|
gptkbp:instance_of
|
gptkb:musical_composition
gptkb:painting
gptkb:play
|
|
gptkbp:activities
|
two acts
|
|
gptkbp:adaptation
|
stage productions
television adaptations
international productions
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:album
|
gptkb:The_Dreaming
|
|
gptkbp:associated_act
|
gptkb:Kate_Bush
|
|
gptkbp:associated_with
|
female artists
British music scene
1980s music
|
|
gptkbp:awards
|
gptkb:Pulitzer_Prize_for_Drama
|
|
gptkbp:character
|
gptkb:Boy_Willie
Lymon
Berniece
Doaker
Wining Boy
|
|
gptkbp:chart_position
|
Top 40
|
|
gptkbp:collection
|
gptkb:the_National_Gallery_of_Art
|
|
gptkbp:cover_art
|
gptkb:battle
|
|
gptkbp:created_by
|
gptkb:Kate_Bush
gptkb:Edgar_Degas
|
|
gptkbp:critical_reception
|
acclaimed
positive
awarded multiple honors
|
|
gptkbp:cultural_impact
|
gptkb:significant
performed internationally
studied in schools
influenced other playwrights
inspired discussions on race
|
|
gptkbp:depicted_in
|
art books
|
|
gptkbp:depicts
|
a girl listening
a woman playing piano
|
|
gptkbp:dimensions
|
92 cm × 73 cm
|
|
gptkbp:directed_by
|
gptkb:Lloyd_Richards
|
|
gptkbp:exhibits
|
light and shadow effects
|
|
gptkbp:explores
|
gptkb:archaeological_site
heritage and legacy
|
|
gptkbp:fan_base
|
dedicated
|
|
gptkbp:features
|
musical themes
a piano
|
|
gptkbp:features_character
|
gptkb:Boy_Willie
Lymon
the piano
the family home
Berniece
Doaker
|
|
gptkbp:focus_area
|
Degas' exploration of movement
|
|
gptkbp:focuses_on
|
African American family
|
|
gptkbp:followed_by
|
gptkb:Suspended_in_Gaffa
|
|
gptkbp:genre
|
art rock
|
|
gptkbp:has_conflict_with
|
inheritance dispute
cultural clash
|
|
gptkbp:has_exhibition
|
various art museums
|
|
gptkbp:has_genre
|
gptkb:church
gptkb:High_School
|
|
gptkbp:has_impact_on
|
gptkb:artwork
social issues
cultural discussions
theater community
|
|
gptkbp:has_influence_on
|
contemporary artists
|
|
gptkbp:has_setting
|
1936
living room
|
|
gptkbp:has_theme
|
gptkb:organization
family conflict
the value of art
|
|
gptkbp:historical_documentation
|
the 19th century.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Piano Lesson
|
|
gptkbp:includes
|
art history textbooks
|
|
gptkbp:influenced_artists
|
gptkb:Florence_Welch
gptkb:Tori_Amos
gptkb:tributes
gptkb:Bat_for_Lashes
synth-pop
alternative rock
remixes
covers by other artists
|
|
gptkbp:influenced_by
|
gptkb:orchestra
Blues music
African American history
blues music
|
|
gptkbp:influences
|
classical music
modern art
|
|
gptkbp:inspired_by
|
personal experiences
real-life experiences
|
|
gptkbp:instrument
|
gptkb:musician
gptkb:musical_composition
vocals
drums
|
|
gptkbp:is_a_testament_to
|
Degas' mastery of form
|
|
gptkbp:is_analyzed_in
|
its use of color
its narrative quality
|
|
gptkbp:is_available_in
|
gptkb:studio
study guides
scholarly articles
video recordings
published script
|
|
gptkbp:is_characterized_by
|
dynamic poses
|
|
