|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:cinematography
|
gptkb:Dziga_Vertov
gptkb:Mikhail_Kaufman
|
|
gptkbp:country
|
gptkb:Soviet_Union
|
|
gptkbp:cultural_significance
|
gptkb:cinema
|
|
gptkbp:director
|
gptkb:Dziga_Vertov
|
|
gptkbp:editor
|
gptkb:Yuri_Zeltin
|
|
gptkbp:famous_for
|
innovative editing techniques
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:genre
|
gptkb:documentary
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Man with a Camera
|
|
gptkbp:impact
|
influenced documentary filmmaking
|
|
gptkbp:influence
|
documentary filmmaking
|
|
gptkbp:influences
|
cinema vérité
|
|
gptkbp:language
|
gptkb:Russian
silent
|
|
gptkbp:music
|
gptkb:Dmitri_Shostakovich
gptkb:Mikhail_Kaufman
|
|
gptkbp:narrative
|
non-narrative
|
|
gptkbp:narrative_style
|
non-narrative
|
|
gptkbp:notable_technique
|
montage
cinema vérité
|
|
gptkbp:premiere
|
gptkb:Moscow
gptkb:1968_Cannes_Film_Festival
|
|
gptkbp:release_year
|
gptkb:1929
gptkb:1968
|
|
gptkbp:runtime
|
68 minutes
|
|
gptkbp:style
|
experimental
|
|
gptkbp:themes
|
gptkb:technology
human experience
modernity
urban life
|
|
gptkbp:bfsParent
|
gptkb:Julian_Opie
|
|
gptkbp:bfsLayer
|
4
|