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gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
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gptkbp:adaptation
|
gptkb:film_adaptations
gptkb:radio_station
gptkb:stage_adaptation
gptkb:film
gptkb:stage_play
|
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gptkbp:author
|
gptkb:Kazuo_Ishiguro
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gptkbp:awards
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:James_Tait_Black_Memorial_Prize
gptkb:Whitbread_Book_Awards
gptkb:BAFTA_Award_for_Best_Actor
Academy Award nomination for Best Actor
Academy Award nomination for Best Adapted Screenplay
Booker Prize nomination
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gptkbp:based_on
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novel by Kazuo Ishiguro
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gptkbp:box_office
|
$63 million
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gptkbp:character
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gptkb:Miss_Kenton
gptkb:Mr._Benn
gptkb:Lord_Darlington
gptkb:James_Stevens
Dr. Carlisle
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gptkbp:character_development
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Stevens' emotional journey
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gptkbp:character_relationships
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Stevens and Miss Kenton
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gptkbp:cinematography_by
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gptkb:Tony_Pierce-Roberts
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gptkbp:country
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gptkb:United_Kingdom
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gptkbp:critical_analysis
|
explores themes of identity
examines British class system
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gptkbp:critical_reception
|
positive reviews
widely acclaimed
highly acclaimed
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gptkbp:cultural_impact
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considered a classic
inspired discussions on class and service
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gptkbp:cultural_references
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gptkb:British_aristocracy
gptkb:World_War_II
British history
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gptkbp:directed_by
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gptkb:James_Ivory
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gptkbp:director
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gptkb:James_Ivory
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gptkbp:distributor
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gptkb:Columbia_Pictures
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gptkbp:edited_by
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gptkb:Walter_Murch
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gptkbp:film
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gptkb:Emma_Thompson
gptkb:Anthony_Hopkins
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gptkbp:film_festival
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gptkb:Cannes_Film_Festival
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gptkbp:filming_location
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gptkb:Dover_Castle
gptkb:England
Hampshire
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gptkbp:genre
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gptkb:novel
gptkb:drama
gptkb:historical_fiction
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|
https://www.w3.org/2000/01/rdf-schema#label
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The Remains of the Day
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gptkbp:influence
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gptkb:Japanese_literature
postmodern literature
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gptkbp:influences
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gptkb:Japanese_culture
British literature
post-war themes
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gptkbp:inspiration
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gptkb:historical_events
English country houses
Ishiguro's experiences in England
Kazuo Ishiguro's experiences
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gptkbp:isbn
|
978-0571201923
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gptkbp:language
|
English
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gptkbp:literary_significance
|
considered a modern classic
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gptkbp:main_character
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gptkb:Stevens
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gptkbp:motif
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gptkb:memory
nostalgia
duty
servitude
lost opportunities
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gptkbp:music_by
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gptkb:Richard_Robbins
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gptkbp:narrative
|
first-person
non-linear
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gptkbp:narrative_focus
|
Stevens' reflections
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gptkbp:narrative_style
|
first-person
unreliable narrator
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gptkbp:page_count
|
245
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gptkbp:philosophy
|
the concept of duty
the nature of regret
what it means to live a good life
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gptkbp:produced_by
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gptkb:Ismail_Merchant
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gptkbp:published
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gptkb:1989
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gptkbp:published_in
|
gptkb:1989
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gptkbp:publisher
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gptkb:Faber_and_Faber
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gptkbp:reader_demographic
|
emotional resonance
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gptkbp:release_date
|
November 5, 1993
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gptkbp:release_year
|
gptkb:1993
gptkb:2015
|
|
gptkbp:released
|
gptkb:1993
|
|
gptkbp:released_in
|
gptkb:1993
|
|
gptkbp:runtime
|
134 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Ruth_Prawer_Jhabvala
|
|
gptkbp:setting
|
gptkb:Darlington_Hall
gptkb:post-World_War_II_England
|
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gptkbp:stage_play_adaptation_writer
|
gptkb:Harold_Pinter
|
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gptkbp:starring
|
gptkb:Emma_Thompson
gptkb:Anthony_Hopkins
|
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gptkbp:stevens'_character_trait
|
gptkb:loyalty
gptkb:stoicism
gptkb:Pride_Month
repression
dedication
|
|
gptkbp:stevens'_conflict
|
personal vs professional life
|
|
gptkbp:stevens'_emotional_repression
|
central theme
|
|
gptkbp:stevens'_emotional_state
|
nostalgic
reflective
regretful
|
|
gptkbp:stevens'_employer
|
gptkb:Lord_Darlington
|
|
gptkbp:stevens'_father's_death
|
impactful
|
|
gptkbp:stevens'_father's_profession
|
gptkb:American_football_coach
|
|
gptkbp:stevens'_final_decision
|
embracing life
|
|
gptkbp:stevens'_final_encounter
|
with Miss Kenton
|
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gptkbp:stevens'_final_realization
|
value of love
|
|
gptkbp:stevens'_final_scene
|
symbolic
|
|
gptkbp:stevens'_final_thoughts
|
on his life choices
|
|
gptkbp:stevens'_journey
|
gptkb:road
|
|
gptkbp:stevens'_journey's_outcome
|
self-acceptance
|
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gptkbp:stevens'_journey's_purpose
|
self-discovery
|
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gptkbp:stevens'_love_interest
|
gptkb:Miss_Kenton
|
|
gptkbp:stevens'_profession
|
gptkb:American_football_coach
|
|
gptkbp:stevens'_profession's_impact
|
on personal happiness
|
|
gptkbp:stevens'_realization
|
importance of personal connections
|
|
gptkbp:stevens'_realization_about_lord_darlington
|
gptkb:moral_ambiguity
|
|
gptkbp:stevens'_reflection
|
past decisions
|
|
gptkbp:stevens'_relationship_with_his_father
|
influential
|
|
gptkbp:stevens'_relationship_with_miss_kenton
|
complicated
|
|
gptkbp:stevens'_view_on_dignity
|
gptkb:complex
|
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gptkbp:stevens'_view_on_service
|
noble yet limiting
|
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gptkbp:stevens'_view_on_the_future
|
uncertain
|
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gptkbp:stevens'_view_on_the_past
|
gptkb:Ghost
|
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gptkbp:symbolism
|
gptkb:American_football_coach
duty vs. personal happiness
butler's role
|
|
gptkbp:theme
|
gptkb:memory
regret
duty
duty and regret
|
|
gptkbp:bfsParent
|
gptkb:Emma_Thompson
gptkb:Kazuo_Ishiguro
gptkb:Hugh_Grant
gptkb:Anthony_Hopkins
gptkb:James_Ivory
gptkb:Sir_Anthony_Hopkins
gptkb:Chatto_&_Windus
gptkb:Booker_Prize
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gptkbp:bfsLayer
|
4
|