|
gptkbp:instanceOf
|
film
|
|
gptkbp:basedOn
|
a_novel_by_John_K._Butler
|
|
gptkbp:boxOffice
|
$1.5 million
|
|
gptkbp:budget
|
$3 million
|
|
gptkbp:character
|
gptkb:Cameron_Mitchell
Max
Ruth
Margo
Lylah Clare
|
|
gptkbp:cinematographyBy
|
gptkb:Joseph_Biroc
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:criticalReception
|
mixed reviews
|
|
gptkbp:culturalImpact
|
cult following
|
|
gptkbp:director
|
gptkb:Robert_Aldrich
|
|
gptkbp:distributor
|
20th Century Fox
|
|
gptkbp:editor
|
gptkb:Michael_Luciano
|
|
gptkbp:filmFestival
|
gptkb:Berlin_International_Film_Festival
gptkb:Cannes_Film_Festival
|
|
gptkbp:genre
|
drama
thriller
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Legend of Lylah Clare
|
|
gptkbp:influences
|
psychological thriller
film noir
gothic horror
feminist film theory
classic_Hollywood_films
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
referenced in popular culture
analyzed in film studies
inspired later films
discussed in film criticism
|
|
gptkbp:musicComposer
|
gptkb:Frank_De_Vol
|
|
gptkbp:notableFeature
|
cinematography style
Kim_Novak's_performance
Robert_Aldrich's_direction
|
|
gptkbp:plot
|
A film about a director who becomes obsessed with a dead actress.
|
|
gptkbp:productionCompany
|
The_Associates_and_Aldrich_Company
|
|
gptkbp:releaseDate
|
December 1968
|
|
gptkbp:releaseYear
|
1968
|
|
gptkbp:screenplayBy
|
Lukas Heller
|
|
gptkbp:setting
|
gptkb:Hollywood
film industry
|
|
gptkbp:starring
|
gptkb:Kim_Novak
gptkb:Roddy_McDowall
gptkb:Peter_Finch
|
|
gptkbp:theme
|
identity
obsession
fame
|