Statements (60)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:novel
|
| gptkbp:adaptation |
gptkb:1949
|
| gptkbp:adapted_into |
gptkb:film
|
| gptkbp:antagonist |
gptkb:Harry_Lime
|
| gptkbp:author |
gptkb:Graham_Greene
|
| gptkbp:character_arc |
Holly Martins' moral journey
|
| gptkbp:character_development |
Holly Martins' transformation
|
| gptkbp:character_relationships |
Holly Martins and Anna Schmidt
Holly Martins vs. Harry Lime Holly Martins' naivety Holly and Anna's relationship |
| gptkbp:climax |
confrontation in the sewers
|
| gptkbp:conflict |
moral conflict
|
| gptkbp:critical_reception |
positive
|
| gptkbp:cultural_impact |
influenced film noir
|
| gptkbp:cultural_references |
post-war Europe
|
| gptkbp:filmography |
gptkb:The_Third_Man_(1949_film)
|
| gptkbp:genre |
gptkb:film
|
| gptkbp:has_gameplay_element |
the Ferris wheel
|
| gptkbp:historical_context |
Cold War tensions
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Third Man (novel)
|
| gptkbp:influenced_artists |
inspired future thrillers
|
| gptkbp:influenced_by |
gptkb:historical_event
European literature noir fiction Graham Greene's political views Graham Greene's travels Greene's Catholicism |
| gptkbp:inspiration |
Graham Greene's experiences in Vienna
|
| gptkbp:is_characterized_by |
complex characters
|
| gptkbp:is_motivated_by |
Holly Martins' search for truth
|
| gptkbp:isbn |
978-0-14-303998-3
|
| gptkbp:language |
English
witty |
| gptkbp:main_character |
gptkb:Holly_Martins
|
| gptkbp:motif |
gptkb:betrayal
|
| gptkbp:narrative_style |
first-person
foreshadowing concise personal vs. political limited omniscient |
| gptkbp:narrative_theme |
the search for identity
|
| gptkbp:page_count |
160
|
| gptkbp:plot |
linear
|
| gptkbp:plot_twist |
Harry Lime's true nature
|
| gptkbp:published_by |
1950
Heinemann |
| gptkbp:resolution |
Holly Martins' decision
|
| gptkbp:setting |
1940s
post-World War II Vienna war-torn Vienna |
| gptkbp:significance |
explores post-war disillusionment
|
| gptkbp:style |
suspenseful
|
| gptkbp:symbolism |
the sewers of Vienna
Holly Martins as the everyman Vienna as a divided city |
| gptkbp:thematic_element |
friendship and betrayal
|
| gptkbp:theme |
gptkb:moral_ambiguity
|
| gptkbp:bfsParent |
gptkb:Harry_Lime
|
| gptkbp:bfsLayer |
4
|