|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:none
|
|
gptkbp:author
|
gptkb:William_S._Burroughs
|
|
gptkbp:character
|
gptkb:The_Nova_Police
gptkb:The_Interzone
gptkb:The_Nova_Express_train
|
|
gptkbp:cover_artist
|
gptkb:Gordon_Lish
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced counterculture
|
|
gptkbp:genre
|
gptkb:science_fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Nova Express
|
|
gptkbp:influenced
|
gptkb:video_games
gptkb:Energy
gptkb:interactive_media
gptkb:performance_art
gptkb:digital_art
gptkb:literary_analysis
gptkb:video_art
gptkb:film
postmodern literature
surrealism
graphic novels
spoken word
post-structuralism
cyberpunk genre
contemporary literature
film and media
performance poetry
music and art
avant-garde literature
|
|
gptkbp:influenced_by
|
gptkb:Dadaism
William S. Burroughs' experiences
|
|
gptkbp:isbn
|
978-0802131452
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Lee_G._Harris
|
|
gptkbp:motif
|
gptkb:addiction
gptkb:identity
gptkb:technology
surveillance
language manipulation
reality distortion
|
|
gptkbp:narrative_style
|
cut-up technique
|
|
gptkbp:notable_quote
|
" The word is a virus."
|
|
gptkbp:page_count
|
192
|
|
gptkbp:predecessor
|
gptkb:The_Ticket_That_Exploded
|
|
gptkbp:published_in
|
gptkb:1964
|
|
gptkbp:publisher
|
gptkb:Grove_Press
|
|
gptkbp:related_to
|
cut-up technique
|
|
gptkbp:setting
|
futuristic society
|
|
gptkbp:style
|
experimental
|
|
gptkbp:successor
|
gptkb:The_Wild_Boys
|
|
gptkbp:theme
|
control and freedom
|
|
gptkbp:bfsParent
|
gptkb:The_Soft_Machine
|
|
gptkbp:bfsLayer
|
5
|