematic innovation. its early use of Technicolor Cinematic legacy. First Technicolor feature film. Representation of women. |
gptkbp:notable_production |
gptkb:1922_Broadway_production
|
gptkbp:notable_quote |
famous lines from the play
|
gptkbp:official_language |
English
|
gptkbp:performance |
gptkb:temple
realism performed in various theaters |
gptkbp:plot |
A love story set in China.
|
gptkbp:premiered_on |
gptkb:1922
|
gptkbp:production_company |
Pathé.
|
gptkbp:published_by |
gptkb:theatre
|
gptkbp:release_date |
gptkb:1922
|
gptkbp:release_format |
silent film with color sequences.
|
gptkbp:release_year |
gptkb:1922
|
gptkbp:released_in |
gptkb:1922
|
gptkbp:remake |
The Toll of the Sea (1934).
|
gptkbp:runtime |
70 minutes
|
gptkbp:screenplay_by |
Written by Frances Marion.
|
gptkbp:set_in |
gptkb:China
|
gptkbp:setting |
gptkb:China
China. |
gptkbp:starring |
gptkb:Anna_May_Wong
gptkb:Edward_Everett_Horton |
gptkbp:symbolism |
gptkb:bridge
gptkb:item |
gptkbp:thematic_element |
gptkb:loss
gptkb:organization hope suffering love across cultures |
gptkbp:theme |
Love and sacrifice.
|
gptkbp:themes |
gptkb:TV_series
gptkb:betrayal gptkb:Saint gptkb:military_conflict gptkb:family love redemption |
gptkbp:written_by |
gptkb:John_H._Mc_Gowan
|
gptkbp:bfsParent |
gptkb:Anna_May_Wong
gptkb:Lotus_Flower |
gptkbp:bfsLayer |
4
|