|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:budget
|
$1 million
|
|
gptkbp:cinematography_by
|
Huma Taylor
|
|
gptkbp:costume_design
|
Grace Snell
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:design
|
gptkb:Michael_Carlin
|
|
gptkbp:directed_by
|
gptkb:Joanna_Hogg
|
|
gptkbp:distributor
|
gptkb:A24
|
|
gptkbp:edited_by
|
Huma Taylor
|
|
gptkbp:features
|
gptkb:character_development
gptkb:historical_context
emotional depth
cinematic techniques
artistic references
|
|
gptkbp:filming_location
|
gptkb:London
gptkb:Paris
|
|
gptkbp:follows
|
the life of a young filmmaker
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:has_editing_by
|
Huma Taylor
|
|
gptkbp:has_hair_styling
|
gptkb:Nadia_Stacey
|
|
gptkbp:has_reception
|
gptkb:award
positive reviews
audience praise
film festival screenings
critics' accolades
|
|
gptkbp:has_theme
|
gptkb:art
gptkb:loss
gptkb:identity
gptkb:memory
relationships
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Souvenir Part II
|
|
gptkbp:influenced_by
|
Joanna Hogg's own experiences
|
|
gptkbp:is_part_of
|
gptkb:The_Souvenir_series
|
|
gptkbp:language
|
English
|
|
gptkbp:makeup_artist
|
gptkb:Nadia_Stacey
|
|
gptkbp:music_by
|
gptkb:David_P._Smith
|
|
gptkbp:narrative_style
|
semi-autobiographical
|
|
gptkbp:premiered_on
|
gptkb:Sundance_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Joanna_Hogg
|
|
gptkbp:production_company
|
gptkb:Hogg/_Smith_Productions
gptkb:A24_Films
gptkb:The_British_Film_Institute
gptkb:BBC_Films
gptkb:Element_Pictures
|
|
gptkbp:received
|
critical acclaim
|
|
gptkbp:release_date
|
2021-07-30
|
|
gptkbp:runtime
|
106 minutes
|
|
gptkbp:sequel
|
gptkb:The_Souvenir
|
|
gptkbp:set_in
|
gptkb:1980s
|
|
gptkbp:sound_design
|
gptkb:Danielle_de_Picciotto
|
|
gptkbp:starring
|
gptkb:Tilda_Swinton
gptkb:Honor_Swinton_Byrne
gptkb:Tom_Burke
|
|
gptkbp:visual_effects
|
gptkb:Miklos_Szabo
|
|
gptkbp:bfsParent
|
gptkb:Tilda_Swinton
gptkb:Joe_Alwyn
|
|
gptkbp:bfsLayer
|
4
|