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gptkbp:instance_of
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gptkb:fictional_character
gptkb:novel
gptkb:character
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|
gptkbp:bfsLayer
|
3
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|
gptkbp:bfsParent
|
gptkb:Gaylord_Perry
gptkb:Johnny_Depp
gptkb:class
gptkb:Berlin
gptkb:Greg_Maddux
gptkb:The_Sound_Inside
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|
gptkbp:adaptation
|
gptkb:none
|
|
gptkbp:alias
|
gptkb:Sergio_Marquina
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|
gptkbp:appears_in
|
gptkb:The_New_Adventures_of_Winnie_the_Pooh
gptkb:Money_Heist
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|
gptkbp:associated_with
|
gptkb:John_Merrick
gptkb:Winnie_the_Pooh_franchise
|
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gptkbp:author
|
gptkb:Charlotte_Brontë
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|
gptkbp:based_on
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a character from a Spanish television series
|
|
gptkbp:character
|
gptkb:character
|
|
gptkbp:connects
|
the Spanish government
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|
gptkbp:created_by
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gptkb:Álex_Pina
gptkb:toy
|
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gptkbp:depicts
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gptkb:Victorian_era
|
|
gptkbp:first_appearance
|
gptkb:The_New_Adventures_of_Winnie_the_Pooh
|
|
gptkbp:followed_by
|
gptkb:Villette
|
|
gptkbp:future_plans
|
the perfect heist
|
|
gptkbp:gender
|
gptkb:philosopher
|
|
gptkbp:genre
|
gptkb:Author
|
|
gptkbp:has_backstory
|
troubled childhood
|
|
gptkbp:has_color
|
gptkb:blue
|
|
gptkbp:has_conflict_with
|
the police
|
|
gptkbp:has_friend
|
gptkb:Om_Nom
|
|
gptkbp:has_goal
|
execute a heist
|
|
gptkbp:has_occupation
|
mastermind
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Professor
|
|
gptkbp:influences
|
Merrick's life
|
|
gptkbp:inspired_by
|
real-life heists
|
|
gptkbp:invention
|
gptkb:candy
|
|
gptkbp:is_associated_with
|
gptkb:the_Bank_of_Spain
gptkb:the_Royal_Mint_of_Spain
the character Nairobi
|
|
gptkbp:is_challenged_by
|
Inspector Raquel Murillo
betrayals within the crew
the heist's complications
|
|
gptkbp:is_characterized_by
|
gptkb:psychologist
|
|
gptkbp:is_connected_to
|
the theme of loyalty
the theme of resistance
|
|
gptkbp:is_featured_in
|
multiple seasons
|
|
gptkbp:is_influenced_by
|
his father
literature and art.
|
|
gptkbp:is_influential_in
|
gptkb:organization
|
|
gptkbp:is_involved_in
|
gptkb:physicist
romantic relationships
moral dilemmas
complex relationships
high-stakes situations
the planning stages of heists
|
|
gptkbp:is_known_for
|
strategic planning
Advocacy for the disabled
his calm demeanor
his elaborate schemes
his strategic alliances
his meticulous nature
his philosophical quotes
his iconic red jumpsuit
|
|
gptkbp:is_motivated_by
|
gptkb:personal_loss
gptkb:revenge
a desire for freedom
to save his family
|
|
gptkbp:is_part_of
|
a larger narrative
a cultural phenomenon
a narrative about crime and justice
|
|
gptkbp:is_recognized_by
|
audiences worldwide
an anti-hero
|
|
gptkbp:is_respected_by
|
his intellect
his crew
his adversaries
|
|
gptkbp:is_symbolic_of
|
gptkb:political_movement
|
|
gptkbp:language
|
English
|
|
gptkbp:leadership
|
the heist crew
|
|
gptkbp:main_character
|
gptkb:William_Crimsworth
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:part_of
|
gptkb:The_Elephant_Man
|
|
gptkbp:portrayed_by
|
gptkb:Anthony_Hopkins
gptkb:Álvaro_Morte
a genius
Various media adaptations
a master manipulator
|
|
gptkbp:preceded_by
|
gptkb:Shirley
|
|
gptkbp:published_year
|
1857
|
|
gptkbp:publisher
|
gptkb:Smith,_Elder_&_Co.
|
|
gptkbp:relationship
|
gptkb:Berlin
gptkb:Tokyo
|
|
gptkbp:represents
|
gptkb:Compassion
|
|
gptkbp:role
|
gptkb:horse_race
|
|
gptkbp:setting
|
gptkb:Belgium
|
|
gptkbp:signature_move
|
glasses
|
|
gptkbp:skills
|
gptkb:military_operation
|
|
gptkbp:species
|
gptkb:Person
|
|
gptkbp:spoken_in
|
gptkb:Jim_Cummings
|
|
gptkbp:strategic_importance
|
his decisions
|
|
gptkbp:technology
|
communication devices
|
|
gptkbp:themes
|
gptkb:class
gptkb:education
gender roles
|
|
gptkbp:works_with
|
gptkb:Dr._Treves
|