gptkbp:instance_of
|
gptkb:film
|
gptkbp:aspect_ratio
|
1.85:1
|
gptkbp:awards
|
gptkb:Best_Actor
gptkb:Best_Director
gptkb:Best_Screenplay
|
gptkbp:based_on
|
original story by Larry Tucker
|
gptkbp:box_office
|
$2.5 million
|
gptkbp:budget
|
$1.5 million
|
gptkbp:character
|
gptkb:The_Stranger
gptkb:The_Host
gptkb:The_Guests
|
gptkbp:cinematography
|
gptkb:Charles_Lang
|
gptkbp:color
|
gptkb:color
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:critical_reception
|
Mixed reviews
|
gptkbp:cultural_impact
|
Influenced later films about morality.
|
gptkbp:director
|
gptkb:Stuart_Rosenberg
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
|
gptkbp:editor
|
gptkb:Robert_C._Jones
|
gptkbp:film_festival
|
gptkb:film_festival
|
gptkbp:filmography
|
gptkb:Robert_C._Jones
|
gptkbp:genre
|
gptkb:musical
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Supper (1967)
|
gptkbp:influenced_by
|
gptkb:theatre
gptkb:Monarch
gptkb:Absurdism
|
gptkbp:influences
|
The Last Supper (Leonardo da Vinci)
|
gptkbp:inspired_by
|
The Last Supper (Christian tradition)
|
gptkbp:language
|
English
|
gptkbp:legacy
|
Cult classic status.
|
gptkbp:music_by
|
gptkb:Miklos_Rozsa
|
gptkbp:narrative_style
|
Non-linear
|
gptkbp:notable_quote
|
" It's a comedy about life and death."
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
|
gptkbp:release_date
|
gptkb:1967
|
gptkbp:release_region
|
gptkb:United_States
|
gptkbp:remake
|
gptkb:The_Last_Supper_(1995)
|
gptkbp:runtime
|
100 minutes
|
gptkbp:screenplay_by
|
Larry Tucker
|
gptkbp:setting
|
Dinner table
|
gptkbp:starring
|
gptkb:Dabney_Coleman
gptkb:Elliott_Gould
gptkb:Richard_Benjamin
|
gptkbp:themes
|
gptkb:Death
gptkb:Community_Center
Morality
Existentialism
|
gptkbp:bfsParent
|
gptkb:Ad_Reinhardt
gptkb:The_British_Pop_Art_Movement
|
gptkbp:bfsLayer
|
4
|