gptkbp:is_cited_in
|
gptkb:musician
songwriters
academic papers
|
|
gptkbp:is_considered
|
a significant work in Degas' career
|
|
gptkbp:is_discussed_in
|
art history courses
|
|
gptkbp:is_essential_for
|
its technical skill
|
|
gptkbp:is_featured_in
|
art exhibitions
art documentaries
|
|
gptkbp:is_known_for
|
its composition
|
|
gptkbp:is_often_compared_to
|
other works by Degas
|
|
gptkbp:is_part_of
|
the Impressionist movement
Degas' series on music
|
|
gptkbp:is_recognized_by
|
gptkb:art_historians
|
|
gptkbp:is_recognized_for
|
its emotional depth
|
|
gptkbp:is_reflected_in
|
Degas' artistic evolution
|
|
gptkbp:is_related_to
|
Degas' interest in ballet
|
|
gptkbp:is_represented_in
|
the relationship between music and art
19th-century Parisian life
|
|
gptkbp:key_event
|
Degas' oeuvre
|
|
gptkbp:label
|
gptkb:EMI_Records
|
|
gptkbp:language
|
English
art and society
|
|
gptkbp:legacy
|
influential in American theater
part of African American literature
|
|
gptkbp:length
|
3:40
|
|
gptkbp:live_performance
|
gptkb:battle
|
|
gptkbp:location
|
gptkb:National_Gallery_of_Art
|
|
gptkbp:medium
|
gptkb:oil_on_canvas
|
|
gptkbp:motif
|
gptkb:musical
gptkb:Magic:_The_Gathering_set
family ties
|
|
gptkbp:music_style
|
progressive rock
|
|
gptkbp:music_video
|
gptkb:battle
|
|
gptkbp:notable_event
|
gptkb:soundtrack
|
|
gptkbp:notable_performance
|
gptkb:live_concerts
music festivals
television appearances
|
|
gptkbp:notable_production
|
gptkb:musical
1995 film adaptation
|
|
gptkbp:part_of
|
gptkb:The_Pittsburgh_Cycle
|
|
gptkbp:performed_by
|
gptkb:Yale_Repertory_Theatre
gptkb:musician
gptkb:Kate_Bush
various theater companies
|
|
gptkbp:preceded_by
|
gptkb:Cloudbusting
|
|
gptkbp:premiered_on
|
gptkb:1987
|
|
gptkbp:producer
|
gptkb:Kate_Bush
|
|
gptkbp:published_by
|
Plume
|
|
gptkbp:record_label
|
EMI
|
|
gptkbp:recording_location
|
gptkb:Borough
|
|
gptkbp:related_to
|
gptkb:Fences
gptkb:Seven_Guitars
gptkb:The_Seven_Deadly_Sins
gptkb:Ma_Rainey's_Black_Bottom
gptkb:Joe_Turner's_Come_and_Gone
|
|
gptkbp:release_year
|
gptkb:1983
|
|
gptkbp:released
|
gptkb:battle
|
|
gptkbp:remastered
|
gptkb:battle
|
|
gptkbp:set_in
|
gptkb:Pittsburgh
|
|
gptkbp:significance
|
the study of music in art
|
|
gptkbp:stations
|
critical acclaim
audience popularity
|
|
gptkbp:streaming_platforms
|
gptkb:battle
|
|
gptkbp:style
|
gptkb:painting
|
|
gptkbp:subject
|
gptkb:literary_work
art collectors
Impressionist techniques
|
|
gptkbp:themes
|
gptkb:Magic:_The_Gathering_set
gptkb:loss
gptkb:organization
nostalgia
poetic
family conflict
the value of art
|
|
gptkbp:track_count
|
gptkb:musical
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:winner
|
gptkb:Pulitzer_Prize_for_Drama
|
|
gptkbp:writer
|
gptkb:Kate_Bush
|
|
gptkbp:written_by
|
gptkb:August_Wilson
|
|
gptkbp:year_created
|
1877
|
|
gptkbp:bfsParent
|
gptkb:Pulitzer_Prize_for_Drama
gptkb:August_Wilson
|
|
gptkbp:bfsLayer
|
3
|