|
gptkbp:instance_of
|
gptkb:painting
gptkb:television_series
gptkb:book
gptkb:novel
gptkb:installation_art
gptkb:artwork
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:theater
|
|
gptkbp:art_movement
|
Contemporary art
|
|
gptkbp:art_style
|
gptkb:Dramatic
vivid imagery
underwater cinematography
|
|
gptkbp:artist
|
gptkb:Kelsey_Montague
gptkb:Francesco_Clemente
|
|
gptkbp:artistic_exploration
|
gptkb:identity
|
|
gptkbp:artistic_expression
|
21st century art
self-consumption
|
|
gptkbp:artistic_influence
|
gptkb:Significant
gptkb:cultural_discourse
Contemporary Artists
Global art scene
Murakami's style
|
|
gptkbp:artistic_legacy
|
Japanese contemporary art
|
|
gptkbp:artistic_technique
|
layering
experimental documentary style
|
|
gptkbp:artistic_vision
|
Existentialism
international acclaim
|
|
gptkbp:aspect_ratio
|
16:9
|
|
gptkbp:audience
|
Art Enthusiasts
general public
well-received
thought-provoking
85% on Rotten Tomatoes
documentary enthusiasts
4.5/5 on Amazon
|
|
gptkbp:author
|
gptkb:Jessie_Greengrass
gptkb:Haruki_Murakami
|
|
gptkbp:awards
|
gptkb:Best_Documentary_Feature
gptkb:Yomiuri_Prize
Best Documentary at the 2016 San Francisco Ocean Film Festival
|
|
gptkbp:based_on
|
The Octopus Eats Its Own Leg book
|
|
gptkbp:box_office
|
gptkb:$100,000
limited release
|
|
gptkbp:budget
|
gptkb:$100,000
|
|
gptkbp:character_arc
|
gptkb:transformation
redemption
self-discovery
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:cinematography
|
gptkb:Evan_Klein
gptkb:Evan_Mc_Nary
Evan Johnson
|
|
gptkbp:closing_date
|
2017-01-15
September 24, 2017
|
|
gptkbp:collaboration
|
various artists
|
|
gptkbp:collection
|
gptkb:Museum_of_Contemporary_Art,_Los_Angeles
private collectors
|
|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:color_palette
|
Vibrant colors
vibrant colors
|
|
gptkbp:country
|
gptkb:Canada
gptkb:United_States
|
|
gptkbp:created_by
|
gptkb:Kara_Walker
gptkb:Evan_K._Smith
|
|
gptkbp:creator
|
gptkb:Francesco_Vezzoli
|
|
gptkbp:critical_reception
|
Positive
positive
positive reviews
praised for its storytelling
recognized for its innovative approach
acclaimed for its visuals
|
|
gptkbp:criticism
|
gptkb:Roger_Ebert
mixed reviews
featured in The New York Times
positive reviews from critics
|
|
gptkbp:cultural_impact
|
gptkb:significant
widely discussed
influential
influenced marine documentaries
increased interest in marine documentaries
|
|
gptkbp:cultural_significance
|
Japanese contemporary art
explores human-animal relationships
|
|
gptkbp:curated_by
|
gptkb:Museum_of_Contemporary_Art_Chicago
|
|
gptkbp:curator
|
gptkb:Kathy_Halbreich
|
|
gptkbp:dimensions
|
variable
200 x 300 cm
8 ft x 8 ft
10 ft x 8 ft
82 x 65 inches
|
|
gptkbp:director
|
gptkb:Evan_Klein
gptkb:Evan_Mc_Nary
Evan Johnson
|
|
gptkbp:distribution
|
limited theatrical release
|
|
gptkbp:distributor
|
gptkb:Indie_Pix_Films
gptkb:Vortex_Media
gptkb:Film_Rise
|
|
gptkbp:documentary
|
observational
|
|
gptkbp:duration
|
10 minutes
|
|
gptkbp:editor
|
gptkb:Evan_Klein
gptkb:Evan_Mc_Nary
Evan Johnson
|
|
gptkbp:editorial_focus
|
minimalist
personal narrative
|
|
gptkbp:events
|
gptkb:2017
|
|
gptkbp:exhibited_at
|
gptkb:2014
gptkb:2017
gptkb:Museum_of_Contemporary_Art,_Chicago
gptkb:Museum_of_Contemporary_Art,_Minneapolis
|
|
gptkbp:exhibition
|
public art installation
solo exhibition
