|
gptkbp:instanceOf
|
film director
|
|
gptkbp:activeYears
|
1945
1983
|
|
gptkbp:awards
|
gptkb:Directors_Guild_of_America_Award
gptkb:BAFTA_Award_for_Best_Film
|
|
gptkbp:birthDate
|
August 9, 1918
|
|
gptkbp:birthPlace
|
gptkb:Cranston,_Rhode_Island,_USA
|
|
gptkbp:burialPlace
|
gptkb:Forest_Lawn_Memorial_Park,_Hollywood_Hills
|
|
gptkbp:children
|
William_Aldrich
Katherine_Aldrich
|
|
gptkbp:collaboratedWith
|
gptkb:Jack_Palance
gptkb:Lee_Marvin
gptkb:Bette_Davis
gptkb:Joan_Crawford
|
|
gptkbp:culturalImpact
|
Influence on horror genre
Impact on feminist film theory
Legacy_in_American_cinema
|
|
gptkbp:deathDate
|
December 5, 1983
|
|
gptkbp:deathPlace
|
gptkb:Los_Angeles,_California,_USA
|
|
gptkbp:education
|
gptkb:University_of_California,_Los_Angeles
|
|
gptkbp:filmography
|
1951
The Big Picture
The Last Outpost
|
|
gptkbp:genre
|
Drama
Thriller
War film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Robert Aldrich
|
|
gptkbp:influenced
|
Independent cinema
Filmmakers of the 1970s
|
|
gptkbp:influencedBy
|
gptkb:Howard_Hawks
gptkb:John_Huston
|
|
gptkbp:knownFor
|
Innovative storytelling
Strong female characters
Social commentary in films
|
|
gptkbp:nationality
|
American
|
|
gptkbp:notableWork
|
gptkb:The_Flight_of_the_Phoenix
What Ever Happened to Baby Jane?
The Dirty Dozen
Kiss Me Deadly
|
|
gptkbp:occupation
|
Film producer
Screenwriter
|
|
gptkbp:produces
|
1979
The Frisco Kid
|
|
gptkbp:signature
|
Complex characters
Dark themes
Cynical_tone
|
|
gptkbp:spouse
|
Harriet_Foster
|