|
gptkbp:instance_of
|
gptkb:theatre
|
|
gptkbp:adaptation
|
gptkb:The_Misanthrope
|
|
gptkbp:adapted_into
|
gptkb:various_languages
gptkb:film
television adaptations
modern settings
|
|
gptkbp:audience
|
PG-13
|
|
gptkbp:box_office
|
successful
|
|
gptkbp:character_appearance
|
gptkb:Catherine_Zuber
|
|
gptkbp:choreography
|
gptkb:None
|
|
gptkbp:closing_date
|
2012-03-31
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|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
performed worldwide
studied in literature courses
influential in theatre
|
|
gptkbp:design
|
gptkb:Mark_Thompson
|
|
gptkbp:directed_by
|
gptkb:Thea_Sharrock
|
|
gptkbp:features
|
gptkb:Célimène
|
|
gptkbp:filming_location
|
gptkb:Borough
|
|
gptkbp:follows
|
gptkb:Alceste
|
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gptkbp:genre
|
gptkb:musical
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Misanthrope (West End)
|
|
gptkbp:influenced_by
|
gptkb:restoration_comedy
French classical theatre
satirical comedy
|
|
gptkbp:inspired_by
|
human behavior
social commentary
moral dilemmas
|
|
gptkbp:language
|
English
|
|
gptkbp:lighting
|
gptkb:Hugh_Vanstone
|
|
gptkbp:notable_character
|
gptkb:Sir_Keira_Knightley
gptkb:Damian_Lewis
|
|
gptkbp:notable_performance
|
100+
|
|
gptkbp:official_language
|
gptkb:French
|
|
gptkbp:premiered_on
|
2012-01-01
|
|
gptkbp:produced_by
|
gptkb:Theatre_Royal_Haymarket
|
|
gptkbp:reunion
|
gptkb:The_Misanthrope
|
|
gptkbp:runtime
|
2 hours 30 minutes
|
|
gptkbp:set_in
|
gptkb:Paris
|
|
gptkbp:sound
|
gptkb:John_Leonard
|
|
gptkbp:style
|
gptkb:comic_book
|
|
gptkbp:themes
|
gptkb:political_movement
love
hypocrisy
|
|
gptkbp:user_reviews
|
gptkb:The_Times
gptkb:The_Guardian
gptkb:The_Telegraph
gptkb:The_Independent
|
|
gptkbp:written_by
|
gptkb:Molière
|
|
gptkbp:bfsParent
|
gptkb:David_Tennant
|
|
gptkbp:bfsLayer
|
3
|