Francesco Vezzoli: The Octopus Eats Its Own Leg
Francesco Clemente: The Octopus Eats Its Own Leg
|
|
gptkbp:exhibition_location
|
gptkb:Los_Angeles
gptkb:New_York
gptkb:Venice_Biennale
|
|
gptkbp:exhibition_year
|
gptkb:2017
|
|
gptkbp:famous_event
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:features
|
Murakami's artworks
|
|
gptkbp:film_awards
|
nominated for awards
|
|
gptkbp:film_festival
|
gptkb:Seattle_International_Film_Festival
gptkb:AFI_Fest
gptkb:Sundance_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:New_York_Film_Festival
gptkb:San_Francisco_International_Film_Festival
gptkb:Montreal_International_Documentary_Festival
gptkb:Doc_NYC
gptkb:2016_Tribeca_Film_Festival
gptkb:Berlinale
|
|
gptkbp:film_length
|
75 minutes
|
|
gptkbp:film_score
|
original score by Evan Mc Nary
|
|
gptkbp:film_technique
|
innovative cinematography
independent film
direct cinema
|
|
gptkbp:filming_location
|
gptkb:California
|
|
gptkbp:filmography
|
discussed in marine biology journals
|
|
gptkbp:first_aired
|
gptkb:2018
|
|
gptkbp:focus
|
gptkb:squid
marine life
octopus intelligence
|
|
gptkbp:follows
|
gptkb:The_Octopus_Project
|
|
gptkbp:format
|
hardcover
digital
|
|
gptkbp:genre
|
gptkb:Fiction
gptkb:non-fiction
gptkb:documentary
|
|
gptkbp:graphics
|
striking imagery
|
|
gptkbp:has_culture
|
Contemporary Society
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Octopus Eats Its Own Leg
|
|
gptkbp:impact
|
awareness of marine life issues
|
|
gptkbp:influence
|
surrealism
|
|
gptkbp:influenced_artists
|
inspired future marine documentaries
|
|
gptkbp:influences
|
gptkb:anime
gptkb:manga
gptkb:Kafka
gptkb:Dostoevsky
marine biology
nature documentaries
artistic documentaries
environmental awareness films
Murakami's own works
|
|
gptkbp:inspiration
|
gptkb:squid
gptkb:Japanese_folklore
gptkb:Japanese_culture
Pop culture
personal experiences
octopus behavior studies
Murakami's travels
real-life octopus behavior
|
|
gptkbp:inspired_by
|
gptkb:Japanese_folklore
gptkb:mythology
nature
|
|
gptkbp:installation_type
|
Multimedia Installation
|
|
gptkbp:is_a
|
gptkb:artwork
|
|
gptkbp:is_acclaimed_for
|
recognized at film festivals
|
|
gptkbp:isbn
|
978-0385542184
978-1787300244
|
|
gptkbp:language
|
gptkb:French
gptkb:Italian
gptkb:Japanese
gptkb:Korean
gptkb:Arabic
gptkb:Mandarin
gptkb:Spanish
gptkb:German
gptkb:Portuguese
gptkb:Russian
English
|
|
gptkbp:legacy
|
recognized in documentary film circles
|
|
gptkbp:length
|
75 minutes
|
|
gptkbp:literary_devices
|
gptkb:metaphor
simile
imagery
foreshadowing
allusion
|
|
gptkbp:location
|
gptkb:Museum_of_Contemporary_Art_Chicago
gptkb:Museum_of_Contemporary_Art
gptkb:Berlin
gptkb:Denver,_Colorado
gptkb:London
gptkb:Los_Angeles
gptkb:New_York
gptkb:New_York,_USA
gptkb:Vancouver
gptkb:Museum_of_Contemporary_Art,_Chicago
gptkb:Museum_of_Contemporary_Art,_Los_Angeles
|
|
gptkbp:main_character
|
gptkb:Tsukasa
|
|
gptkbp:medium
|
gptkb:painting
gptkb:oil_on_canvas
gptkb:video
gptkb:video_art
Paint
mixed media
Acrylic on canvas
acrylic on canvas
|
|
gptkbp:message
|
importance of conservation
understanding marine life
|
|
gptkbp:motif
|
gptkb:art
gptkb:food
gptkb:dreams
gptkb:music
|
|
gptkbp:music
|
gptkb:Evan_Klein
gptkb:Evan_Mc_Nary
Evan Johnson
|
|
gptkbp:narrative
|
gptkb:cultural_exchange
gptkb:Surrealism
exploration of octopus behavior
|
|
gptkbp:narrative_focus
