Statements (51)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:active_years |
1960s to 1980s
|
| gptkbp:associated_with |
gptkb:Filmverlag_der_Autoren
gptkb:Bavarian_Film_School |
| gptkbp:awards |
gptkb:award
gptkb:Palme_d'_Or gptkb:Golden_Bear |
| gptkbp:characteristics |
social criticism
political themes experimental narrative personal storytelling |
| gptkbp:collaborations |
Rainer Werner Fassbinder and Hanna Schygulla
Rainer Werner Fassbinder and Michael Ballhaus Werner Herzog and Klaus Kinski Wim Wenders and Peter Handke Wim Wenders and Ry Cooder |
| gptkbp:cultural_impact |
challenged traditional narrative structures
inspired filmmakers worldwide contributed to film theory explored existential themes influenced documentary filmmaking explored taboo subjects addressed post-war German identity examined the legacy of Nazism promoted auteur theory reflected on the division of Germany revitalized interest in arthouse cinema |
| gptkbp:director |
gptkb:Wim_Wenders
gptkb:Werner_Herzog gptkb:Rainer_Werner_Fassbinder |
| https://www.w3.org/2000/01/rdf-schema#label |
The New German Cinema
|
| gptkbp:influences |
gptkb:German_Expressionism
gptkb:Italian_Neorealism |
| gptkbp:legacy |
influenced contemporary cinema
revival of German film industry |
| gptkbp:notable_film |
gptkb:Aguirre,_the_Wrath_of_God
gptkb:Paris,_Texas gptkb:The_Marriage_of_Maria_Braun |
| gptkbp:origin |
gptkb:government_agency
|
| gptkbp:themes |
gptkb:TV_series
gptkb:Magic:_The_Gathering_set gptkb:organization history alienation political unrest modernity urban life gender roles sexuality |
| gptkbp:bfsParent |
gptkb:Ulf_Poschardt
|
| gptkbp:bfsLayer |
6
|