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gptkbp:instance_of
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gptkb:film
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|
gptkbp:aspect_ratio
|
1.37:1
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|
gptkbp:based_on
|
The Man Who Knew Too Much (novel)
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|
gptkbp:box_office
|
$1.5 million
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|
gptkbp:cinematography_by
|
gptkb:Gilbert_Taylor
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gptkbp:color
|
black-and-white
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|
gptkbp:costume_design
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gptkb:Mabel_Mc_Culloch
|
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gptkbp:country
|
gptkb:United_Kingdom
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gptkbp:critical_reception
|
positive
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|
gptkbp:cultural_impact
|
referenced in popular media
inspired remakes
|
|
gptkbp:directed_by
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gptkb:Alfred_Hitchcock
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gptkbp:distributor
|
gptkb:Gaumont_British_Picture_Corporation
|
|
gptkbp:edited_by
|
Roderick Janes
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|
gptkbp:film_editing
|
Roderick Janes
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gptkbp:filming_location
|
gptkb:London
gptkb:Paris
gptkb:Alps
gptkb:concert_hall
gptkb:Hotel
gptkb:railway_station
public spaces
landmarks
private residences
city streets
British countryside
outdoor scenes
foreign embassy
interior sets
|
|
gptkbp:follows
|
gptkb:The_Man_Who_Knew_Too_Much_(1928)
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|
gptkbp:genre
|
gptkb:thriller
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Man in The Man Who Knew Too Much (1934)
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|
gptkbp:influenced
|
future thrillers
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|
gptkbp:influenced_by
|
silent films
|
|
gptkbp:is_set_in
|
gptkb:William_H._Daniels
|
|
gptkbp:language
|
English
|
|
gptkbp:makeup_artist
|
gptkb:N/_A
|
|
gptkbp:music_by
|
gptkb:Bernard_Herrmann
|
|
gptkbp:notable_scene
|
the concert scene
the climax in the foreign embassy
|
|
gptkbp:precedes
|
gptkb:The_Man_Who_Knew_Too_Much_(1956)
|
|
gptkbp:production_company
|
gptkb:British_International_Pictures
|
|
gptkbp:release_date
|
1934
|
|
gptkbp:runtime
|
75 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Charles_Bennett
|
|
gptkbp:sound
|
gptkb:N/_A
|
|
gptkbp:starring
|
gptkb:Peter_Lorre
gptkb:Leslie_Banks
gptkb:Edna_Best
|
|
gptkbp:bfsParent
|
gptkb:Peter_Lorre
|
|
gptkbp:bfsLayer
|
4
|