|
gptkbp:instance_of
|
gptkb:painting
gptkb:television_series
gptkb:art_installation
gptkb:book
gptkb:novel
gptkb:artwork
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Takashi_Murakami
gptkb:Francesco_Vezzoli
|
|
gptkbp:adaptation
|
gptkb:theatre
|
|
gptkbp:art_movement
|
Contemporary art
|
|
gptkbp:art_style
|
gptkb:TV_series
gptkb:Dramatic
Existentialism
layering
vivid imagery
international acclaim
underwater cinematography
21st century art
experimental documentary style
self-consumption
|
|
gptkbp:artist
|
gptkb:Kelsey_Montague
gptkb:Francesco_Clemente
|
|
gptkbp:artistic_influence
|
gptkb:Significant
gptkb:cultural_discourse
Contemporary Artists
Global art scene
Murakami's style
|
|
gptkbp:artistic_legacy
|
Japanese contemporary art
|
|
gptkbp:aspect_ratio
|
16:9
|
|
gptkbp:audience
|
Art Enthusiasts
general public
well-received
thought-provoking
85% on Rotten Tomatoes
documentary enthusiasts
4.5/5 on Amazon
|
|
gptkbp:author
|
gptkb:Jessie_Greengrass
gptkb:Haruki_Murakami
|
|
gptkbp:awards
|
gptkb:Best_Documentary_Feature
gptkb:Yomiuri_Prize
nominated for awards
Best Documentary at the 2016 San Francisco Ocean Film Festival
|
|
gptkbp:based_on
|
The Octopus Eats Its Own Leg book
|
|
gptkbp:box_office
|
gptkb:$100,000
limited release
|
|
gptkbp:budget
|
gptkb:$100,000
|
|
gptkbp:character_arc
|
gptkb:Transformation
redemption
self-discovery
|
|
gptkbp:character_development
|
gptkb:launch_complex
|
|
gptkbp:cinematography
|
gptkb:Evan_Klein
gptkb:Evan_Mc_Nary
Evan Johnson
|
|
gptkbp:closing_date
|
2017-01-15
September 24, 2017
|
|
gptkbp:collaborations
|
various artists
|
|
gptkbp:collection
|
gptkb:Museum_of_Contemporary_Art,_Los_Angeles
private collectors
|
|
gptkbp:color
|
gptkb:color
Vibrant colors
vibrant colors
|
|
gptkbp:country
|
gptkb:United_States
gptkb:Native_American_tribe
|
|
gptkbp:created_by
|
gptkb:Kara_Walker
gptkb:Evan_K._Smith
|
|
gptkbp:creator
|
gptkb:Francesco_Vezzoli
|
|
gptkbp:critical_reception
|
Positive
positive
positive reviews
praised for its storytelling
recognized for its innovative approach
acclaimed for its visuals
|
|
gptkbp:cultural_impact
|
gptkb:significant
widely discussed
influential
influenced marine documentaries
increased interest in marine documentaries
|
|
gptkbp:cultural_significance
|
Japanese contemporary art
explores human-animal relationships
|
|
gptkbp:curated_by
|
gptkb:Museum_of_Contemporary_Art_Chicago
|
|
gptkbp:curator
|
gptkb:Kathy_Halbreich
|
|
gptkbp:dimensions
|
variable
200 x 300 cm
8 ft x 8 ft
10 ft x 8 ft
82 x 65 inches
|
|
gptkbp:director
|
gptkb:Evan_Klein
gptkb:Evan_Mc_Nary
Evan Johnson
|
|
gptkbp:distribution
|
limited theatrical release
|
|
gptkbp:distributor
|
gptkb:Indie_Pix_Films
gptkb:Vortex_Media
gptkb:Film_Rise
|
|
gptkbp:documentary
|
observational
|
|
gptkbp:duration
|
10 minutes
|
|
gptkbp:editor
|
gptkb:Evan_Klein
gptkb:Evan_Mc_Nary
Evan Johnson
|
|
gptkbp:events
|
gptkb:2017
|
|
gptkbp:exhibited_at
|
gptkb:2014
gptkb:2017
gptkb:Museum_of_Contemporary_Art,_Chicago
gptkb:Museum_of_Contemporary_Art,_Minneapolis
|
|
gptkbp:exhibition
|
gptkb:2017
gptkb:Los_Angeles
gptkb:New_York
gptkb:music_festival
public art installation
