|
gptkbp:instance_of
|
gptkb:opera
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:television_series
gptkb:theatre
gptkb:1996
gptkb:radio_station
gptkb:graphic_novel
gptkb:book
gptkb:film
|
|
gptkbp:antagonist
|
the police
|
|
gptkbp:associated_act
|
2
|
|
gptkbp:audience
|
emotional depth
thought-provoking themes
mixed audience reactions
intellectual stimulation
|
|
gptkbp:author
|
gptkb:Joseph_Conrad
|
|
gptkbp:awards
|
nominated for awards
won awards
|
|
gptkbp:based_on
|
gptkb:novel
novel by Joseph Conrad
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:cast
|
gptkb:Patricia_Clarkson
gptkb:Bob_Hoskins
gptkb:Danny_Dyer
gptkb:Jim_Broadbent
gptkb:Rufus_Sewell
gptkb:David_Leveaux
|
|
gptkbp:character
|
gptkb:Chief_Inspector_Heat
gptkb:Mrs._Verloc
the anarchists
the Professor
Stevie Verloc
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:cinematography
|
gptkb:Bernard_Knowles
black and white
expressionist influences
|
|
gptkbp:composer
|
gptkb:Joseph_Horovitz
|
|
gptkbp:conflict
|
internal conflict
personal vs political
external conflict
|
|
gptkbp:contains
|
dark humor
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
generally positive
mixed reviews
|
|
gptkbp:cultural_impact
|
inspired adaptations
influenced political discourse
influenced literature
influenced political thought
referenced in popular culture
influenced writers
studied in literature courses
influenced filmmakers
inspired discussions on terrorism
influenced television
discussions on terrorism
adaptations in other media
reflected societal fears
examined moral ambiguity
examined the nature of loyalty
discussions on state surveillance
explored the consequences of violence
|
|
gptkbp:depicts
|
gptkb:political_intrigue
|
|
gptkbp:design
|
urban landscapes
period-accurate sets
|
|
gptkbp:directed_by
|
gptkb:Alfred_Hitchcock
|
|
gptkbp:distributor
|
gptkb:Gaumont_British_Picture_Corporation
|
|
gptkbp:edited_by
|
montage sequences
continuity editing
Roderick Janes
|
|
gptkbp:features
|
espionage themes
|
|
gptkbp:features_character
|
gptkb:Mr._Verloc
gptkb:The_Boy
gptkb:The_Professor
gptkb:Chief_Inspector_Heat
gptkb:Mrs._Verloc
|
|
gptkbp:first_performance
|
gptkb:Royal_Opera_House
|
|
gptkbp:follows
|
a secret agent
|
|
gptkbp:genre
|
gptkb:political_organization
gptkb:Thriller
gptkb:opera
gptkb:novel
political fiction
|
|
gptkbp:has_setting
|
pre-World War I
|
|
gptkbp:has_theme
|
gptkb:TV_series
gptkb:betrayal
gptkb:loyalty
gptkb:moral_ambiguity
gptkb:military_operation
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Secret Agent
|
|
gptkbp:influence
|
gptkb:literary_work
spy fiction
modernist literature
political thrillers
subsequent spy novels
subsequent spy fiction
|
|
gptkbp:influenced
|
later spy films
|
|
gptkbp:influenced_by
|
gptkb:modernism
gptkb:Joseph_Conrad
realism
Joseph Conrad's writing
|
|
gptkbp:influences
|
spy fiction
political themes
20th-century literature
political drama
|
|
gptkbp:inspiration
|
real-life events
espionage and terrorism
|
|
gptkbp:inspired_by
|
real events
|
|
gptkbp:language
|
English
|
|
gptkbp:librettist
|
gptkb:David_Pountney
|
|
gptkbp:main_character
|
gptkb:political_movement
gptkb:Mr._Verloc
gptkb:Verloc
anarchist agent
|
|
gptkbp:motif
|
gptkb:loyalty
gptkb:military_operation
explosives
secrecy
|
|
gptkbp:music_by
|
gptkb:Arthur_Benjamin
|
|
gptkbp:music_style
|
contemporary classical
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:notable_character
|
gptkb:Mr._Verloc
gptkb:The_Professor
gptkb:Mrs._Verloc
The anarchists
|
|
gptkbp:notable_for
|
Hitchcock's direction
|
|
gptkbp:notable_performers
|
featured in opera festivals
performed by renowned singers
|
|
gptkbp:notable_production
|
gptkb:Welsh_National_Opera
gptkb:Scottish_Opera
gptkb:Opera_North
|
|
gptkbp:notable_quote
|
" The secret agent is a man who is not a man."
|
|
gptkbp:notable_recordings
|
available on streaming platforms
available on CD
|
|
gptkbp:orchestration
|
orchestra and voices
|
|
gptkbp:performance
|
performed internationally
|
|
gptkbp:plot
|
gptkb:Detective
gptkb:moral_ambiguity
gptkb:political_intrigue
gptkb:legal_case
gptkb:organization
bombing
family dynamics
betrayal of trust
|
|
gptkbp:premiere
|
gptkb:1999
|
|
gptkbp:produced_by
|
gptkb:Alfred_Hitchcock
gptkb:lighthouse
gptkb:museum
innovative staging
modern set design
|
|
gptkbp:published_by
|
1907
|
|
gptkbp:publisher
|
gptkb:William_Heinemann
|
|
gptkbp:release_date
|
April 1936
|
|
gptkbp:release_year
|
1936
|
|
gptkbp:remake
|
gptkb:The_Secret_Agent_(1996_film)
|
|
gptkbp:role
|
gptkb:Detective
gptkb:family
gptkb:organization
police
|
|
gptkbp:runtime
|
75 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Charles_Bennett
|
|
gptkbp:set_in
|
gptkb:Borough
|
|
gptkbp:setting
|
gptkb:Borough
early 20th century
|
|
gptkbp:sound
|
diegetic sound
non-diegetic score
|
|
gptkbp:starring
|
gptkb:John_Gielgud
gptkb:Peter_Lorre
gptkb:Madeleine_Carroll
|
|
gptkbp:style
|
gptkb:comic_book
realism
symbolism
irony
satirical
dark humor
psychological depth
psychological realism
modern opera
|
|
gptkbp:symbol
|
the police
the shop
the anarchist movement
the bomb
|
|
gptkbp:symbolism
|
the city
the family
the bomb
|
|
gptkbp:thematic_element
|
gptkb:political_intrigue
social commentary
personal conflict
|
|
gptkbp:theme
|
gptkb:political_movement
gptkb:betrayal
espionage
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:political_movement
gptkb:betrayal
gptkb:loyalty
morality
|
|
gptkbp:written_by
|
gptkb:Joseph_Conrad
|
|
gptkbp:bfsParent
|
gptkb:Robin_Williams
gptkb:Alfred_Hitchcock
gptkb:David_Oyelowo
gptkb:Philip_Glass
gptkb:Nostromo
|
|
gptkbp:bfsLayer
|
3
|