gptkbp:instance_of
|
gptkb:poet
|
gptkbp:bfsLayer
|
5
|
gptkbp:bfsParent
|
gptkb:The_New_York_School:_The_Forty-Ninth_Generation
gptkb:The_New_York_School:_The_Forty-Third_Generation
gptkb:The_New_York_School:_The_Seventeenth_Generation
gptkb:Bill_Berkson
|
gptkbp:associated_with
|
gptkb:Borough
gptkb:New_York_School_of_painting
|
gptkbp:cultural_impact
|
gptkb:The_Beat_Generation
gptkb:Post-World_War_II_America
The Cold War era
The rise of Abstract Expressionism
|
gptkbp:events
|
Art exhibitions
Poetry readings
Literary gatherings
|
https://www.w3.org/2000/01/rdf-schema#label
|
The New York School poets
|
gptkbp:influenced
|
Contemporary poetry
|
gptkbp:influenced_by
|
gptkb:church
gptkb:award
gptkb:political_organization
gptkb:Artist
gptkb:Monarch
|
gptkbp:is_characterized_by
|
playfulness
urban themes
visual imagery
conversational tone
|
gptkbp:is_criticized_for
|
Critiqued for obscurity
Critiqued for elitism
Critiqued for lack of political engagement
Critiqued for self-indulgence
|
gptkbp:legacy
|
Influence on later poets
Cultural impact in the 20th century
Contribution to modernist poetry
Integration of visual art and poetry
|
gptkbp:movement
|
gptkb:Monarch
Confessional poetry
Postmodern poetry
Language poetry
|
gptkbp:notable_members
|
gptkb:Barbara_Guest
gptkb:Frank_O'_Hara
gptkb:John_Ashbery
gptkb:James_Schuyler
|
gptkbp:notable_work
|
gptkb:The_Complete_Poems_of_Barbara_Guest
gptkb:The_Poems_of_James_Schuyler
gptkb:The_Collected_Poems_of_John_Ashbery
gptkb:The_Frank_O'_Hara_Reader
gptkb:The_Blue_Estuaries
|
gptkbp:premiered_on
|
1950s
|
gptkbp:published_by
|
gptkb:Lunch_Poems
gptkb:The_Collected_Poems_of_Frank_O'_Hara
gptkb:Self-Portrait_in_a_Convex_Mirror
gptkb:The_Tennis_Court_Oath
|
gptkbp:style
|
lyricism
collage
improvisation
multivocality
|