Statements (49)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:NIO
|
| gptkbp:adapted_into |
classical sources
|
| gptkbp:commissioned |
gptkb:Anne_of_Denmark
|
| gptkbp:contributes_to |
the development of English drama
|
| gptkbp:depicts |
the Queen as a goddess
|
| gptkbp:explores |
themes of race
|
| gptkbp:features |
gptkb:poetry
gptkb:music gptkb:Dancer spectacle and visual effects |
| gptkbp:first_performance |
1605
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Masque of Blackness
|
| gptkbp:includes |
gptkb:mythological_figure
|
| gptkbp:influenced_by |
classical mythology
|
| gptkbp:inspired |
subsequent masques
|
| gptkbp:is_associated_with |
the celebration of royal events
the Stuart court |
| gptkbp:is_cited_in |
literary studies
|
| gptkbp:is_considered |
a reflection of societal values
a landmark in English literature a precursor to modern theatre a significant work in masques history |
| gptkbp:is_explored_in |
gptkb:academic_research
|
| gptkbp:is_influenced_by |
gptkb:Italian_commedia_dell'arte
|
| gptkbp:is_influential_in |
the development of performance art
|
| gptkbp:is_notable_for |
its political commentary
its social commentary its exploration of identity its elaborate staging its use of music and dance |
| gptkbp:is_part_of |
the cultural history of England
the tradition of court entertainment |
| gptkbp:is_referenced_in |
subsequent literary works
|
| gptkbp:is_regarded_as |
a reflection of its time
|
| gptkbp:notable_for |
its elaborate costumes
its use of allegory |
| gptkbp:part_of |
gptkb:Jacobean_masques
|
| gptkbp:performed_at |
gptkb:Whitehall_Palace
|
| gptkbp:performed_by |
professional actors
noble patrons the court's elite |
| gptkbp:performed_in |
the early 17th century
during the Christmas season |
| gptkbp:set_in |
gptkb:court_of_King_James_I
|
| gptkbp:theme |
blackness and beauty
|
| gptkbp:written_by |
gptkb:Ben_Jonson
|
| gptkbp:written_in |
verse
|
| gptkbp:bfsParent |
gptkb:Patricia_Naipaul
|
| gptkbp:bfsLayer |
4
|