solo exhibition
Francesco Vezzoli: The Octopus Eats Its Own Leg
Francesco Clemente: The Octopus Eats Its Own Leg
|
|
gptkbp:features
|
Murakami's artworks
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Seattle_International_Film_Festival
gptkb:AFI_Fest
gptkb:Toronto_International_Film_Festival
gptkb:New_York_Film_Festival
gptkb:San_Francisco_International_Film_Festival
gptkb:Montreal_International_Documentary_Festival
gptkb:Doc_NYC
gptkb:2016_Tribeca_Film_Festival
gptkb:Berlinale
|
|
gptkbp:film_score
|
original score by Evan Mc Nary
|
|
gptkbp:filming_location
|
gptkb:Borough
gptkb:California
|
|
gptkbp:filmography
|
75 minutes
innovative cinematography
independent film
direct cinema
discussed in marine biology journals
|
|
gptkbp:first_aired
|
gptkb:2018
|
|
gptkbp:focus
|
gptkb:mythological_figure
marine life
octopus intelligence
|
|
gptkbp:follows
|
gptkb:The_Octopus_Project
|
|
gptkbp:format
|
hardcover
digital
|
|
gptkbp:genre
|
gptkb:Author
gptkb:film
|
|
gptkbp:graphics
|
striking imagery
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Octopus Eats Its Own Leg
|
|
gptkbp:impact
|
awareness of marine life issues
|
|
gptkbp:influence
|
surrealism
|
|
gptkbp:influenced_artists
|
inspired future marine documentaries
|
|
gptkbp:influences
|
gptkb:anime
gptkb:Kafka
gptkb:Dostoevsky
marine biology
nature documentaries
artistic documentaries
environmental awareness films
Murakami's own works
|
|
gptkbp:inspiration
|
gptkb:mythological_figure
Pop culture
personal experiences
octopus behavior studies
Murakami's travels
real-life octopus behavior
|
|
gptkbp:inspired_by
|
gptkb:mythological_figure
nature
|
|
gptkbp:installation
|
Multimedia Installation
|
|
gptkbp:is_a
|
gptkb:artwork
|
|
gptkbp:is_criticized_for
|
gptkb:Roger_Ebert
mixed reviews
featured in The New York Times
positive reviews from critics
|
|
gptkbp:is_evaluated_by
|
recognized at film festivals
|
|
gptkbp:isbn
|
978-0385542184
978-1787300244
|
|
gptkbp:language
|
gptkb:French
gptkb:Italian
gptkb:Japanese
gptkb:Korean
gptkb:Arabic
gptkb:Author
gptkb:Mandarin
gptkb:Spanish
gptkb:language
gptkb:Native_American_tribe
English
Contemporary Society
|
|
gptkbp:launch_date
|
gptkb:2017
2016-10-02
June 2017
June 4, 2017
|
|
gptkbp:legacy
|
recognized in documentary film circles
|
|
gptkbp:length
|
75 minutes
|
|
gptkbp:literary_devices
|
gptkb:literary_work
simile
imagery
foreshadowing
allusion
|
|
gptkbp:location
|
gptkb:Borough
gptkb:Museum_of_Contemporary_Art_Chicago
gptkb:Museum_of_Contemporary_Art
gptkb:Berlin
gptkb:Denver,_Colorado
gptkb:Los_Angeles
gptkb:New_York
gptkb:New_York,_USA
gptkb:Vancouver
gptkb:Museum_of_Contemporary_Art,_Chicago
gptkb:Museum_of_Contemporary_Art,_Los_Angeles
|
|
gptkbp:main_character
|
gptkb:Tsukasa
|
|
gptkbp:medium
|
gptkb:painting
gptkb:oil_on_canvas
gptkb:music_video
gptkb:film
Paint
mixed media
Acrylic on canvas
acrylic on canvas
|
|
gptkbp:message
|
importance of conservation
understanding marine life
|
|
gptkbp:motif
|
gptkb:musical
gptkb:festival
gptkb:product
gptkb:artwork
|
|
gptkbp:music
|
gptkb:Evan_Klein
gptkb:Evan_Mc_Nary
Evan Johnson
|
|
gptkbp:narrative_style
|
gptkb:cultural_exchange
gptkb:Monarch
