Statements (42)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:play
|
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:August_Wilson
|
| gptkbp:adaptation |
gptkb:film
|
| gptkbp:author |
gptkb:August_Wilson
|
| gptkbp:awards |
Tony Award nomination
|
| gptkbp:critical_reception |
acclaimed
|
| gptkbp:cultural_significance |
depicts the search for identity
examines the impact of migration explores African American life highlights community dynamics part of August Wilson's legacy reflects historical context of the 1910s |
| gptkbp:genre |
gptkb:High_School
|
| https://www.w3.org/2000/01/rdf-schema#label |
Joe Turner's Come and Gone
|
| gptkbp:influences |
Blues music
African American folklore |
| gptkbp:inspiration |
gptkb:Joe_Turner
African American history personal experiences of August Wilson |
| gptkbp:language |
English
|
| gptkbp:notable_character |
gptkb:Ruth
gptkb:Bynum_Walker gptkb:Martha Harold Jeremy Zonia Seth Holly |
| gptkbp:notable_quote |
" A man ain't nothing but a man."
" The past is always with you." " You can't be a man without a woman." " You got to find your own way." " You got to have a song to sing." |
| gptkbp:part_of |
gptkb:The_Pittsburgh_Cycle
|
| gptkbp:performance |
gptkb:musical
regional theaters |
| gptkbp:premiere_date |
gptkb:1984
|
| gptkbp:set_in |
gptkb:Pittsburgh
|
| gptkbp:setting |
gptkb:Pittsburgh,_Pennsylvania
|
| gptkbp:themes |
gptkb:Community_Center
gptkb:High_School African American identity |