|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Diane_Paulus
gptkb:Peter_Brook
|
|
gptkbp:based_on
|
gptkb:The_Tempest
The Tempest by William Shakespeare
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:character
|
gptkb:Caliban
gptkb:Ariel
gptkb:Ferdinand
gptkb:Antonio
gptkb:Miranda
gptkb:Prospero
gptkb:Sebastian
gptkb:Stephano
gptkb:Trinculo
Gonzalo
|
|
gptkbp:cinematography
|
Rainer Klausmann
|
|
gptkbp:country
|
gptkb:government_agency
|
|
gptkbp:critical_reception
|
Mixed reviews
|
|
gptkbp:directed_by
|
gptkb:Ferdinand_von_Schirach
|
|
gptkbp:distributor
|
The Match Factory
|
|
gptkbp:edited_by
|
gptkb:Jörg_Tittel
|
|
gptkbp:film_festival
|
gptkb:Berlin_International_Film_Festival_2020
|
|
gptkbp:filming_location
|
gptkb:government_agency
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Tempest (2020)
|
|
gptkbp:influences
|
gptkb:Film_adaptations
gptkb:Monarch
Existentialism
Magical realism
Cinematic storytelling
Character-driven narratives
Visual storytelling techniques
Shakespearean themes
Post-colonial theory
Psychological drama
Theatre adaptations
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Philip_Glass
|
|
gptkbp:narrative_style
|
gptkb:musical
|
|
gptkbp:premiered_on
|
gptkb:Berlin_International_Film_Festival
|
|
gptkbp:produced_by
|
Rainer Klausmann
|
|
gptkbp:release_date
|
gptkb:2020
|
|
gptkbp:release_format
|
Theatrical
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Ferdinand_von_Schirach
|
|
gptkbp:starring
|
gptkb:Jesse_Buckley
gptkb:John_Malkovich
gptkb:Gustav_Lindh
|
|
gptkbp:theme
|
Power and betrayal
|