The Rite of Spring (original)
GPTKB entity
Statements (79)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:ballet
|
| gptkbp:adapted_into |
various dance forms
|
| gptkbp:associated_with |
the avant-garde movement
|
| gptkbp:choreography |
gptkb:Vaslav_Nijinsky
|
| gptkbp:composer |
gptkb:Igor_Stravinsky
|
| gptkbp:critical_reception |
initially controversial
|
| gptkbp:cultural_impact |
caused a riot at its premiere
|
| gptkbp:dedication |
to the Russian Ballet
|
| gptkbp:first_performance |
1913
|
| gptkbp:genre |
modernist ballet
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Rite of Spring (original)
|
| gptkbp:influence |
gptkb:neoclassicism
|
| gptkbp:influenced |
gptkb:jazz_music
contemporary music dance choreography |
| gptkbp:inspired |
gptkb:visual_arts
film scores numerous adaptations |
| gptkbp:legacy |
considered a landmark in 20th-century music
|
| gptkbp:notable_aspect |
polyrhythms
dissonance the use of thematic development complex time signatures the use of emotional expression the use of historical context the use of visual storytelling the use of folk melodies the use of dramatic contrasts the use of thematic transformation the use of orchestral color the use of character development the use of social commentary the use of cultural references the use of cultural symbolism the use of narrative elements the use of ritualistic elements the use of thematic motifs the use of vivid imagery the use of physicality in performance the use of contrasting sections the use of dramatic pacing the use of emotional intensity the use of primal themes the use of rhythmic complexity the use of abrupt changes in dynamics the use of artistic collaboration the use of artistic expression. the use of artistic risk-taking the use of audience engagement the use of climactic moments the use of cultural critique the use of cultural fusion the use of emotional climax the use of expressive movement the use of folk dance elements the use of historical reflection the use of innovative choreography the use of large ensemble the use of orchestral innovation the use of ostinato patterns the use of syncopation the use of thematic resolution the use of unconventional structures |
| gptkbp:notable_for |
its innovative use of rhythm
|
| gptkbp:notable_influence |
gptkb:The_Sacrifice
gptkb:The_Adoration_of_the_Earth |
| gptkbp:orchestration |
large orchestra
|
| gptkbp:original_language |
gptkb:French
|
| gptkbp:performed_by |
gptkb:Ballets_Russes
various ballet companies |
| gptkbp:premiere_date |
May 29, 1913
|
| gptkbp:premiere_location |
gptkb:Théâtre_des_Champs-Élysées
|
| gptkbp:recordings |
many recordings exist
|
| gptkbp:revival |
numerous revivals since 1913
|
| gptkbp:structure |
two parts
|
| gptkbp:style |
expressionism
|
| gptkbp:theme |
pagan rituals
|
| gptkbp:bfsParent |
gptkb:The_Rite_of_Spring_(revival)
|
| gptkbp:bfsLayer |
5
|