|
gptkb:Battlezone:_The_Red_Odyssey
|
immersive sound effects
|
|
gptkb:The_Last_Kingdom:_Season_2
|
gptkb:Paul_Davies
|
|
gptkb:The_Alexandra_Palace_Theatre
|
excellent acoustics
|
|
gptkb:Warhawk_(2017)
|
immersive sound design
|
|
gptkb:The_Girl_with_the_Red_Balloon
|
Johnnie Burn
|
|
gptkb:Freiburg_Theatre
|
high-quality acoustics
|
|
gptkb:Zorlu_Performing_Arts_Center
|
high-quality acoustics
|
|
gptkb:The_Pilgrim's_Progress_(stage_adaptation)
|
theatrical sound effects
|
|
gptkb:Oculus:_The_Game
|
immersive sound effects
|
|
gptkb:The_Magic_Flute_(2037_production)
|
[ Sound Designer Name]
|
|
gptkb:KShisen
|
soothing sounds
|
|
gptkb:Circles_(Acoustic)
|
gptkb:Circles
|
|
gptkb:Les_Mains_de_la_Nuit
|
gptkb:unknown
|
|
gptkb:The_Cossack's_Return
|
immersive
|
|
gptkb:The_Palace_Theatre,_New_York
|
excellent acoustics
|
|
gptkb:Olimpiysky_Arena
|
optimized
|
|
gptkb:Curbside_Prophet
|
gptkb:Yes
|
|
gptkb:The_Fighting_Earl_II
|
gptkb:sound_design
|
|
gptkb:Halle_Opera
|
Designed for optimal acoustics
|
|
gptkb:The_White_Flag_(1984)
|
immersive soundscapes.
|