magical realism
minimalist
animal behavior
experimental
non-linear storytelling
personal storytelling
personal narrative
exploration of octopus behavior
|
|
gptkbp:network
|
gptkb:PBS
|
|
gptkbp:notable_appearance
|
gptkb:mythological_figure
|
|
gptkbp:notable_event
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:notable_feature
|
self-exploration
received positive reviews from critics
won awards at film festivals
explores octopus behavior
explores the life of an octopus
features underwater cinematography
includes themes of survival and adaptation
focuses on the relationship between humans and nature
focus on marine life
|
|
gptkbp:number_of_episodes
|
gptkb:6
|
|
gptkbp:number_of_seasons
|
gptkb:musical
|
|
gptkbp:page_count
|
256
224
304
|
|
gptkbp:partnership
|
gptkb:Gagosian_Gallery
gptkb:Los_Angeles_County_Museum_of_Art
gptkb:Museum_of_Contemporary_Art
gptkb:The_Broad
gptkb:Yayoi_Kusama_Foundation
|
|
gptkbp:premiere
|
gptkb:2015_Venice_Biennale
gptkb:Hot_Docs_Canadian_International_Documentary_Festival
gptkb:2016_Tribeca_Film_Festival
gptkb:2013_Toronto_International_Film_Festival
|
|
gptkbp:producer
|
gptkb:Evan_Klein
Evan Johnson
|
|
gptkbp:production_company
|
gptkb:Evan_Klein_Productions
gptkb:Evan_Mc_Nary_Productions
gptkb:The_National_Film_Board_of_Canada
|
|
gptkbp:production_years
|
gptkb:2016
|
|
gptkbp:public_perception
|
emotional impact
|
|
gptkbp:published_year
|
gptkb:2018
gptkb:2019
|
|
gptkbp:publisher
|
gptkb:Doubleday
gptkb:Harvill_Secker
|
|
gptkbp:rating
|
7.5/10 on IM Db
|
|
gptkbp:reader_demographic
|
young adult
adult
|
|
gptkbp:release_date
|
2019-05-01
September 2013
April 15, 2016
|
|
gptkbp:release_format
|
digital and DVD
|
|
gptkbp:release_year
|
gptkb:2013
gptkb:2016
gptkb:2017
gptkb:2019
|
|
gptkbp:runtime
|
75 minutes
80 minutes
|
|
gptkbp:sales
|
high
|
|
gptkbp:screenings
|
film festivals
|
|
gptkbp:setting
|
gptkb:Japan
contemporary
|
|
gptkbp:significance
|
cultural commentary
|
|
gptkbp:style
|
gptkb:soundtrack
gptkb:artwork
lyrical
poetic
visual storytelling
conversational
observational documentary
|
|
gptkbp:subject
|
gptkb:Historical_Society
gptkb:mythological_figure
nature
marine biology
octopuses
|
|
gptkbp:symbolism
|
gptkb:Transformation
gptkb:mythological_figure
gptkb:item
Self-reflection
isolation
legs
|
|
gptkbp:target_audience
|
documentary enthusiasts
|
|
gptkbp:technique
|
gptkb:painting
|
|
gptkbp:thematic_element
|
identity and existence
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:Magic:_The_Gathering_set
gptkb:Nature
gptkb:loss
Consumerism
self-acceptance
self-destruction
self-cannibalism
self-cannibalism in octopuses
Self-Consumption
|
|
gptkbp:themes
|
self-discovery
consumerism
|
|
gptkbp:translated_into
|
gptkb:French
gptkb:Spanish
gptkb:Philip_Gabriel
English
|
|
gptkbp:type
|
gptkb:art_exhibition
gptkb:art_installation
|
|
gptkbp:viewing_platform
|
gptkb:Amazon_Prime_Video
gptkb:film
available on streaming services
|
|
gptkbp:visitors
|
immersive
|
|
gptkbp:writer
|
gptkb:Evan_Klein
gptkb:Evan_Mc_Nary
Evan Johnson
|
|
gptkbp:year
|
gptkb:2016
gptkb:2017
gptkb:2018
|
|
gptkbp:year_created
|
gptkb:2013
gptkb:2014
gptkb:2015
gptkb:2017
|