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gptkbp:instance_of
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gptkb:film_adaptation
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:film_adaptations
gptkb:The_End_of_the_Affair_(1955)
gptkb:radio_station
gptkb:stage_adaptation
gptkb:theater
gptkb:film
gptkb:stage_play
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|
gptkbp:adaptation_year
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gptkb:1955
gptkb:1999
gptkb:2000
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gptkbp:author
|
gptkb:Graham_Greene
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gptkbp:available_on
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gptkb:DVD
gptkb:Blu-ray
streaming services
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|
gptkbp:award
|
gptkb:Best_Actress
gptkb:Best_Director
Best Adapted Screenplay
|
|
gptkbp:awards
|
nominated for BAFTA
nominated for Golden Globe
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gptkbp:based_on
|
novel by Graham Greene
|
|
gptkbp:box_office
|
$3.5 million
$5.5 million
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|
gptkbp:cast
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gptkb:Julianne_Moore
gptkb:Neil_Jordan
gptkb:Michael_Gambon
gptkb:Ralph_Fiennes
gptkb:Stephen_Rea
gptkb:Keeley_Hawes
gptkb:David_Hare
gptkb:Rafe_Spall
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|
gptkbp:character
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gptkb:Maurice_Bendrix
gptkb:Richard_Smythe
gptkb:Sarah_Miles
Mr. Miles
Mrs. Miles
|
|
gptkbp:character_development
|
gptkb:moral_ambiguity
emotional depth
complex characters
|
|
gptkbp:cinematography
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gptkb:Roger_Pratt
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|
gptkbp:cinematography_by
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gptkb:Roger_Pratt
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gptkbp:conflict
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internal conflict
external conflict
|
|
gptkbp:country
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gptkb:Ireland
gptkb:United_Kingdom
gptkb:United_States
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|
gptkbp:critical_analysis
|
explores existential themes
analyzes the consequences of infidelity
examines the concept of faith
|
|
gptkbp:critical_reception
|
positive
mixed reviews
well-received
Academy Award nomination for Best Adapted Screenplay
|
|
gptkbp:cultural_impact
|
influenced other works
inspired academic studies
featured in book clubs
analyzed in academic papers
adapted into various media
inspired academic essays
analyzed in film studies
discussed in literary studies
analyzed in literary criticism
influenced modern romance novels
discussed in literature courses
considered a classic romantic film
influenced other writers
influenced other novels
inspired discussions on faith and love
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|
gptkbp:cultural_significance
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reflects post-war sentiments
examines the nature of memory
addresses themes of loss and longing
|
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gptkbp:depicts
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post-World War II London
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gptkbp:directed_by
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gptkb:Neil_Jordan
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gptkbp:director
|
gptkb:Neil_Jordan
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:edited_by
|
gptkb:John_Wilson
|
|
gptkbp:editing
|
gptkb:John_Wilson
|
|
gptkbp:features
|
flashbacks
|
|
gptkbp:film
|
