|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
gptkb:London_Film_Critics_Circle_Awards
gptkb:British_Independent_Film_Awards
gptkb:Gotham_Awards
BAFTA nomination
|
|
gptkbp:based_on
|
Joanna Hogg's life
|
|
gptkbp:box_office
|
$1.2 million
$1.5 million
|
|
gptkbp:budget
|
$1 million
|
|
gptkbp:character
|
gptkb:Patrick
gptkb:Rosalind
gptkb:Julie
gptkb:Anthony
Julie’s mother
|
|
gptkbp:character_development
|
Julie evolves throughout the film
|
|
gptkbp:cinematography
|
gptkb:Hélène_Louvart
|
|
gptkbp:cinematography_by
|
gptkb:Huma_Qureshi
gptkb:Hélène_Louvart
|
|
gptkbp:country
|
gptkb:France
gptkb:United_Kingdom
gptkb:United_States
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
discussed in film studies
influenced independent cinema
inspired filmmakers
explored themes of identity
discussed in film studies courses
influenced contemporary filmmakers
explored themes of privilege
analyzed for its themes of memory and identity
|
|
gptkbp:directed_by
|
gptkb:Joanna_Hogg
|
|
gptkbp:director
|
gptkb:Joanna_Hogg
|
|
gptkbp:distributor
|
gptkb:A24
gptkb:MUBI
gptkb:Curzon_Artificial_Eye
|
|
gptkbp:edited_by
|
gptkb:Mohammad_Rasoulof
Hannah Leach
|
|
gptkbp:famous_event
|
gptkb:Sundance_Film_Festival
|
|
gptkbp:film_awards
|
Best Director at Sundance
Best Film at the BFI London Film Festival
Best Narrative Feature at the London Film Festival
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:New_York_Film_Festival
gptkb:BFI_London_Film_Festival
|
|
gptkbp:filming_location
|
gptkb:London
gptkb:Paris
gptkb:United_Kingdom
gptkb:Bristol
|
|
gptkbp:follows
|
a young woman
|
|
gptkbp:genre
|
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Souvenir
|
|
gptkbp:influenced_by
|
Joanna Hogg's life
|
|
gptkbp:influences
|
gptkb:Italian_Neorealism
gptkb:European_art_cinema
gptkb:French_New_Wave
personal experiences
New York City art scene
autobiographical films
|
|
gptkbp:inspiration
|
real-life relationships
Joanna Hogg's experiences in film school
|
|
gptkbp:inspired_by
|
gptkb:The_Souvenir:_Part_II
|
|
gptkbp:is_acclaimed_for
|
Cannes Film Festival selection
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Julie
|
|
gptkbp:music
|
gptkb:David_P._Smith
|
|
gptkbp:music_by
|
gptkb:Lydia_Lunch
|
|
gptkbp:narrative
|
semi-autobiographical
|
|
gptkbp:narrative_style
|
semi-autobiographical
|
|
gptkbp:notable_cast
|
gptkb:Alex_Jennings
gptkb:Tilda_Swinton
gptkb:Honor_Swinton_Byrne
gptkb:Tom_Burke
gptkb:Sir_Richard_Ayoade
|
|
gptkbp:part_of
|
gptkb:The_Souvenir_Trilogy
|
|
gptkbp:part_of_series
|
gptkb:The_Souvenir_series
|
|
gptkbp:premiered_on
|
gptkb:Sundance_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Joanna_Hogg
gptkb:Andrew_Lowe
gptkb:Ed_Guiney
|
|
gptkbp:production_company
|
gptkb:A24
|
|
gptkbp:release_date
|
May 17, 2019
|
|
gptkbp:release_format
|
gptkb:DVD
gptkb:Blu-ray
digital
theatrical
|
|
gptkbp:release_year
|
gptkb:2019
|
|
gptkbp:released
|
gptkb:2019
|
|
gptkbp:released_in
|
gptkb:2019
|
|
gptkbp:reviews
|
gptkb:Indie_Wire
gptkb:The_Guardian
gptkb:The_New_York_Times
gptkb:Variety
Roger Ebert.com
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenplay
|
gptkb:Joanna_Hogg
|
|
gptkbp:screenplay_by
|
gptkb:Joanna_Hogg
|
|
gptkbp:sequel
|
gptkb:The_Souvenir:_Part_II
|
|
gptkbp:set_in
|
gptkb:London
|
|
gptkbp:starring
|
gptkb:Tilda_Swinton
gptkb:Honor_Swinton_Byrne
gptkb:Tom_Burke
|
|
gptkbp:theme
|
gptkb:art
gptkb:loss
gptkb:identity
gptkb:memory
love
|
|
gptkbp:themes
|
gptkb:art
gptkb:loss
gptkb:identity
gptkb:memory
love
|
|
gptkbp:bfsParent
|
gptkb:The_Toronto_International_Film_Festival
gptkb:The_Black_List
gptkb:Sundance_Film_Festival
gptkb:Julian_Opie
gptkb:BFI_London_Film_Festival
gptkb:Festival_de_Cannes
gptkb:Berlinale
|
|
gptkbp:bfsLayer
|
4
|