|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
gptkb:unknown
|
|
gptkbp:aspect_ratio
|
1.37:1
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
The Last Supper (Christian tradition)
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:cinematography
|
Aldo Tontodonati
|
|
gptkbp:color
|
black and white
|
|
gptkbp:costume_design
|
gptkb:unknown
|
|
gptkbp:country
|
gptkb:Italy
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced later films
|
|
gptkbp:cultural_significance
|
historical representation of the Last Supper
|
|
gptkbp:design
|
gptkb:unknown
|
|
gptkbp:director
|
gptkb:Giorgio_de_Chirico
|
|
gptkbp:distributor
|
Cines
|
|
gptkbp:film_editing
|
Mario Serandrei
|
|
gptkbp:film_festival
|
Venice Film Festival 1934
|
|
gptkbp:film_series
|
gptkb:none
|
|
gptkbp:filming_location
|
gptkb:Italy
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:home_media_release
|
gptkb:none
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Last Supper (1934)
|
|
gptkbp:influenced_by
|
gptkb:Futurism
|
|
gptkbp:influences
|
gptkb:Italian_Neorealism
|
|
gptkbp:inspired_by
|
Leonardo da Vinci's The Last Supper
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:makeup_artist
|
gptkb:unknown
|
|
gptkbp:music
|
gptkb:Renzo_Rossellini
|
|
gptkbp:notable_awards
|
gptkb:none
|
|
gptkbp:notable_cast
|
gptkb:Alberto_Sordi
gptkb:Vittorio_De_Sica
gptkb:Gina_Lollobrigida
|
|
gptkbp:premiere
|
gptkb:Venice_Film_Festival
|
|
gptkbp:production_company
|
Cines
|
|
gptkbp:release_date
|
1934-09-01
|
|
gptkbp:release_year
|
1934
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:restoration
|
gptkb:none
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay
|
gptkb:Giorgio_de_Chirico
|
|
gptkbp:sequel
|
gptkb:none
|
|
gptkbp:sound
|
silent
|
|
gptkbp:soundtrack
|
gptkb:none
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:sacrifice
faith
redemption
|
|
gptkbp:visual_effects
|
gptkb:none
|
|
gptkbp:bfsParent
|
gptkb:Edward_Burra
|
|
gptkbp:bfsLayer
|
5
|