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gptkbp:instance_of
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gptkb:film
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
|
gptkb:The_Complete_Stories_of_Harlan_Ellison,_Volume_4
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gptkbp:art_style
|
stylized cinematography
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|
gptkbp:awards
|
Academy Award nomination for Best Cinematography
BAFTA nomination for Best Film
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gptkbp:box_office
|
$7.5 million
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gptkbp:budget
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$20 million
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gptkbp:character
|
gptkb:The_Stranger
gptkb:Frank
gptkb:Doris_Crane
gptkb:Ed_Crane
Big Dave
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gptkbp:character_arc
|
Ed Crane's transformation
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gptkbp:cinematography
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gptkb:Roger_Deakins
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gptkbp:country
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gptkb:United_States
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gptkbp:critical_reception
|
mixed reviews
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gptkbp:cultural_impact
|
influenced later neo-noir films
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gptkbp:directed_by
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gptkb:Joel_and_Ethan_Coen
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gptkbp:edited_by
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gptkb:Roderick_Jaynes
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gptkbp:film_festival
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gptkb:film_festival
|
|
gptkbp:film_score
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Carter Burwell's score
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gptkbp:genre
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black comedy
neo-noir
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gptkbp:home_media_release
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gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
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The Man Who Was Never There
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gptkbp:influenced_by
|
gptkb:Alfred_Hitchcock
gptkb:David_Lynch
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gptkbp:influences
|
gptkb:film
The Coen Brothers' style
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|
gptkbp:inspiration
|
The novel ' The Barber' by David Goodis
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|
gptkbp:is_critical_for
|
exploration of morality
exploration of masculinity
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|
gptkbp:language
|
English
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|
gptkbp:music_by
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gptkb:Carter_Burwell
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|
gptkbp:narrative_style
|
non-linear
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|
gptkbp:plot
|
A barber becomes embroiled in a murder plot.
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gptkbp:release_date
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May 19, 2001
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|
gptkbp:released_in
|
gptkb:2001
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|
gptkbp:screenplay_by
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gptkb:Joel_and_Ethan_Coen
|
|
gptkbp:setting
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gptkb:Los_Angeles
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|
gptkbp:soundtrack
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gptkb:musical
|
|
gptkbp:starring
|
gptkb:Michael_Gambon
gptkb:Billy_Bob_Thornton
gptkb:James_Gandolfini
gptkb:Frances_Mc_Dormand
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|
gptkbp:symbolism
|
mirrors
the color black
barber's chair
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|
gptkbp:theme
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gptkb:TV_series
gptkb:existentialism
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gptkbp:visitors
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atmospheric tension
dark humor
philosophical undertones
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