|
gptkbp:instance_of
|
gptkb:painting
gptkb:poetry
gptkb:artwork
|
|
gptkbp:addresses
|
the nature of reality
|
|
gptkbp:art_movement
|
gptkb:Mannerism
|
|
gptkbp:art_style
|
gptkb:Renaissance_Mannerism
light and shadow
characteristic of Mannerism
|
|
gptkbp:artist
|
gptkb:Francesco_Parmigianino
|
|
gptkbp:artistic_contribution
|
contributed to the evolution of portraiture
|
|
gptkbp:artistic_exploration
|
self and identity
explores the nature of reality
|
|
gptkbp:artistic_expression
|
gptkb:Renaissance_art_movement
personal reflection
created during the Italian Renaissance
expresses the artist's inner thoughts
|
|
gptkbp:artistic_influence
|
influence on modern art
remains a subject of study in art history
inspired artists like Rembrandt
|
|
gptkbp:artistic_innovation
|
use of convex mirror
use of convexity
|
|
gptkbp:artistic_legacy
|
influenced modern portraiture
enduring influence on art
influenced future self-portraits
|
|
gptkbp:artistic_technique
|
chiaroscuro
layering of paint
sfumato
detailed brushwork
|
|
gptkbp:artistic_vision
|
exploration of self
unique perspective on self-portraiture
visionary approach to self-portraiture
|
|
gptkbp:author
|
gptkb:John_Ashbery
|
|
gptkbp:awards
|
gptkb:Pulitzer_Prize_for_Poetry
|
|
gptkbp:color_palette
|
warm tones
subtle tones
|
|
gptkbp:composed_by
|
central figure in mirror
|
|
gptkbp:contains
|
metaphysical elements
|
|
gptkbp:created_by
|
gptkb:Francesco_Parmigianino
|
|
gptkbp:critical_reception
|
widely acclaimed
|
|
gptkbp:criticism
|
analyzed by art historians
|
|
gptkbp:cultural_impact
|
inspired literature and poetry
discussed in art history courses
|
|
gptkbp:cultural_significance
|
exploration of identity
|
|
gptkbp:dimensions
|
24.5 cm × 19.5 cm
24.5 cm × 18.5 cm
|
|
gptkbp:discusses
|
perception
|
|
gptkbp:examines
|
gptkb:artistic_vision
|
|
gptkbp:exhibition_history
|
gptkb:Cleveland_Museum_of_Art
featured in major art exhibitions
|
|
gptkbp:explores
|
self-reflection
|
|
gptkbp:features
|
philosophical questions
|
|
gptkbp:form
|
lyric poem
|
|
gptkbp:genre
|
modernist poetry
|
|
gptkbp:has_reception
|
critically acclaimed
highly regarded by art critics
|
|
gptkbp:historical_context
|
16th century Italy
|
|
gptkbp:historical_impact
|
reflected societal views
|
|
gptkbp:historical_significance
|
16th century Italy
reflects Renaissance ideals
pioneering use of reflection
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Self-Portrait in a Convex Mirror
|
|
gptkbp:influence
|
gptkb:Mannerism
Renaissance art
contemporary poetry
|
|
gptkbp:influence_on
|
subsequent self-portraits
|
|
gptkbp:influenced
|
postmodern poetry
|
|
gptkbp:influenced_by
|
Renaissance art
classical art
|
|
gptkbp:inspired_by
|
gptkb:Francesco_Parmigianino
self-reflection
classical art
|
|
gptkbp:is_a_focal_point_for
|
artist's face
|
|
gptkbp:is_analyzed_in
|
gptkb:literary_criticism
its themes
|
|
gptkbp:is_available_in
|
anthologies
|
|
gptkbp:is_celebrated_for
|
its complexity
|
|
gptkbp:is_cited_in
|
academic papers
|
|
gptkbp:is_considered
|
a classic poem
a landmark poem
a reflection on self-identity
|
|
gptkbp:is_discussed_in
|
literary journals
|
|
gptkbp:is_examined_in
|
gptkb:scholars
|
|
gptkbp:is_explored_in
|
art history
|
|
gptkbp:is_influential_in
|
literary circles
|
|
gptkbp:is_notable_for
|
its introspective tone
|
|
gptkbp:is_noted_for
|
its unique perspective
|
|
gptkbp:is_part_of
|
gptkb:Ashbery's_oeuvre
American literature canon
Ashbery's collection
|
|
gptkbp:is_recognized_as
|
a significant work
|
|
gptkbp:is_recognized_by
|
poetry awards
|
|
gptkbp:is_referenced_in
|
gptkb:popular_culture
|
|
gptkbp:is_respected_by
|
its depth
|
|
gptkbp:is_studied_in
|
academic settings
|
|
gptkbp:language
|
English
|
|
gptkbp:length
|
approximately 100 lines
|
|
gptkbp:line
|
“ The mirror is a convex one”
|
|
gptkbp:location
|
gptkb:Museum_of_Art,_Cleveland
gptkb:Art_Institute_of_Chicago
|
|
gptkbp:medium
|
oil on wood
|
|
gptkbp:movement
|
gptkb:Mannerism
|
|
gptkbp:narrative
|
tells a story of self-exploration
|
|
gptkbp:notable_artists
|
influenced artists like Rembrandt
|
|
gptkbp:notable_aspect
|
self-representation
|
|
gptkbp:notable_exhibitions
|
gptkb:National_Gallery_of_Art
|
|
gptkbp:notable_feature
|
use of light and shadow
|
|
gptkbp:notable_features
|
convex mirror effect
|
|
gptkbp:notable_technique
|
convex mirror perspective
|
|
gptkbp:notable_work
|
gptkb:John_Ashbery
|
|
gptkbp:performed_in
|
spoken word events
|
|
gptkbp:published_by
|
gptkb:Viking_Press
|
|
gptkbp:published_in
|
gptkb:The_New_Yorker
gptkb:1975
Self-Portrait in a Convex Mirror (1975)
|
|
gptkbp:reflects
|
Ashbery's style
|
|
gptkbp:related_works
|
other self-portraits
|
|
gptkbp:style
|
gptkb:Renaissance
free verse
elongated forms
|
|
gptkbp:subject
|
self-portrait
|
|
gptkbp:symbolism
|
self-awareness
reflection and perception
|
|
gptkbp:technique
|
gptkb:oil_painting
sfumato
|
|
gptkbp:theme
|
gptkb:identity
|
|
gptkbp:themes
|
self-reflection
identity and perception
the relationship between viewer and subject
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:uses
|
imagery
|
|
gptkbp:viewpoint
|
distorted perspective
|
|
gptkbp:written_in
|
first person
|
|
gptkbp:year_created
|
1524
|
|
gptkbp:bfsParent
|
gptkb:John_Ashbery
gptkb:The_New_York_School
|
|
gptkbp:bfsLayer
|
4
|