|
animal behavior
|
|
gptkbp:narrative_style
|
magical realism
experimental
non-linear storytelling
personal storytelling
|
|
gptkbp:network
|
gptkb:PBS
|
|
gptkbp:notable_appearance
|
gptkb:squid
|
|
gptkbp:notable_aspect
|
received positive reviews from critics
won awards at film festivals
explores octopus behavior
explores the life of an octopus
features underwater cinematography
includes themes of survival and adaptation
focuses on the relationship between humans and nature
focus on marine life
|
|
gptkbp:noteworthy_element
|
self-exploration
|
|
gptkbp:number_of_episodes
|
gptkb:6
|
|
gptkbp:number_of_seasons
|
gptkb:1
|
|
gptkbp:opening_date
|
gptkb:2017
2016-10-02
June 2017
June 4, 2017
|
|
gptkbp:page_count
|
256
224
304
|
|
gptkbp:partnership
|
gptkb:Gagosian_Gallery
gptkb:Los_Angeles_County_Museum_of_Art
gptkb:Museum_of_Contemporary_Art
gptkb:The_Broad
gptkb:Yayoi_Kusama_Foundation
|
|
gptkbp:premiere
|
gptkb:2015_Venice_Biennale
gptkb:Hot_Docs_Canadian_International_Documentary_Festival
gptkb:2016_Tribeca_Film_Festival
gptkb:2013_Toronto_International_Film_Festival
|
|
gptkbp:premiere_location
|
gptkb:New_York_City
|
|
gptkbp:producer
|
gptkb:Evan_Klein
Evan Johnson
|
|
gptkbp:production_company
|
gptkb:Evan_Klein_Productions
gptkb:Evan_Mc_Nary_Productions
gptkb:The_National_Film_Board_of_Canada
|
|
gptkbp:production_years
|
gptkb:2016
|
|
gptkbp:public_reaction
|
emotional impact
|
|
gptkbp:publication_year
|
gptkb:2019
|
|
gptkbp:published_year
|
gptkb:2018
gptkb:2019
|
|
gptkbp:publisher
|
gptkb:Doubleday
gptkb:Harvill_Secker
|
|
gptkbp:rating
|
7.5/10 on IMDb
|
|
gptkbp:reader_demographic
|
young adult
adult
|
|
gptkbp:release_date
|
2019-05-01
September 2013
April 15, 2016
|
|
gptkbp:release_format
|
digital and DVD
|
|
gptkbp:release_year
|
gptkb:2013
gptkb:2016
gptkb:2017
gptkb:2019
|
|
gptkbp:runtime
|
75 minutes
80 minutes
|
|
gptkbp:sales
|
high
|
|
gptkbp:screenings
|
film festivals
|
|
gptkbp:setting
|
gptkb:Japan
|
|
gptkbp:setting_time
|
contemporary
|
|
gptkbp:significance
|
cultural commentary
|
|
gptkbp:style
|
gptkb:street_art
gptkb:contemporary_art
lyrical
poetic
visual storytelling
conversational
observational documentary
|
|
gptkbp:subject
|
gptkb:squid
gptkb:memoir
nature
marine biology
octopuses
|
|
gptkbp:symbolism
|
gptkb:squid
gptkb:water
gptkb:transformation
Self-reflection
isolation
legs
|
|
gptkbp:target_audience
|
documentary enthusiasts
|
|
gptkbp:technique
|
gptkb:painting
|
|
gptkbp:thematic_element
|
identity and existence
|
|
gptkbp:theme
|
gptkb:Nature
gptkb:loss
gptkb:identity
gptkb:memory
Consumerism
self-acceptance
self-destruction
self-cannibalism
self-cannibalism in octopuses
Self-Consumption
|
|
gptkbp:themes
|
self-discovery
consumerism
|
|
gptkbp:translated_into
|
gptkb:French
gptkb:Spanish
gptkb:Philip_Gabriel
English
|
|
gptkbp:type
|
gptkb:art_exhibition
gptkb:installation
gptkb:installation_art
|
|
gptkbp:viewing_format
|
gptkb:documentary
|
|
gptkbp:viewing_platform
|
gptkb:Amazon_Prime_Video
available on streaming services
|
|
gptkbp:visitors
|
immersive
|
|
gptkbp:writer
|
gptkb:Evan_Klein
gptkb:Evan_Mc_Nary
Evan Johnson
|
|
gptkbp:year
|
gptkb:2016
gptkb:2017
gptkb:2018
|
|
gptkbp:year_created
|
gptkb:2013
gptkb:2014
gptkb:2015
gptkb:2017
|
|
gptkbp:bfsParent
|
gptkb:Takashi_Murakami
gptkb:Murakami
|
|
gptkbp:bfsLayer
|
4
|