Statements (56)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
adaptation
|
| gptkbp:adaptation |
film
novel opera theatre |
| gptkbp:author |
gptkb:William_Shakespeare
|
| gptkbp:basedOn |
gptkb:The_Tempest
|
| gptkbp:criticalReception |
widely studied in literature courses
adapted into award-winning films performed in prestigious theatres |
| gptkbp:culturalImpact |
influenced many artists
depicted the struggle for power explored the theme of redemption examined human nature addressed issues of identity examined the relationship between man and nature analyzed the concept of freedom analyzed the dynamics of forgiveness analyzed the impact of betrayal depicted the journey of self-discovery depicted the struggle for survival examined the role of magic in society explored the concept of illusion explored the theme of loss. explored the theme of revenge explored themes of power and control highlighted the importance of community highlighted the role of nature in human life highlighted the significance of dreams inspired numerous retellings reflected on colonialism and its effects reflected on the consequences of isolation reflected on the nature of reality showcased the complexity of human relationships |
| gptkbp:genre |
drama
|
| gptkbp:hasPerformance |
1611
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Tempest (adaptation)
|
| gptkbp:influence |
film adaptations
postcolonial literature modern theatre |
| gptkbp:language |
English
|
| gptkbp:mainCharacter |
Prospero
|
| gptkbp:notableFeature |
gptkb:Caliban
gptkb:Ariel Miranda performed in various languages adapted into various cultural contexts |
| gptkbp:notableQuote |
All the world's a stage.
The isle is full of noises. We are such stuff as dreams are made on. What’s past is prologue. The rarer action is in virtue than in vengeance. |
| gptkbp:setting |
gptkb:island
|
| gptkbp:theme |
colonialism
magic forgiveness |