gptkb:Julianne_Moore
gptkb:Ralph_Fiennes
gptkb:Stephen_Rea
|
|
gptkbp:film_editing
|
gptkb:The_End_of_the_Affair_(1999)
|
|
gptkbp:film_festival
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gptkb:Cannes_Film_Festival
|
|
gptkbp:film_score
|
acclaimed
|
|
gptkbp:film_series
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gptkb:N/_A
|
|
gptkbp:filming_location
|
gptkb:England
gptkb:Ireland
gptkb:London
|
|
gptkbp:followed_by
|
gptkb:The_Heart_of_the_Matter
|
|
gptkbp:follows
|
an affair between a writer and a married woman
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|
gptkbp:genre
|
gptkb:Fiction
gptkb:novel
gptkb:drama
literary fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The End of the Affair
|
|
gptkbp:influence
|
post-war literature
|
|
gptkbp:influenced
|
gptkb:existentialism
modernist literature
post-war literature
subsequent romantic dramas
|
|
gptkbp:influenced_by
|
gptkb:World_War_II
gptkb:The_Heart_of_the_Matter
gptkb:Brighton_Rock
Graham Greene's own experiences
|
|
gptkbp:influences
|
gptkb:existentialism
gptkb:World_War_II
gptkb:Catholicism
Graham Greene's life
|
|
gptkbp:inspiration
|
Greene's own experiences
real-life affair
|
|
gptkbp:inspired
|
radio adaptations
theater adaptations
|
|
gptkbp:isbn
|
978-0-09-928678-4
978-0-09-947847-0
978-0-14-303942-3
|
|
gptkbp:language
|
English
|
|
gptkbp:literary_devices
|
irony
foreshadowing
flashback
|
|
gptkbp:main_character
|
gptkb:Maurice_Bendrix
gptkb:Richard_Smythe
gptkb:Sarah_Miles
|
|
gptkbp:motif
|
gptkb:betrayal
gptkb:religion
gptkb:memory
rain
|
|
gptkbp:music_by
|
gptkb:Michael_Nyman
|
|
gptkbp:music_composer
|
gptkb:Michael_Nyman
|
|
gptkbp:narrative
|
first-person
non-linear
subjective
|
|
gptkbp:narrative_style
|
first-person
stream of consciousness
first-person perspective
|
|
gptkbp:narrative_theme
|
the nature of love
the conflict between desire and morality
the impact of war on personal relationships
|
|
gptkbp:notable_quote
|
“ I can’t believe in God.”
“ I had a love affair with Sarah Miles.”
“ The affair is over.”
“ We are all of us alone.”
|
|
gptkbp:notable_work
|
gptkb:Graham_Greene
|
|
gptkbp:page_count
|
256
|
|
gptkbp:plot
|
A love affair between a writer and a married woman.
|
|
gptkbp:premiered_on
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Stephen_Woolley
|
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
gptkb:Neil_Jordan_Productions
Graham Greene Productions
|
|
gptkbp:published
|
1951
|
|
gptkbp:published_in
|
1951
|
|
gptkbp:publisher
|
gptkb:Viking_Press
Heinemann
|
|
gptkbp:received
|
mixed reviews
|
|
gptkbp:release_date
|
gptkb:April
gptkb:1999
April 23, 1999
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1999
|
|
gptkbp:released
|
gptkb:1999
|
|
gptkbp:runtime
|
101 minutes
|
|
gptkbp:screenplay
|
gptkb:Neil_Jordan
|
|
gptkbp:screenplay_by
|
gptkb:Neil_Jordan
|
|
gptkbp:set_in
|
gptkb:London
|
|
gptkbp:setting
|
gptkb:London
|
|
gptkbp:soundtrack
|
gptkb:Michael_Nyman
|
|
gptkbp:starring
|
gptkb:Julianne_Moore
gptkb:Ralph_Fiennes
gptkb:Stephen_Rea
|
|
gptkbp:style
|
stream of consciousness
|
|
gptkbp:symbolism
|
gptkb:the_city_of_London
gptkb:betrayal
gptkb:memory
faith
rain
the church
the rain
the house
the letter
the affair
|
|
gptkbp:theme
|
gptkb:betrayal
gptkb:jealousy
love
faith
love and loss
faith and doubt
|
|
gptkbp:themes
|
gptkb:jealousy
gptkb:loss
love
faith
|
|
gptkbp:won_award
|
gptkb:Best_Actor
gptkb:Best_Actress
gptkb:Best_Director
Best Play
Best Adaptation
|
|
gptkbp:year
|
1946
|
|
gptkbp:bfsParent
|
gptkb:Julianne_Moore
gptkb:Michael_Nyman
gptkb:Ralph_Fiennes
gptkb:Anna
gptkb:Bastille
gptkb:Lars_von_Trier
gptkb:Emma_Watson
gptkb:The_New_Republic
gptkb:Graham_Greene
gptkb:Colin_Firth
gptkb:Les_Misérables
|
|
gptkbp:bfsLayer
|
4
|