|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:art_style
|
elaborate costumes
scenic design
|
|
gptkbp:audience
|
royalty and nobility
|
|
gptkbp:choreography
|
gptkb:Inigo_Jones
|
|
gptkbp:commissioned
|
gptkb:King_Charles_I
|
|
gptkbp:composed_by
|
gptkb:Henry_Lawes
|
|
gptkbp:cultural_impact
|
influenced later masques
|
|
gptkbp:cultural_significance
|
part of English cultural heritage
|
|
gptkbp:depicts
|
departure of the king
|
|
gptkbp:duration
|
approximately 2 hours
|
|
gptkbp:features
|
gptkb:dance
gptkb:music
allegorical figures
|
|
gptkbp:first_performance
|
1625
|
|
gptkbp:genre
|
gptkb:NIO
|
|
gptkbp:historical_context
|
Stuart period
|
|
gptkbp:historical_significance
|
reflection of monarchy
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Masque of the King's Departure
|
|
gptkbp:influenced_by
|
gptkb:opera
gptkb:Elizabethan_theatre
Renaissance art
classical literature
courtly love tradition
French court ballets
|
|
gptkbp:inspired_by
|
classical mythology
|
|
gptkbp:language
|
English
|
|
gptkbp:notable_characters
|
gptkb:King_Charles_I
gptkb:Queen_Henrietta_Maria
|
|
gptkbp:notable_features
|
use of light and shadow
elaborate staging
dramatic entrances
interaction with audience
use of music to enhance emotion
|
|
gptkbp:notable_production
|
1625 performance
|
|
gptkbp:notable_products
|
poetic dialogue
spectacle
pageantry
music and dance integration
|
|
gptkbp:notable_themes
|
gptkb:loyalty
gptkb:honor
divine right of kings
celebration of power
|
|
gptkbp:performed_at
|
gptkb:Court_of_King_Charles_I
|
|
gptkbp:performed_by
|
professional actors
|
|
gptkbp:related_to
|
gptkb:The_Masque_of_the_Inner_Temple
gptkb:The_Masque_of_Blackness
gptkb:The_Triumph_of_Peace
courtly entertainment
The King's Masque
|
|
gptkbp:set_in
|
gptkb:England
|
|
gptkbp:significance
|
political commentary
|
|
gptkbp:style
|
baroque
|
|
gptkbp:themes
|
gptkb:royalty
gptkb:celebration
|
|
gptkbp:uses
|
symbolism
|
|
gptkbp:written_by
|
gptkb:Ben_Jonson
|
|
gptkbp:bfsParent
|
gptkb:Ben_Jonson
|
|
gptkbp:bfsLayer
|
5
|