Statements (168)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:art_style |
Stylized cinematography.
|
| gptkbp:audience |
Cult following.
Respected by cinephiles. |
| gptkbp:awards |
Cannes Film Festival nomination
|
| gptkbp:based_on |
The novel by Georges Simenon
the novel by Pierre Mac Orlan |
| gptkbp:box_office |
gptkb:N/_A
successful in France |
| gptkbp:character |
Transformation.
Profound transformation. |
| gptkbp:character_arc |
Tragic hero.
|
| gptkbp:character_development |
Complex characters.
Nuanced portrayals. |
| gptkbp:character_motivation |
Desire for redemption.
Driven by personal desires. |
| gptkbp:character_relationships |
Complex and layered.
Complex dynamics. Internal struggles. Intricate relationships. Intricate and compelling. |
| gptkbp:characterized_by |
Richly developed.
Deeply flawed characters. |
| gptkbp:cinematography |
gptkb:Henri_Alekan
|
| gptkbp:cinematography_by |
gptkb:Henri_Alekan
|
| gptkbp:color |
gptkb:Black_and_White
black and white |
| gptkbp:costume_design |
Period-appropriate costumes.
|
| gptkbp:country |
gptkb:France
|
| gptkbp:country_of_origin |
gptkb:France
|
| gptkbp:critical_analysis |
Examined in film studies.
|
| gptkbp:critical_reception |
Positive reviews.
|
| gptkbp:criticism |
Acclaimed by critics.
Analyzed for its depth. Widely respected. Respected by scholars. Widely analyzed. |
| gptkbp:cultural_impact |
Significant in film history.
Influenced later French cinema. Influenced French New Wave. |
| gptkbp:cultural_significance |
considered a classic
Still resonates today. Represents French cinema. Represents a cinematic era. Represents a pivotal moment in cinema. Still discussed today. |
| gptkbp:demographics |
Art film enthusiasts.
|
| gptkbp:depicts |
the life of a fugitive
|
| gptkbp:design |
Authentic period details.
|
| gptkbp:directed_by |
gptkb:Marcel_Carné
|
| gptkbp:director |
gptkb:Jacques_Becker
Jacques Becker. |
| gptkbp:distributor |
gptkb:CIC
|
| gptkbp:editing |
gptkb:Marguerite_Renoir
|
| gptkbp:features |
a love story
a tragic ending a mysterious woman |
| gptkbp:film_appearance |
Visually striking.
Visually captivating. |
| gptkbp:film_awards |
N/ A.
|
| gptkbp:film_editing |
Pacing enhances tension.
|
| gptkbp:film_festival |
Cannes Film Festival.
|
| gptkbp:film_score |
Memorable themes.
|
| gptkbp:film_technique |
Innovative for its time.
Use of shadows. Realism. Innovative storytelling. Inspired filmmakers. Distinctive and memorable. Lasting impact on cinema. Significant in cinema. Influential in its genre. |
| gptkbp:filming_location |
gptkb:Marseille
|
| gptkbp:filmography |
Studied in film schools.
Rich in symbolism. Examined for its artistry. |
| gptkbp:genre |
gptkb:drama
romance noir |
| gptkbp:has_themes |
gptkb:exploration
gptkb:resolutions gptkb:acceptance gptkb:betrayal gptkb:existentialism gptkb:loss gptkb:loyalty gptkb:survival gptkb:conflict gptkb:adventure gptkb:dreams gptkb:fate gptkb:friendship gptkb:identity gptkb:memory gptkb:sacrifice gptkb:trust gptkb:transformation love alienation hope reality suffering closure nostalgia redemption forgiveness disillusionment journey desperation despair |
| gptkbp:historical_context |
Post-war France.
|
| gptkbp:home_media_release |
2001.
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Port of Shadows
|
| gptkbp:influenced |
French cinema
film noir genre |
| gptkbp:influenced_by |
American film noir.
|
| gptkbp:influences |
gptkb:Film_Noir
|
| gptkbp:inspiration |
subsequent films
Georges Simenon's works. |
| gptkbp:language |
gptkb:French
|
| gptkbp:language_spoken |
Witty and sharp.
|
| gptkbp:legacy |
Considered a classic.
Influential in genre. Enduring relevance. Enduring classic. Part of French cinema history. |
| gptkbp:motif |
Recurring themes.
Recurring themes of loss. |
| gptkbp:music_by |
gptkb:Joseph_Kosma
|
| gptkbp:music_composer |
gptkb:Joseph_Kosma
|
| gptkbp:narrative |
Non-linear storytelling.
Engaging and thought-provoking. Rich and layered. Crime and existential themes. Engaging and layered. |
| gptkbp:notable_for |
its atmosphere
its cinematography its themes of fate and despair |
| gptkbp:notable_scene |
Dramatic confrontations.
|
| gptkbp:premiere |
gptkb:Cannes_Film_Festival
|
| gptkbp:premiered_on |
gptkb:Cannes_Film_Festival
|
| gptkbp:produced_by |
gptkb:Groupe_des_Films_Marcel_Carné
|
| gptkbp:production_company |
gptkb:Les_Films_du_Carrosse
|
| gptkbp:rating |
Not Rated
|
| gptkbp:release_date |
2000-05-10
|
| gptkbp:release_year |
gptkb:2000
|
| gptkbp:released_in |
1938
|
| gptkbp:remake |
N/ A.
The Port of Shadows (2008) |
| gptkbp:runtime |
90 minutes
|
| gptkbp:screenings |
Art house cinemas.
|
| gptkbp:screenplay |
gptkb:Jacques_Becker
|
| gptkbp:screenplay_by |
gptkb:Jacques_Prévert
|
| gptkbp:set_in |
a port city
|
| gptkbp:soundtrack |
Jazz influences.
|
| gptkbp:starring |
gptkb:Pierre_Brasseur
gptkb:Mireille_Balin gptkb:Jean_Gabin gptkb:Melanie_Thierry gptkb:Michel_Simon Gabin |
| gptkbp:symbolism |
Shadows represent fate.
|
| gptkbp:themes |
Existentialism.
Exploration of human nature. Exploration of fate. Isolation and fate. Morality and choice. |
| gptkbp:viewing_format |
DVD.
|