gptkbp:instanceOf
|
film
|
gptkbp:advertising
|
promoted through trailers
|
gptkbp:associatedWith
|
strained marriage
|
gptkbp:audience
|
cult following
|
gptkbp:awards
|
nominated for several awards
|
gptkbp:basedOn
|
gptkb:The_Man_Who_Knew_Too_Much_(1956)
|
gptkbp:boxOffice
|
$14.5 million
|
gptkbp:budget
|
$60 million
|
gptkbp:characterArc
|
protagonist's journey
|
gptkbp:characterDevelopment
|
complex characters
|
gptkbp:cinematographyBy
|
gptkb:Paul_Cameron
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:criticalReception
|
mixed reviews
analyzed for its themes
|
gptkbp:culturalImpact
|
discussed in film studies
|
gptkbp:directedBy
|
Gus Van Sant
|
gptkbp:distributor
|
gptkb:Paramount_Pictures
|
gptkbp:editedBy
|
gptkb:Christopher_Rouse
|
gptkbp:filmingLocation
|
gptkb:Los_Angeles
|
gptkbp:filmography
|
gptkb:Danny_Elfman
|
gptkbp:genre
|
thriller
|
gptkbp:homeMediaRelease
|
DVD and Blu-ray
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Man Who Knew Too Much (Revisited)
|
gptkbp:influenced
|
modern thrillers
|
gptkbp:influencedBy
|
gptkb:Alfred_Hitchcock
|
gptkbp:inspiration
|
real-life events
|
gptkbp:language
|
English
|
gptkbp:legacy
|
part of film history.
|
gptkbp:musicBy
|
gptkb:Danny_Elfman
|
gptkbp:narrativeStyle
|
non-linear
|
gptkbp:notableFeature
|
intense chase sequences
|
gptkbp:plot
|
A man discovers a conspiracy after his wife is kidnapped.
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
gptkbp:productionCompany
|
gptkb:Paramount_Pictures
|
gptkbp:relatedEvent
|
film festivals
|
gptkbp:releaseDate
|
October 20, 2000
|
gptkbp:releaseYear
|
2000
|
gptkbp:remake
|
gptkb:The_Man_Who_Knew_Too_Much_(1934)
|
gptkbp:runtime
|
107 minutes
|
gptkbp:screenplayBy
|
Gus Van Sant
|
gptkbp:soundtrack
|
released as an album
|
gptkbp:starring
|
gptkb:Tim_Robbins
Rachel Weisz
|
gptkbp:style
|
stylized cinematography
|
gptkbp:symbolism
|
the fragility of family
|
gptkbp:thematicElement
|
suspense and tension
|
gptkbp:theme
|
parental love
|