|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Kazuo_Ishiguro
|
|
gptkbp:awards
|
gptkb:award
8
|
|
gptkbp:based_on
|
The Remains of the Day (novel)
|
|
gptkbp:box_office
|
$63.8 million
|
|
gptkbp:character
|
gptkb:Miss_Kenton
gptkb:James_Stevens
|
|
gptkbp:character_development
|
gptkb:Miss_Kenton
gptkb:James_Stevens
|
|
gptkbp:cinematography
|
gptkb:Tony_Pierce-Roberts
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
critically acclaimed
|
|
gptkbp:directed_by
|
gptkb:James_Ivory
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
|
gptkbp:edited_by
|
gptkb:Walter_Murch
|
|
gptkbp:filmography
|
gptkb:Walter_Murch
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Remains of the Day (film)
|
|
gptkbp:influenced_by
|
gptkb:historical_event
gptkb:British_aristocracy
gptkb:Kazuo_Ishiguro
British literature
Edwardian era
|
|
gptkbp:is_critical_for
|
explores personal sacrifice
explores class structure
explores emotional repression
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Richard_Robbins
|
|
gptkbp:narrative_style
|
flashback
|
|
gptkbp:notable_quote
|
" We are all just a little bit in love with the past."
" I have no regrets."
" It is a matter of dignity."
" The past is a foreign country."
" The man who is not a servant is a man who is not a man."
|
|
gptkbp:premiered_on
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:Ismail_Merchant
|
|
gptkbp:released
|
gptkb:1993
|
|
gptkbp:runtime
|
134 minutes
|
|
gptkbp:set_in
|
gptkb:England
|
|
gptkbp:setting
|
post-World War II
|
|
gptkbp:starring
|
gptkb:Emma_Thompson
gptkb:Anthony_Hopkins
|
|
gptkbp:themes
|
love
regret
duty
|
|
gptkbp:written_by
|
gptkb:Ruth_Prawer_Jhabvala
|