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gptkbp:instance_of
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gptkb:film
|
|
gptkbp:awards
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Nominated for Independent Spirit Award
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:budget
|
$3 million
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|
gptkbp:character
|
gptkb:Paul
gptkb:The_Stranger
gptkb:Luke
gptkb:Rob
gptkb:Judy
gptkb:Diane
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|
gptkbp:cinematography_by
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gptkb:Michael_Chapman
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gptkbp:country
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gptkb:United_States
|
|
gptkbp:critical_reception
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Mixed reviews
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|
gptkbp:cultural_impact
|
Cult film status
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|
gptkbp:directed_by
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gptkb:Stacey_Title
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gptkbp:distributor
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gptkb:Columbia_Pictures
|
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gptkbp:edited_by
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gptkb:David_Rosenbloom
|
|
gptkbp:film_festival
|
gptkb:Sundance_Film_Festival
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gptkbp:genre
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black comedy
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gptkbp:home_media_release
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gptkb:1999
gptkb:2005
gptkb:2015
|
|
https://www.w3.org/2000/01/rdf-schema#label
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The Last Supper (1988)
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|
gptkbp:influences
|
gptkb:The_Graduate
gptkb:Harold_and_Maude
gptkb:The_Killing_of_a_Chinese_Bookie
gptkb:The_Big_Chill
The Last Supper (Leonardo da Vinci)
|
|
gptkbp:inspired_by
|
Real-life events
|
|
gptkbp:language
|
English
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|
gptkbp:music_by
|
gptkb:David_Newman
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|
gptkbp:plot
|
A group of friends kill a man who is a racist.
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|
gptkbp:produced_by
|
gptkb:Michael_Mc_Donnell
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|
gptkbp:production_company
|
gptkb:Columbia_Pictures
|
|
gptkbp:release_date
|
April 7, 1995
|
|
gptkbp:released
|
gptkb:1995
|
|
gptkbp:runtime
|
100 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Larry_Gross
|
|
gptkbp:setting
|
gptkb:Chicago
|
|
gptkbp:starring
|
gptkb:Cameron_Diaz
gptkb:Annabeth_Gish
gptkb:Josh_Charles
gptkb:Bill_Paxton
gptkb:Ron_Eldard
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|
gptkbp:theme
|
Moral dilemmas
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gptkbp:viewing_format
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gptkb:DVD
gptkb:Blu-ray
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gptkbp:bfsParent
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gptkb:Gottfried_Helnwein
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gptkbp:bfsLayer
|
5
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