Statements (56)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:orchestra
|
gptkbp:associated_with |
gptkb:Fluxus
Cardew's philosophy of music |
gptkbp:collaborated_with |
Various composers
|
gptkbp:country |
gptkb:United_Kingdom
|
gptkbp:dissolved |
gptkb:1972
|
gptkbp:founded_by |
gptkb:Cornelius_Cardew
|
gptkbp:genre |
Experimental music
|
https://www.w3.org/2000/01/rdf-schema#label |
The Scratch Orchestra
|
gptkbp:influenced |
Contemporary classical music
Free improvisation |
gptkbp:influenced_by |
Avant-garde music
|
gptkbp:legacy |
Influence on experimental music groups
|
gptkbp:location |
gptkb:London
|
gptkbp:music_genre |
Collective improvisation
|
gptkbp:notable_event |
Community engagement projects
Educational outreach programs Interdisciplinary projects Workshops for musicians Public performances Performance at the Royal Festival Hall Influence on avant-garde theatre Influence on digital art Influence on music education Influence on sound art Influence on sound design Experimental sound installations Influence on political art Influence on performance studies Collaborative compositions First concert in 1969 Impact on artistic innovation Impact on collaborative art practices Impact on cultural activism Impact on experimental film Impact on interdisciplinary collaboration Impact on multimedia art Impact on new music festivals Impact on social change through music Influence on collective creativity Influence on community music initiatives Influence on improvisational theatre Collaboration with the London Contemporary Dance Theatre Legacy in contemporary performance art Participation in the 1970s avant-garde scene |
gptkbp:notable_member |
gptkb:Peter_Maxwell_Davies
gptkb:Howard_Skempton gptkb:John_Tilbury |
gptkbp:notable_work |
Treatise
The Great Learning |
gptkbp:performance_style |
Open form
|
gptkbp:philosophy |
Participatory music
|
gptkbp:year_established |
gptkb:1968
|
gptkbp:bfsParent |
gptkb:David_Toop
gptkb:Philip_Jeck |
gptkbp:bfsLayer |
5
|