The Man with the Movie Camera
GPTKB entity
Statements (108)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Alexander_Dovzhenko
|
| gptkbp:art_style |
avant-garde
montage |
| gptkbp:awards |
gptkb:none
|
| gptkbp:box_office |
distributed by various companies
|
| gptkbp:cinematography |
gptkb:Mikhail_Kaufman
innovative camera angles use of slow motion experimental narrative structure use of time-lapse |
| gptkbp:country |
gptkb:Monarch
|
| gptkbp:critical_reception |
highly acclaimed
|
| gptkbp:cultural_impact |
influenced visual arts
considered a landmark in documentary filmmaking |
| gptkbp:cultural_references |
referenced in various media
|
| gptkbp:cultural_significance |
gptkb:film
pioneering work in cinema |
| gptkbp:director |
gptkb:Dziga_Vertov
|
| gptkbp:editor |
jump cuts
dynamic editing style fast cutting |
| gptkbp:film_festival |
gptkb:film_festival
gptkb:International_Documentary_Film_Festival screened at various festivals |
| gptkbp:film_score |
gptkb:musical
original score by various artists |
| gptkbp:filmography |
gptkb:Dziga_Vertov
self-reflexivity analyzed in film studies experimental documentary |
| gptkbp:focus |
urban life
|
| gptkbp:genre |
gptkb:film
|
| gptkbp:historical_context |
post-revolutionary Russia
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Man with the Movie Camera
|
| gptkbp:influence |
modern cinema
cinema verité |
| gptkbp:influenced |
music videos
documentary filmmakers |
| gptkbp:influenced_by |
gptkb:Futurism
gptkb:Soviet_montage_theory |
| gptkbp:inspiration |
cinema verité
experimental filmmakers |
| gptkbp:is_available_on |
gptkb:film
|
| gptkbp:is_criticized_for |
subject of many essays
|
| gptkbp:is_featured_in |
Sight & Sound's Greatest Films of All Time
|
| gptkbp:is_influential_in |
influenced the development of documentary style
|
| gptkbp:language |
silent
|
| gptkbp:legacy |
considered a classic
|
| gptkbp:music |
gptkb:Dmitri_Shostakovich
|
| gptkbp:narrative_style |
non-narrative
|
| gptkbp:notable_appearance |
gptkb:public_transportation_system
the passage of time the exploration of identity industrial processes time-lapse photography the viewer's perspective daily routines the role of technology in society city life the critique of society the juxtaposition of images the relationship between man and machine the relationship between art and life life in the city the interplay of light and shadow the celebration of life the rhythm of life crowd scenes the exploration of movement the complexity of human experience the exploration of time and space the use of a camera in the film the impact of cinema on culture the use of slow motion the chaos of urban life the transformation of the urban landscape the significance of the everyday the power of observation camera as a character reflections on film the act of filming the beauty of everyday moments the challenge of perception the city as a living organism the essence of documentary filmmaking the representation of reality the role of the filmmaker |
| gptkbp:notable_film |
influenced contemporary cinema
|
| gptkbp:premiere |
gptkb:Moscow
|
| gptkbp:release_year |
gptkb:1929
|
| gptkbp:restoration |
gptkb:Giorgio_Moroder
2010 restoration restored in 2000s 2010 restoration by the British Film Institute |
| gptkbp:runtime |
68 minutes
|
| gptkbp:screenings |
gptkb:film_festival
digital |
| gptkbp:screenplay_by |
gptkb:Dziga_Vertov
|
| gptkbp:technique |
montage
experimental filmmaking |
| gptkbp:themes |
gptkb:technology
social commentary modernity urban life |
| gptkbp:video_output |
35mm
|
| gptkbp:visitors |
silent film with live music
|