gptkbp:instanceOf
|
film
|
gptkbp:artwork
|
Innovative use of music.
Suspenseful editing.
Cameo_appearance_by_Hitchcock.
|
gptkbp:awards
|
Academy Award for Best Original Song
|
gptkbp:basedOn
|
gptkb:The_Man_Who_Knew_Too_Much_(1934)
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gptkbp:boxOffice
|
$7.5 million
|
gptkbp:character
|
gptkb:Dr._Ben_McKenna
gptkb:Jo_McKenna
gptkb:Louis_Bernard
The assassin
The informant
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gptkbp:cinematographyBy
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gptkb:Robert_Burks
|
gptkbp:country
|
gptkb:United_States
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gptkbp:criticalReception
|
Generally positive reviews.
|
gptkbp:culturalImpact
|
Influenced later thrillers.
|
gptkbp:directedBy
|
gptkb:Alfred_Hitchcock
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gptkbp:distributor
|
gptkb:Paramount_Pictures
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gptkbp:editedBy
|
George Tomasini
|
gptkbp:genre
|
Thriller
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Man Who Knew Too Much (1956)
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gptkbp:influenced
|
Film noir.
Future filmmakers.
Psychological thrillers.
Hitchcock's_later_works.
|
gptkbp:influencedBy
|
gptkb:The_Man_Who_Knew_Too_Much_(1934)
|
gptkbp:language
|
English
|
gptkbp:legacy
|
Considered a classic thriller.
|
gptkbp:musicBy
|
gptkb:Bernard_Herrmann
|
gptkbp:notableFeature
|
The assassination attempt at the concert.
|
gptkbp:notableQuote
|
gptkb:Que_Sera,_Sera
|
gptkbp:notableSong
|
gptkb:Que_Sera,_Sera_(Whatever_Will_Be,_Will_Be)
|
gptkbp:plot
|
A couple becomes embroiled in an international assassination plot.
|
gptkbp:producedBy
|
gptkb:Alfred_Hitchcock
|
gptkbp:releaseDate
|
1956-10-01
|
gptkbp:releasedIn
|
October 1, 1956
|
gptkbp:remake
|
gptkb:The_Man_Who_Knew_Too_Much_(2000)
gptkb:The_Man_Who_Knew_Too_Much_(1934)
|
gptkbp:runtime
|
120 minutes
|
gptkbp:screenplayBy
|
gptkb:John_Michael_Hayes
|
gptkbp:setIn
|
gptkb:London
gptkb:Morocco
|
gptkbp:starring
|
gptkb:Doris_Day
gptkb:James_Stewart
|
gptkbp:theme
|
Conspiracy
Betrayal
Parental love
Rescue mission
Fear and suspense
|